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Daniel Kutz
Registrace 1. 05. 2006
5 min excerpt from Britains Greatest Codebreaker
A fascinating excerpt from Codebreaker.
www.imdb.com/title/tt2119396/
The film also includes the testimony of people who actually knew and remember Turing. Plus, this film features interviews with contemporary experts from the world of technology and high science including Apple co-founder Steve Wozniak. These contributors bring Turing's exciting impact up to the present day, explaining why, in many ways, modern technology has only just begun to explore the potential of Turing's ideas.
www.imdb.com/title/tt2119396/
The film also includes the testimony of people who actually knew and remember Turing. Plus, this film features interviews with contemporary experts from the world of technology and high science including Apple co-founder Steve Wozniak. These contributors bring Turing's exciting impact up to the present day, explaining why, in many ways, modern technology has only just begun to explore the potential of Turing's ideas.
zhlédnutí: 1 128
Video
James Cameron interview about psychedelic Trips (somewhere in mid 80's)
zhlédnutí 811Před rokem
James Cameron discusses tripping on acid in this remarkable interview. This footage was part of an unfinished feature documentary shot in the mid 80's by Tom Huckabee. © 2022 | NPF | Trips (TH Legacy Project) I have taken it from newpalacefilms and tried to improve the visual and audio quality. Original video is at czcams.com/video/BC63BPsx-1s/video.html
Horizon's look a ILM and VFX - Part 4 (Ken Ralston & Shot SB19)
zhlédnutí 42KPřed 14 lety
Horizon's look a ILM and VFX - Part 4 (Ken Ralston & Shot SB19)
Horizon's look a ILM and VFX - Part 3 (Rotoscoping)
zhlédnutí 55KPřed 14 lety
Horizon's look a ILM and VFX - Part 3 (Rotoscoping)
Horizon's look a ILM and VFX - Part 1 (Optical Printing)
zhlédnutí 98KPřed 14 lety
Horizon's look a ILM and VFX - Part 1 (Optical Printing)
why not just film the ships against a black background and use that to create their matte?
Thanks for the video !!!
This is one of the reasons why The Lord of The Rings is superior to Harry Potter, because the color grading in theses films are more vibrant and grander that makes it far more exciting than Harry Potter washed out grayish, that makes it look dull and boring.
This makes me wonder why they completely changed all this for the extended editions
Thanks man for putting it out! Great stuff
love it
Really cool interview, I share a lot of his perspectives on psychedelics, mainly how there's not some "other realm" we access but just seeing the normal world from a completely different perspective -- I've always said it's like unhooking your brain and hooking it up to a different computer, or like walking away from a difficult puzzle, and when you come back the answer is just plain and true staring you right in the face.
seriously awesome right
Is this James Cameroon at 4:22 ?
No, Cameron didn’t work at ILM. He worked for Roger Corman’s New World Pictures.
You will be surprised.
Everything from ILM is great.
The subtle work that goes into exemplary films is often underrated, but it lives forever in the final product. 🙂
Thanks. You're missing part 2?
czcams.com/video/mw3EvuRkQVw/video.html
Remember computers in the 60s? They were a big as buildings. Where do you think this will go?
So what u gona fight saying I got 3grm u got tons ...AI are in learning process like baby
I'm a gardener. If rgw robots come to my house to do something evil, there's an 80% chance that I'll have a hose in my hand, on full blast
Uitgerekend jij moet toch beter weten! Je blijft voor mij een held
Yeah atm thats the case but it wont be like that forever. Look how quick computers have improved and shrunk
Yeah but the technology keeps getting better and once the technology is self fulfilling then the thing we’re afraid of happens.
What an excellent upload. Thanks very much for sharing.
loll in twenty years the process is basically the same except that you put directly the camera output which is digital now, in the software
Finally, the explanation I’ve been waiting my whole life for 🤣
Helpful explanation. This is pretty technical, I wonder who developed this technique?
Linwood G. Dunn expanded the concept in the 1930s by creating an optical printer that eliminated the necessity to create optical effects in the camera, and which was used in King Kong. These first optical printers had to be individually developed by each movie studio.
Going back and watching the movies now - they clearly did an incredible job.
The problem for a true 4k they need to re scan in 4k the original camera negative , and re render the maya and renderman file in true 4k, the other problem is the sfx where composite with Apple Shake in 2K, it's too much rework.
This one Matrix 2 and 3 and Avalon from mamoru Oshii, was some early digital grade movie i think it was a Quantel system, but the new HDR grade probably use Da Vinci resolve, in the case of lord or the ring it help bring light and color continuity, from shot to shot because it was very difficult to manage so much shots with an analog process.
Does anyone know how the "background matte" was created?
Which is why if you have a vhs or beta max video of the star wars movies you can see the outlines of the of items with in the background scenes, like spaceships and other objects ,you can see the matt inserts everywhere. :)
So I bet they just took the 2k DI scan and used that for the 4K discs. I just watched them and there’s no way they took the original 35mm negative and used that. The characters looked waxy and the colors looked all wonky and HDR was really bad
I think that the Fellowship of the Ring does benefit from 4K in some ways, albeit it's definitely not a standout disc. The other two films did not impress me with their visuals, if I may be honest.
That "red knob" is an Admiral Ackbar bust.
Just watched these for the first time in 4k and the colours look terrible ! Yellows look GREEN and Highlights look blown out ! Terrible editing in my eyes,
Yes, I thought it was just me. weird green and magenta balance.
Notice that the film of each of the elements run horizontally rather than vertically, as is typical with 35mm? That's because the elements were filmed in VistaVision.
Nice, I had this shown in my class because in the class we were studying Alfred Hitchcock's Rear Window, and when I was watching the movie there is a bluescreen shot. The shot is at watch?v=oowcsynjIwc at timestamp 2:07.
Yep, caught that as well. The Star Wars triolgy was shot on 35mm anamorphic. VistaVision is both non-anamorphic (perfect for optical composites) and has more image area, even with top and bottom cropped to (about) 2.39:1. The only drawback is that the final optical composite in VistaVision has to be printed onto 35mm anamorphic to be inserted into the original camera negative edit.
@@truefilm6991 _"The only drawback is that the final optical composite in VistaVision has to be printed onto 35mm anamorphic to be inserted into the original camera negative edit."_ The reasoning behind doing the VFX shots in VistaVision, in addition to the fact that it's non-anamorphic, is that it has higher resolution than something like 35mm Panavision. When you make an optical composite, there will be diminished resolution in the final result owing to generational loss because the composite is literally a copy of each of those elements combined into one. Doing the VFX elements in a higher resolution format compensates for such loss, so the final composite will reasonably match, quality wise, with other assets used in editing. Of course, digital compositing solves a lot of the problems involved with optical compositing.
Thank you so much for this video so we can appreciate all the work these guys have done
3:51
Personally, I prefer these old fashioened film techniques because they feel more hand made. I want to make movies that use but traditional and computer effects because I don't want to forget about the old school techniques.
Color grading is such an under appreciated part of filmmaking. Postproduction is awesome.
really wish captions were available! guess i don’t get to enjoy this!
you're not missing much they basically just say "we changed the colors/contrast/ratios to make the scene richer/more realistic"
Hi Daniel, Thanks! I can't download the full show, maybe the link doesn't work. Can you help me? Nice work! See ya.