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Aw man, thank you so much, this means a lot. Seriously, thank you. Yes, these are all sounds from the RS7000, basically internal waveforms but I rarely use the preset patches. Since the RS7000 has a pretty much full blown synth engine, you can do whatever you want so I tend to open a raw waveform sample and just go from there as if it was an analog synth. The drums are slightly tweaked one shots but there's nothing superfancy going on here. You know, I just try to have fun with all these machines I've been dreaming of in the early 2000s. These were superexpensive back then and now I finally got the chance to actually work with them so yeah..having fun is the main thing on the to do list:)

Appreciated back, my friend! Thank you so much once again for listening.

@@alfabutane 🙂

And sadly, there's none:( But let's keep the hope up.

Haha, cowbells are always sick. Thank you so much for listening man!

Thank you so much. Are they? I bought this 1,5 years ago for around 350. Best deal ever. Love this thing.

Thank you!

Many thanks man, appreciate you.

If it is, i like your name, Olaf. If it's not then I hope it's something similar.

Nice!!! And totally agree on that hwardware seq thing! Definitely one of if not THE best out there.

Hahaaaa thank you means a lot, go for it man, its a great machine!

Thank you so much!

Are you telling me I need to finally get that QY700?:))) Would love to try that one!

Thanks, that's a good question. It's just like on the RM1X. It doesn't matter if the phrase is different or the same. If you mute a channel on Section A and then go to Section B, the channel will be muted on that section too until you unmute it. But since the Section switching can be quantised, it's possible to trigger the section change and while the section change is waiting for the playhead to reach the next quantising point (anything from 1/16 to whatever length) you can unmute the channel manually right on time. It takes very little practice and works nicely once you get used to it.

@@alfabutane Thanks!

As alway, thank you so much, my friend!

Broooo, many thanks!

Many thanks man!

Awesome, thank you!

Thank you so much! Yeah they should! It's both the RS7K and the RM1X that deserve much more attention than they are currently getting. I'm from Bratislava, Slovakia.

Hahahaha, thanks my broski!

@@alfabutane 🙂

Hahaha yeah!

Yes sir.

That would definitely help and it's totally doable:))

Many thanks, yeah I always build these exercises out of 1-2 patterns max. It keeps the brain in the thinking mode.

aww man thank you so much!

Thank you so much! What you hear here is just the external gear. I've used the RS7000 as a sequencer only on this.

@@alfabutane Les Yamaha QY, RS, SU, RM1X sont de bons séquenceurs pour piloter midi d'autres synthétiseurs...

🙏🙏🙏

Many thanks broski, glad you liked this. The chops aren't perfect but I didn't want to spend too much time in the sampler section when the melody was already there.

Thank you!

Thank you so much. Glad you liked it.

I can absolutely understand this. As a sound design tool, the MC-505 excels and is in many ways better then the RM1X. But as you'v said, the RM1X is one hell of a sequencer. Especially for external gear. I can't imagine growing up without it.

Thank you so much!

So glad to hear this. Thank you so much!

Thank you so much for the kind words! Yes, the RS7K is something else, it's a wonderful piece of gear.

Hahaha maaaan, you da best! Thank you!

Much appreciated! Thank you!

Thank you so much!

Many thanks my bro!!

Thank you so much, my friend.

@@alfabutane 😉

That's an interesting way to put it. Thanks so much for listening!

Thank you so much, I'm really glad you like it!

Means a lot, thank you!

Can't agree more!🙌🙌🙌

Better then elektron?

@@JohannesLind my honest opinion: yes, much better on so many levels.

@@alfabutane ok, Im curious about in which way? Just more options? Looks slightly more menu divey But also looks very diverse

@@JohannesLind Much more polyphony, the sequencer is divided into logical sections that can be manipulated in real-time but without any step or bar limits, every channel is polyphonic. You have 16 channels divided into 16 sections, and all the data are stored within one pattern. You can have up to 50 of these. Also, you have this superb step resolution, very detailed MIDI editor and MIDI filter, live MIDI FX, super tight live rec feature, assignable knobs, mute memories and many other things. As a sequencer, this this is superior to most of the hardware stuff out there.

It's Yamaha RM1x. Thanks for listening!

🙌🙌🙌🙌

Thank you so much. Yes, the older version has only 8 channels but this can be done easily on the standard version too.

@@alfabutane Im sticking to the OG for now, but "+" version looks already amazing ;) Are you using a midi splitter box or just midi thru?

@@aki_gong6271 I still love the OG and it really has a special place in my heart so I totally understand your decision. For this video I've used a MIDI thru box that my friend built for me some time ago. It's a simple MIDI thru box with 1 in and 5 outs but it's all doable even without it using just the Thru connectors on all those devices.

@@alfabutane thanks for clarifying. I usually make use of a kenton midi box for those matters, it works wonders ;)