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CaptFitzbattleaxe
Registrace 25. 08. 2010
A place for old live performances of opera singers, particularly Joan Sutherland, that haven't made it onto CZcams yet.
Joan Sutherland's Glistening Coloratura Crowns Triumphant Rodelinda Debut
Handel's Rodelinda - Act 3 (sung in English)
Mio caro bene!
Dopo la notte oscura piu lucido
Performed live in 1959.
This clip is for educational purposes. Please purchase the complete performance here: www.pristineclassical.com/products/paco144?_pos=2&_sid=85467c8dd&_ss=r
Mio caro bene!
Dopo la notte oscura piu lucido
Performed live in 1959.
This clip is for educational purposes. Please purchase the complete performance here: www.pristineclassical.com/products/paco144?_pos=2&_sid=85467c8dd&_ss=r
zhlédnutí: 912
Video
[1966] I Puritani: A te, o cara (Alfredo Kraus & Joan Sutherland)
zhlédnutí 6KPřed 5 lety
[1966] I Puritani: A te, o cara (Alfredo Kraus & Joan Sutherland)
[1995] Now will you join me in a little cup of tea?
zhlédnutí 389Před 6 lety
English performance of "Ach, trinken Sie mit mir ein Täßchen Tee?" from Das Land des Lächelns (The Land of Smiles) by Franz Lehár. Jerry Hadey as Prince Sou Chong Nancy Gustafson as Lisa English Chamber Orchestra Richard Bonynge
1960 Joan Sutherland sings Il Bacio
zhlédnutí 3,2KPřed 7 lety
This recording always seemed too quiet, so I did a bit of sound editing to make it easier to hear.
Coward: I Knew that You Would be My Love - Joan Sutherland
zhlédnutí 1,4KPřed 11 lety
From After the Ball; Recorded 1966 I knew that you would be my love So long, so long ago. Before we met, The moment was set And the time drew near, Year by year. I dreamed the same enchanting dream That you were dreaming too. I had no doubt of it; Neither had you. Deep in our hearts we knew. In all our early years I wandered through Each step I took was leading me to you, And then, and then, an...
Dearest Love - Joan Sutherland - 1966
zhlédnutí 2,9KPřed 11 lety
From Operette by Noël Coward I saw your face Shadows of the morning cleared I knew that suddenly the world had dropped away. Somewhere in space Some new lovely star appeared To rule our destiny forever and a day. I knew the moment that I touched your hands The Gods had planned our meeting Now in this instant in the whole of Time, Our lover's rhyme is near completing. I saw you turn away and for...
Joan Sutherland sings Solveig's Song
zhlédnutí 115KPřed 11 lety
Recorded in 1972 for her album, "Songs My Mother Taught Me"
Joan Sutherland - Vissi d'arte - Studio Recording
zhlédnutí 6KPřed 11 lety
An unusually heartfelt performance for a role she never learned in full. Recorded August, 1972
1966 I'll Follow My Secret Heart - Noel Coward, Joan Sutherland
zhlédnutí 10KPřed 11 lety
Coward and the Bonynge's became good friends in the last decades of Coward's life. This piece opens a recording they made together with Sutherland singing and Coward narrating. From Conversation Piece Recorded 1966 Words: Melanie: No Matter what price is paid, What stars may fade Above, I'll follow my secret heart Till I find love. When my I love somebody, please? Paul: Not until you are safely...
1967 Ruddigore Cartoon Theatrical Trailer
zhlédnutí 9KPřed 11 lety
Cartoon created by Halas and Batchelor Music performed by the D'Oyly Carte Opera Company Created 1964-66, released 1967 Cast: Robin Oakapple - John Reed Richard Dauntless - David Palmer Sir Despard Murgatroyd - Kenneth Sandford Old Adam - George Cook Rose Maybud - Ann Hood Mad Margaret - Peggy Ann Jones Dame Hannah - Gillian Knight Zorah - Jennifer Toye Sir Roderic Murgatroyd - Donald Adams D'O...
1989 Falling in love with love Joan Sutherland Rogers The Boys from Syracuse
zhlédnutí 4,9KPřed 12 lety
A live recording made well over 20 years after her 1966 studio recording (czcams.com/video/84ZWOn48DmM/video.html). Still fabulous. Rogers: The Boys from Syracuse Arranged by Douglas Gamley
1966 Falling in love with love - Joan Sutherland
zhlédnutí 10KPřed 12 lety
Rogers: The Boys from Syracuse Joan Sutherland, soprano Ambrosian Light Opera Chorus New Philharmonia Orchestra Richard Bonynge Arranged by Douglas Gamley Excerpt of "Love Live Forever," Joan Sutherland's operetta album.
1968 London - Joan Sutherland in Les Huguenots
zhlédnutí 6KPřed 12 lety
Act II - O beau pays de la Touraine! London - January 7, 1968 From Sutherland's first live performance of Les Huguenots in the original French. I tried to clean up the sound, but only a little bit of noise would come out without distorting the singing. The little glitches in the trio are in my original.
Joan Sutherland - 11 Massive High Notes
zhlédnutí 84KPřed 12 lety
This is a tribute to the massive size of Joan Sutherland's upper range. 0:00 1959 B live - Lucia di Lammermoor 0:22 1960 D live - I Puritani 0:56 1960 D live - Lucia di Lammermoor 1:24 1961 E-flat live - Beatrice di Tenda 1:55 1962 E-flat - La Sonnambula 2:44 1963 D live - I Puritani 3:27 1963 D live - Norma 4:02 1963 E - I Puritani 4:37 1973 D live - Die Fledermaus 5:10 1975 D live - Lucia di ...
Joan Sutherland's Lucrezia Borgia debut: Com'è bello!
zhlédnutí 3,9KPřed 12 lety
1972 Tranquillo ei posa... Com'è bello Vancouver Opera Richard Bonynge October 28, 1972
1963 Ah! sento, o mio bel angelo - Joan Sutherland
zhlédnutí 10KPřed 12 lety
1963 Ah! sento, o mio bel angelo - Joan Sutherland
1959 Joan Sutherland's First Mad Scene
zhlédnutí 38KPřed 12 lety
1959 Joan Sutherland's First Mad Scene
1969 Joan's Blooper: Sage mir, Vogel by Abt
zhlédnutí 18KPřed 12 lety
1969 Joan's Blooper: Sage mir, Vogel by Abt
1969 The Nightingale (Solovei) by Alabiev - Joan Sutherland
zhlédnutí 42KPřed 12 lety
1969 The Nightingale (Solovei) by Alabiev - Joan Sutherland
Joan Sutherland, Tragic Actress - Part 2
zhlédnutí 1,5KPřed 12 lety
Joan Sutherland, Tragic Actress - Part 2
Joan Sutherland - The Top Ten High E Naturals (E6)
zhlédnutí 73KPřed 12 lety
Joan Sutherland - The Top Ten High E Naturals (E6)
1983 Thomas - Hamlet Act IV Ballet Music
zhlédnutí 5KPřed 12 lety
1983 Thomas - Hamlet Act IV Ballet Music
Tipsy Joan (1975 La Perichole - Ah, quel dîner)
zhlédnutí 1,7KPřed 12 lety
Tipsy Joan (1975 La Perichole - Ah, quel dîner)
1966 Vilja Lied - Joan Sutherland - The Merry Widow
zhlédnutí 57KPřed 12 lety
1966 Vilja Lied - Joan Sutherland - The Merry Widow
1975 Joan Sutherland - Donizetti: A Mezzanotte
zhlédnutí 2,9KPřed 12 lety
1975 Joan Sutherland - Donizetti: A Mezzanotte
Joan Sutherland - 1960 Let the bright seraphim (in Italian)
zhlédnutí 11KPřed 12 lety
Joan Sutherland - 1960 Let the bright seraphim (in Italian)
Joan Sutherland - I Puritani Finale Times Six
zhlédnutí 12KPřed 12 lety
Joan Sutherland - I Puritani Finale Times Six
Hay algo más encendido en la penumbra de la emoción? Cuánta belleza en ellas. Gracias, de corazón!!!
Impresionante. Inmensa. Genial. Me ha emocionado. Muchas gracias.
Ci sono cantanti MIGLIORI DI LEI ....MAI vista questa grande cantante......
Maria Calas, prima Dona, Diva das Divas. ❤❤
La soprano, alta como la columna de un templo griego, con una espalda de estibador, cuello de toro y quijada de boxeador. La mezzo, con cara regordeta de bebé, mide un metro cincuenta😑 Me imagino a aquella grácil y delicada Adina en el escenario, capaz de derrumbar a Belcore de un guantazo, o que frágil y virginal Leonora, lamentándose al pie de la torre. Todo un desafío para el más _pintáo_ Don Giovanni, quien seguro se lo pensaría dos veces, antes de asaltar el lecho de semejante Donna Anna, enfrentado a la perspectiva de ser defenestrado y acabar la ópera apenas empezar. La Ulrica de Horne, debe ser incapaz de asustar a un chico de jardín de infantes, y su Carmen redonda en miniatura, en lugar de enloquecer a los hombres, debe inspirar le pellizquen los cachetes🤭
Con ese criterio entonces, si ves la Olympia de Sutherland, te desmayás🤣 czcams.com/video/BiDa2FEfOpU/video.htmlsi=UNN3nH2ExAtF_NLG
@@robertolopez1892 Para figurar en la galería de los horrores de un museo de cera🤦🏻♀️
¡Já! Si, pasa algunas veces que el físico no acompaña al tipo de voz. Ahí tenés sino, el caso emblemático de Pavarotti: una voz de tenor _auténtica_ , que salía de un cuerpo redondo de 150 Kg. Y del otro lado tenés, por ejemplo, a un enclenque como Leo Nucci, que cantaba como barítono.
Odiosa...non vedo sto talento unico 😂ci sono voci più belle e interessanti
Люблю.
Si quieren no pongan ninguna música que yo no he botado mis cd porque yo no le voy a poner más carga a mi sueldo ..pónganse a trabajar y a ahorrar que si es que se amasa fortuna no gastando el dinero en disparate con eso no quiero decir que la ópera no me gusta al contrario me encanta tanto que aveces lloro y digo que eso sopranos deberían tener vida eternna...son verdaderos angeles
Золото.
I am honored and was honored to have met both of them.
It's a shame they never did another theaterical feature film!..
Before PBS came into being, the commercial television networks (ABC, CBS, NBC) were the outlet for classical music on the small screen.
Conducted for the talents of callas, not Sutherland. This was painfully sluggish
There will never be another Dame Joan Sutherland!❤❤❤❤❤❤❤❤❤❤❤😂😂
This is absolutely heavenly. The finest singing I’ve ever heard!
Tecnicamente sem rival. Bravíssima.
0:11
❤
Joan Sutherland sang in the stratosphere. It's amazing her career lasted as long as it did. A similar singer, Natalie Dessay, had a much shorter career and many vocal crises.
Wow, Dames Joan Sutherland and Janet Baker in the same production. The other singers are also excellent.
She was perfection…. RIP, Joan Sutherland! ❤❤❤❤❤❤❤❤❤
Does anyone know where to find the complete performance in correct pitch? The cd release from MYTO is pitched too high
Does anyone know where to find the complete performance in correct pitch? The cd release from MYTO is pitched too high 😕
Thankyou, I am moved to tears.
Great harmonizing by Ms. Horne and Dame Joan.
Thats how you do it!!
Люблю всегда.
As of today, looking back, only two sopranos are in a class of their own. Sutherland and Birgit Nilsson. With only 5 years age difference , they dominated the 60-ties, 70-ties and into the 80ties. Birgit ended her opera career in her mid 60ties with Electra in Frankfurt. But continued with concerts to her 70-ties. Joan also in her mid 60ties, the Huguenots in Sydney. An interessting fact is that both discovered their perfect head voice, when they had a flu, and forced to find a way around it in the " mask", and stayed with that technique. I have heard both of them live in various operas. Joan rocked the Opera world by singing coloratura on full voice. Not really heard before. Birgit, a massive, powerful voice, range from G3 Salome to F6, my favourite with Joan La Traviata, and Lucia with Birgit Tanhauser and Isolde. Can still feel how I was pinned to my seat, hearing both of them live back in the 60ties and 70-ties. There are many other fabulous sopranos, Moffo, De Los Angeles, Milanov, Freni, etc. deliberate ly left Callas out, only a few recordings from the early 50ties with Karajan, was excellent, one soprano people rave about, Caballe, maybe on recordings, where you can turn the dial, make a small voice bigger, but Caballe live, you need a front seat to hear her, quite pathetic.
This is amazing singing and in some ways it doesn't sound like singing at all. Her voice was truly some type of unique instrument that it sounds like she is playing. It almost sounds like I'm listening to a science fiction movie with a singing alien, and I mean this in the best way possible. Once you hear the Sutherland "voice" at its best other voices always sound like something is missing. I just take her out of the equation when making comparisons. The only one FOR ME who almost falls in this category is Leontyne Price in her prime. There are amazing singers throughout history who have given me great joy as well, but this is just something I experience differently.
Tal vez no me agrade tanto la velocidad porque es muy rápido y Mozart era muy exacto en lo que quería. Lo MUY INTERESANTE es que lo hizo como lo escribió Mozart en 432 Hertz que se escucha mucho más armonioso. Desde hace varios años están subiendo todas las orquestas a 440 y ahora se atreven hasta 445 Hertz lo que es espantoso porque suena muy chillón, disarmónico y cada vez más exigente para la soprano. Se pierde la calidad del sonido. PAREN DE SUBIR LOS HERTZ ES CONTRANATURA.
The Great Robert Merrill in his best; what a comforting voice !
Es UNA VERDADERA DELICIA ESCUCHARLAS. BRAVISSIMAS❤❤❤❤❤❤❤❤❤
Not that I dislike Berbie on the studio recording but she and Huguette had such beautiful vocal chemistry that was always a joy to hear together, whether Norma or Esclarmonde or Maria Stuarda or Lucia di Lammermoor, etc.
Just exceptional joy
1959: the last Callas' Lucia and the first Sutherland's Lucia
This Nightingale had been closed by Debora Pantofel-Nechetskaya long ago: czcams.com/video/i5BvUXFzR8E/video.html
Marilyn sings the opening section so effortlessly, and her facial expressions mirror her role as Norma's handmaiden. Dame Joan is proud and erec, and she listens to her servant with rapt attention. It really doesn't get any better than this. Thanks so much for posting!
She was absolutely incredible in performance and recordings. I heard her at the Met, Covent Garden, and Chicago Lyric and she was always stunning. She was also very sensitive to her public. After one performance at the Met [Sonnambula] on a very cold winter night, a very large group waited outside the stage doors to try to get a closeup glimpse of her. After about half an hour [it was close to zero degrees] only four of us were left and we had just talked about leaving when the door opened and someone said "Miss Sutherland wonders if you would like to have tea with her?" We were escorted to her dressing room and spent almost an hour talking with her and Bonynge [and having tea]. The other three who had waited were voice students at Juillard and she was quite good with them in answering questions about vocal performance. I was "just" a fan but she paid attention to me as well which showed her great modesty and caring for her public.
Sutherland is so unique in the history of singing. As a singer it is fascinating to watch her. it's like she is playing an instrument, the inside of her face, that she is manipulating using the outside of her face. Every position of the mouth is in the service of the sound, her eyebrows are like picks on guitar strings as she brings them up and down depending on the pitch. The lift of the soft palate and how she breaks into what looks like a big smile on her highest notes to give her room for the huge sound on the Eb. It's technique beyond what anybody has ever attempted and she relied on it and trusted it completely. Then you can ignore all that and just listen at what that creates. Sometimes technique creates the art.
5:38 favourite part!!!!! immaculate staccatos, with a soft attack and perfect coordination. MAGIC
A fan2. Concordo Ho sentito tutte le altre e lei è un bel po' sotto. Forse era già su cogli anni
Sung in such a low key
It’s easy to hear why Joan was such a sensation in her first Lucia at Covent Garden. At this stage of her career the voice was at its finest, fresh, brilliant, totally secure, in fact a miracle of bel canto singing. By the 1980’s, while she could still manage those high notes, her voice was a different animal, a very long way from those sensational early years. Certainly we will never hear her like again.
3:30
Stunning… that entire concert from Germany was divine, powerful, and delicate Mozart too
Separately, they were unequalled...together, divine.
Amazing! Thank you!
❤
О Боже, это какая-то неописуемая красота 😍😇😇
Splendid delight!!