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No Magnolia
United Kingdom
Registrace 22. 11. 2011
We're a video production company based in Reading, UK, producing videos for a variety of different clients ranging from nonprofits through to large entertainment and media companies.
DaVinci Resolve Quick Tip 06 - Scene Cut Detection Tool
Part six of our Quick Tips series focuses on using the scene cut detection tool in DaVinci Resolve 15
zhlédnutí: 151
Video
DaVinci Resolve Quick Tip 05 - Powergrades
zhlédnutí 162Před 5 lety
Learn how to create powergrades using DaVinci Resolve 15, part of the No Magnolia Quick Tips series. Read more here: nomagnolia.tv/powergrades/
DaVinci Resolve Quick Tip 04 - Vignettes
zhlédnutí 76Před 5 lety
Get to grips with vignettes in this episode of Quick Tips - handy tips using DaVinci Resolve 15. Read more here: nomagnolia.tv/vignettes/
DaVinci Resolve Quick Tip 03 - Timeline Level Grade
zhlédnutí 263Před 5 lety
Learn how to carry out a timeline level grade in this episode of Quick Tips using DaVinci Resolve v15. Read more here: nomagnolia.tv/timeline-level-grades/
DaVinci Resolve Quick Tip 02 - Moire Removal
zhlédnutí 21KPřed 5 lety
The second in the series of Quick Tips focusing on how to remove moire in your videos using DaVinci Resolve v15. Read more here: nomagnolia.tv/moire-removal/
DaVinci Resolve Quick Tip 01 - White Balancing
zhlédnutí 746Před 5 lety
The first in our series of Quick Tip tutorials focusing on how to white balance in post production using DaVinci Resolve v15 Read more here: nomagnolia.tv/white-balance-in-resolve/
Funke and the Two Tone Baby - Heavy Feet
zhlédnutí 2Před 5 lety
Funke and the Two Tone Baby performing his track 'Heavy Feet' live in Reading. For more info, visit Funke's website at funkeandthetwotonebaby.co.uk/ Produced by No Magnolia Productions (nomagnolia.tv) Directed by Neil Neenan Live Audio by RJames Audio (rjamesaudio.co.uk/) Cinematography by Matt Gibbs Cameras by Matt Gibbs, Neil Neenan and Nienke Quarré Location courtesy of RYND, Reading (ryndre...
Vesper Electric String Quartet
zhlédnutí 22Před 5 lety
Dynamic electric string quartet, Vesper, breaks the rules of traditional electric string groups, and brings live effects, extraordinary energy, and a fresh take on the genre. Find out more: nomagnolia.tv/portfolio/vesper-electric-string-quartet/ Produced by No Magnolia Directed by Neil Neenan Director of Photography - Nathan Claridge 1st AD - Sherice Griffiths 1st AC - Jack Edwards Gaffer - Pet...
Protect Your Bubble - Geraint Thomas on the Cardiff Bay Trail
zhlédnutí 46Před 5 lety
We created this video for insurance company Protect Your Bubble in October 2016. It was a last-minute change of plan due to an unavailable location, so the entire thing was conceived, planned and executed in three weeks. More info here: nomagnolia.tv/portfolio/geraint-thomas-filming-cycling-legend/
Verizon Connect - UK Version
zhlédnutí 173Před 5 lety
A launch video we made for Verizon Connect (verizonconnect.com/uk), one of seven variants (the others were Dutch, French, German, Polish, Irish and Australian). Shot on ARRI Amira and Canon CN-E primes in England, Scotland, the Netherlands, Germany, Switzerland and Portugal. For more details: nomagnolia.tv/portfolio/verizon-connect-a-video-brand-for-a-5bn-company/
Joel Tarr - 4K Blacksmith Promo
zhlédnutí 272Před 5 lety
Joel Tarr is a self-taught Blacksmith and metal artist from Kent. Produced by No Magnolia Productions Directed and edited by Neil Neenan Filmed by Neil Neenan and Nienke Quarré Audio editing by Nick Hill A detailed case study can be found here: nomagnolia.tv/portfolio/joel-tarr-blacksmith-4k-promo/
Premiere CC2019 timeline error
zhlédnutí 583Před 5 lety
A weird crash that seems to happen every time I try to create a timeline in Premiere CC2019.
After Effects Star Wars opening crawl tutorial
zhlédnutí 6KPřed 8 lety
If you're new to After Effects and want to know how to recreate the opening titles to Star Wars, here's a quick tutorial which shows you the whole process from scratch, including the font to use and what colour it should be.
On board with Amira
zhlédnutí 490Před 9 lety
Shot & Edited in 24 hours at IBC 2014, Amsterdam. ARRI treated their UK clients to a boat trip through the canals, and we were on hand to record it for posterity, using the ARRI Amira.
Collected Memories - London 48 Hour Film Project 2011
zhlédnutí 11Před 9 lety
Our entry for the London 48 Hour Film Project 2011. It had to be a musical, and include the following items: Alistair / Alison Sanders, "a collector" a brush the line "should we leave it like this?" www.nomagnolia.tv
Tim Minchin Interview & Live Performance
zhlédnutí 3,5KPřed 9 lety
Tim Minchin Interview & Live Performance
Chick Flick - London 48 Hour Film Challenge 2010
zhlédnutí 34Před 9 lety
Chick Flick - London 48 Hour Film Challenge 2010
Try this again with footage from an A7 II. Your starting point was pretty acceptable! :D
Great video thanks
Tim is awesome - so intelligent and down to earth. Disappointing that Tim talks about ignoring social media comments and the lack of value they can add, then you don't include the second song for fear of creating angst...
Nice and quick. Tried the double mode, mix blend method trying to be all clever, and ended up with a lot more nodes as I was getting separation drift as it was pretty bad and had to compensate with all sorts of nonsense. Tried the quicker way you demonstrated and ended up at the exact same result in the end. For a bad moire like a slow zoom on a still of a fine-patterned shirt, just use this method first: if happy, move on with life. There's no wrong way as long as you get it fixed for QC so you have more time for the real painful stuff.
another easy way to do this, without losing any quality, is the exact same way, but select mist, not blur
Great tip, thanks!
I agree 100% with everything Tim says. He is so inspirational.
Hi Nick, just came across your tutorial here. Is it possible for you to translate the Camera settings for a 1080p project rather than this 720p project? The effects you display here in the tutorial do not happen if I set the Camera exactly as you have it but for my 1080p composition. Any help would be appreciated.
Hi - which effects are you referring to?
@@NickHillAnimation The focal blur doesn't happen with my project because I'm working with a 1080p project. No one else has gotten this right but you. And I really want this proper focal blur to happen with mine...but your Camera settings don't work in 1080p.
@@AranFever ah OK, in that case try increasing the camera's aperture - that will increase the effect of the blur so you should be able to see it. If you still can't, then play with the focal length: make the aperture really big first (try 100 or more, you can always dial it down later) and that should make it obvious what's in focus and what isn't.
@@NickHillAnimation Okay thanks, I got it now. So, what worked for me is, Camera settings set to Focal Length = 28mm, Film Size = 36mm, Zoom = 526.81mm, Angle of View = 65.47°, Focal Distance = 299.86, Aperture = 5.29mm, F-stop = 5.3, no Lock to Zoom; then timeline Camera Options are Zoom = 1493.3 pixels, Focus Distance = 850 pixels, Aperture = 15 pixels.
very helpful, thanks.
thank you.
Very cool and to the point! I have gone full DR so I'm always in search new nuggets of wisdom. You have a new sub (me) so keep it coming!
Don't agree: in your way you loose texture details. Much better creating a blending solution: blurring the selected-color node and color-blending it together with another B/W node. In this way you should solve the moire issue while maintaining the texture details.
video please
@@Moses_Kanneh It's very easy indeed, no need for video. Basically make a Layer node (now you have 2 parallel/overlapped nodes: the upper node is the bottom layer, the lower node is the upper layer), then set the Layer mixer to Color. Upper node saturation at 0 (so B/N), while on the lower node start blurring until the moire is disappeared. In this way you can blur the color only, maintaining the B/N details. It is advisable combining this method with Power Windows for working only on most affected areas.
@@adrianocastaldini Thank you very much. I'm going to try this. I noticed Moiré in the some fabrics and jean pants while using a Sony a6500. I didn't think you could get rid of it. =^)
@@Moses_Kanneh Actually it's not so easy to get rid of it: it depends on moire amount (sometime could be sufficient a bit of denoise, sometime it's impossible to fix it). Anyway I'm sorry: I was wrong about a step: upper node is NOT monochrome, but has to be corrected in its hue values (via Hue or via RGB Mixer) in order to fix also the "brightness" moire. Also, instead of simply blurring the lower node (the one for Color blending) it could be possible to substitute the moired area with a "median" solid color. So you'll have 2 layer nodes: upper one with hue correction (to fix brightness moire) and the lower one (blended as Color) with a median solid color (in place of the color moired area). Anyway it's not always possible to go for it. Here a good old guide for Photoshop that could inspire also Davinci users: photographylife.com/how-to-remove-moire-in-photoshop
@@adrjork really would be nice to find a vid to lay out this approach in DR
Just a quick tip for you. For us newbies, show and tell everything. I didn't know what the qualifier was. I had to go to another tut to figure it out. I thought it was a node, because when you said that a node appeared. I assume you did alt-s (I learned that from the other tut). So you should have gone "type alt-s to create another node and choose the qualifier. It's the icon that look a dropper located here." then circle/highlight/arrow
Thanks Chris, that's a very valid point - we'll make sure we explain ourselves better in future tutorials. Apologies! :)
Nice
Well, I found it useful! I am a graphic designer with basic knowledge of After Effects and the tutorial helped a lot, cheers.
Cannot thank you enough for this tutorial, my friend. I was failing spectacularly until I found this, my sincerest thanks!
This, in my opinion, is the most complete and best looking Star Wars opening crawl tutorial on youtube! Very well done!
That's high praise indeed - thank you! :)