Zamisers7k
Zamisers7k
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Tuesday Night Jam Session part 2
Miku Hatsune Synthesizers RS7000, Pocket Miku, HydraSynth, MPC One+, Keystep Pro, AN200.
Hoping I got rid of that pesky clicking and popping I have been having for months, simply increased the buffer on the old Scarlett 18i20 seemed to be the issue, but not 100% sure maybe just got lucky, I've been trying to diagnose the issue for quite a while, levels and quality and everything seems to sounding a bit better on this jam I hope, enjoy!
zhlédnutí: 166

Video

Tuesday Night Jam Session part 1
zhlédnutí 6Před 7 hodinami
Kind of getting setup for more jamming, will post more synth info in part 2
Thursday Night Jam part 2
zhlédnutí 23Před 19 hodinami
Miku Hatsune Synthesizers are RS7000, Pocket Miku, MPC One , Keystep Pro, HydraSynth and Plane9 visualizer
Thursday Night Jam part 1
zhlédnutí 67Před 19 hodinami
Miku Hatsune Synthesizers are RS7000, Pocket Miku, MPC One , Keystep Pro, HydraSynth and Plane9 visualizer
PreJam stay tuned for Jam
zhlédnutí 7Před 21 hodinou
RS7000 HydraSynth MPC One plus. Keystep Pro. Miku Hatsune.
Jam Session w RS7000 & HydraSynth
zhlédnutí 76Před 28 dny
Jam Sesh. Enjoy!
Friday Night Jam Extended Version
zhlédnutí 24Před měsícem
Just jamming out tonight nothing too crazy but nice to have some grungy guitar playing and some more hot visuals from @CHARLTONEDWARDSTUDIOS
Experimenting with MPC One Plus, RS7000, Keystep Pro.
zhlédnutí 54Před měsícem
Enjoy a Friday Night Jam with MPC One Plus, RS7000, Kestep, Miku Hatsune etc...
Miku Hatsune w some Akai MPC One plus
zhlédnutí 28Před měsícem
Re-Upped. We are learning some new things. Lot of this soundwise is the MPC One Plus, got a bit of Hydrasynth and RS7000 master seq and w pocket Miku. I have been worrying about some clicking and popping on the focusrite 18i20 but bought a new one and it was still doing it so I moved another smaller focusrite that was sitting on top to below and it seemed to stopped a lot of the clicking and po...
Creating some Jungle D&B on RS7000
zhlédnutí 94Před 2 měsíci
Creating some Jungle D&B on RS7000
Ready For It re-up cover song
zhlédnutí 107Před 3 měsíci
Miku Hatsune cover ;)
Friday Night Jam Session Set Up and Jam with Miku Hatsune
zhlédnutí 39Před 4 měsíci
Included Synths are ASM HydraSynth, Yamaha AN200, Arturia Keystep Pro, Pocket Miku, RS7000 and some jammy jammerness disco lights.
Miku Passes Out During Jam Session
zhlédnutí 16Před 4 měsíci
Miku Passes Out During Jam Session
Jamming Out with Miku Hatsune
zhlédnutí 109Před 4 měsíci
Just another fun nite of jamming with Miku Hatsune the vocaloid. Synthesizers: RS7000 AN200 HydraSynth NsX-39 Plane9 visuals.
Setup and Jam Session with Miku Hatsune on Vocs
zhlédnutí 95Před 5 měsíci
Still kind of sorting some things out but hopefully less choppy. Synths are AN200 Hydrasynth RS7000 Gakken NSX-39
Second Jam Session with Miku Hatsune
zhlédnutí 61Před 5 měsíci
Second Jam Session with Miku Hatsune
Jam Session with Miku Hatsune
zhlédnutí 389Před 5 měsíci
Jam Session with Miku Hatsune
My Miku Hatsune setup demo
zhlédnutí 96Před 5 měsíci
My Miku Hatsune setup demo
Friday Night Jam Session
zhlédnutí 48Před 7 měsíci
Friday Night Jam Session
Quick and Dirty Jam stream night. Enjoy!
zhlédnutí 13Před 7 měsíci
Quick and Dirty Jam stream night. Enjoy!
Full Raw stream of song creation pt 1 of 3 Yamaha RS7000 AN200 DX200
zhlédnutí 58Před 8 měsíci
Full Raw stream of song creation pt 1 of 3 Yamaha RS7000 AN200 DX200
Full Song Creation pt 2 of 3
zhlédnutí 12Před 8 měsíci
Full Song Creation pt 2 of 3
Full Pattern to Song creation pt 3 of 3 Yamaha RS7000 AN200 DX200 synthesizers
zhlédnutí 80Před 8 měsíci
Full Pattern to Song creation pt 3 of 3 Yamaha RS7000 AN200 DX200 synthesizers
Short Friday Night Jam
zhlédnutí 57Před 10 měsíci
Short Friday Night Jam
Friday Night Synth Jam Night
zhlédnutí 114Před 11 měsíci
Friday Night Synth Jam Night
'DAWless' Friday Night Jam
zhlédnutí 52Před rokem
'DAWless' Friday Night Jam
'DAWless' Synthesizer Jam Night
zhlédnutí 75Před rokem
'DAWless' Synthesizer Jam Night
Test Twitch stream with 5 cams & RS7000 Plane9 visualizer.
zhlédnutí 73Před rokem
Test Twitch stream with 5 cams & RS7000 Plane9 visualizer.
Jam Night with SUPER HOT HOT VISUALS!!!!
zhlédnutí 67Před rokem
Jam Night with SUPER HOT HOT VISUALS!!!!
Lovely QS Jam Session with HOT VISUALS!!!!
zhlédnutí 73Před rokem
Lovely QS Jam Session with HOT VISUALS!!!!

Komentáře

  • @charlesbulinsky3532

    Nie wiem co to ale buja

  • @Tubeinnit
    @Tubeinnit Před dnem

    🎛🎹🎶

  • @novaondasintetica
    @novaondasintetica Před 8 dny

    Very good!

  • @ELECTROSLOTH
    @ELECTROSLOTH Před měsícem

    I like.

  • @marcrutzou_gets_puss
    @marcrutzou_gets_puss Před měsícem

    this is sick

  • @113odyssey
    @113odyssey Před 2 měsíci

    You got a vibe going here with this one!

  • @HyperRealityChannel
    @HyperRealityChannel Před 4 měsíci

    whoah...kraftwerk esque jams with avante garde miku landscapes? now this is c y b e r

  • @CarlosSantana-xt4sv
    @CarlosSantana-xt4sv Před 5 měsíci

    That's so cool to watch

  • @fingerstyledojo
    @fingerstyledojo Před 5 měsíci

    what the fuck? how does one jam with Miku? 😂

  • @crayon3577
    @crayon3577 Před 5 měsíci

    Yaaaaay!

  • @markxl1
    @markxl1 Před 5 měsíci

    Still got the rs7000 😊

  • @rewiremusic4540
    @rewiremusic4540 Před 5 měsíci

    Have you seen Dreamtronics Synthesizer V? Pretty close to real sounding if programmed right. I'll send you my song using it

  • @beyondtrash2900
    @beyondtrash2900 Před 5 měsíci

    true vtubing hasn't been achieved until now

  • @jimllpaintit-vids
    @jimllpaintit-vids Před 10 měsíci

    Thank you so much. I spent all of last night trying to delete tracks from one section only for them to disappear everywhere else. Nearly launched my RS7000 into a wall. Thank you for showing me the way.

  • @thefoxfamily341
    @thefoxfamily341 Před rokem

    Nice beats. I like it..

  • @nekrozone
    @nekrozone Před rokem

    26:00 cool part ! 😮

  • @rewiremusic4540
    @rewiremusic4540 Před rokem

    Bassline at 13:41 Awesome!

  • @neilbriscombe
    @neilbriscombe Před rokem

    Great work, great to see how it was done and great views on the details. There's so much to learn about the RS7K this really helps :) 🕺❤️

  • @xisotopex
    @xisotopex Před rokem

    is it possible to have the rs7000 output a click in order to sample live playing?

    • @zamisers7k
      @zamisers7k Před rokem

      I am not sure what exactly or why you are asking... Is it for analog modular live playing? Not sure need a click (for tempo right?) otherwise? Otherwise just use normal midi to get your stuff tempoed/BPMed out properly??? The RS doesn't do what I think you are asking so much, but perhaps hook up something like an Arturia Microbrute or maybe some of the ASM HydraSynths or some other more modern gear/synths that includes midi and modular input/outputs for generating a click beat to hook up your modular gear to with the RS and keep all that stuff synced up in time??? The RS is not the best for recording samples from otherwise, there is an issue where there is some timing lag and rubberbanding to catch up on from the beginning of phrase loops (not as bad as other gear from the era in my limited humble opinion but is and can be noticeable if you are in to sample heavy gear/synths/stuff), so converting phrases to song mode where you have multiple loops and you gather your sample from one of the middle loops will then likely be more tight to get proper sample timing from the RS... this can be a bit more complicated than expected on the RS since phrases per track can also be able to have independent time signatures, but the default 4x4 not so much an issue if you stick to that, anyhow hope this info helps some :) :) :) :)

  • @xisotopex
    @xisotopex Před rokem

    it would be great to have a software editor for the rs7000

  • @xisotopex
    @xisotopex Před rokem

    this is not in the manual

  • @xisotopex
    @xisotopex Před rokem

    very cool trick

  • @sonfx
    @sonfx Před rokem

    Awesome space. I've been looking at one of those Peaveys. Do you ever pair it with the RS?

    • @zamisers7k
      @zamisers7k Před rokem

      I have, it is really cool with the RS, think adjusting cutoff on several track/channels at the same time, or velocity, it also remembers the velocity level when muting so it does remote muting.

    • @sonfx
      @sonfx Před rokem

      @@zamisers7k Yes that’s why I’d get it too. Was primarily looking at it for the QY70, because that one lacks any kind of hands on control but it would be even cooler with the RS. Can the RS get controlled like that (multiple cutoff etc) from a simple midi controller with faders too, or does it only work with SysEx?

    • @zamisers7k
      @zamisers7k Před rokem

      @@sonfx It can yes.

  • @Tubeinnit
    @Tubeinnit Před rokem

    Awesome, what are the two to the left of your RS7000? 🎛🎛 👍🏼

  • @xisotopex
    @xisotopex Před 2 lety

    on board sounds or are you sequencing external gear?

    • @zamisers7k
      @zamisers7k Před 2 lety

      100% RS7000 sounds on this vid

  • @______BS______
    @______BS______ Před 2 lety

    very UR!

  • @alexsingt...9436
    @alexsingt...9436 Před 2 lety

    nice job . . . dark as hell !!

  • @lucid484
    @lucid484 Před 2 lety

    I just recently bought a used MC-505. Got one when they first came out and used it in a band extensively in the early 2000's. Such a powerful JV sound engine, but man those preset sounds are sooo Roland.. lol =)

  • @Tubeinnit
    @Tubeinnit Před 2 lety

    Love these jams! 👍🔊🎶

  • @Tubeinnit
    @Tubeinnit Před 2 lety

    Ace! 🎛👍

  • @TRaddcliff
    @TRaddcliff Před 2 lety

    you guys in diff locations? if so are synced online, or by ear or at all? [thumbs upped]

    • @zamisers7k
      @zamisers7k Před 2 lety

      Nope we are in same room sitting across from each other midi syced

    • @TRaddcliff
      @TRaddcliff Před 2 lety

      @@zamisers7k WEIRD! The way it’s framed, the diff exposures of both your cameras and the zero interaction between you two makes it feel like you are in different locations :) shame, I was hoping to get info on a good long distance net/midi sync. Good stuff tho 👍🏿 enjoyed it.

  • @JeanDearCanada
    @JeanDearCanada Před 2 lety

    man, I gotta get folks over to the house to jam, this looks like a lot of fun!

  • @SanplerVarondaro
    @SanplerVarondaro Před 2 lety

    excelente video colega saludos desde tijuana

  • @Tubeinnit
    @Tubeinnit Před 2 lety

    So cool 🎛🔊🎶👍

  • @Tubeinnit
    @Tubeinnit Před 2 lety

    Your videos are great & really helpful, thank you & keep safe! 🎹🎛👍

    • @zamisers7k
      @zamisers7k Před 2 lety

      Thank Ye Dave! You too keep safe and rock on 🍀

  • @neilbriscombe3624
    @neilbriscombe3624 Před 2 lety

    Thanks subscribed

  • @tracyharms3548
    @tracyharms3548 Před 2 lety

    Zam, the gap in levels between your mic and your instruments makes this unlistenable. Sorry for the bad news. I do value that you bring RS7000 sounds and info to CZcams. In this case it's accidentally all sounds and no info.

    • @zamisers7k
      @zamisers7k Před 2 lety

      Thanks yeah I'll try working on that, I've always had troubles with hiss on my mics when I turn them up, sounds worse when I do, I'll have to figure out a way to fix that, you are not the first to mention this to me.

  • @sonfx
    @sonfx Před 2 lety

    All sequenced on the RS or...?

    • @zamisers7k
      @zamisers7k Před 2 lety

      All the sequences on this were the AN and DX presets this time, I was mostly trying to get my light show going on this one so I didn't spend a lot of time sequencing anything. Usually I do, do more on the RS sequence wise sending to the external units but not this time, next time I'll sequence more from the RS to the AN and DX so stay tuned ;)

  • @sonfx
    @sonfx Před 2 lety

    Cool stuff man. Do you program the an and dx "in the box" or with an editor?

    • @zamisers7k
      @zamisers7k Před 2 lety

      They were presets "in the box" on this, maybe later will get in to more doing more of my own stuff on them.

  • @Tubeinnit
    @Tubeinnit Před 2 lety

    Awesome 👌🏼

  • @davecato698
    @davecato698 Před 2 lety

    Fun times Damn.......13 years ago already

  • @janusrijst9182
    @janusrijst9182 Před 3 lety

    This is amazing. I was looking for something like this. However, is there a way to do this for recorded samples? Binding a sample voice to a phrase? Unfortunately the reply of Pedro Anastazi is way to technical for me. Never mind, just found out the answer. This does work! Select the phrase, select the (local) sample. Start recording and then set to MSB *** LSB ***.

    • @zamisers7k
      @zamisers7k Před 3 lety

      Saving samples as a voice or common voice does some strangeness that I am not use to with RS's normal built in voices, glad you figured it out whatever it did :)

  • @denverphotography1587

    Great jam and mixing session. Awesome work

  • @lauritarkiainen1858
    @lauritarkiainen1858 Před 3 lety

    Very interesting sounds, name CS could lead to imagine some different soundscape.

  • @PedroAnastazi
    @PedroAnastazi Před 3 lety

    thx for the vid, but I'll add a couple things here to help... Apologies in advance for the lengthy post... theres lots to explain... Ive had my RS7k and my RM1x when they were both first released... The RM/RS sequencers are phrase dominant sequencers, not track. The OLD MC units used to be track dominant until the MC707 & Fantom came along with its clip (their word for phrase) based sequencing using an Abelton performance matrix. Phrase is a bookmark/placecard fand can be used for 3 different things... 1) to allow non destructive sound auditioning 2) to be used as pre-record preparation 3) resetting the phrase (NOT TRACK) to its original tone state at time of creation, excluding recorded CC. I see no other reason for it and to be honest, it really is a pointless way to do things unless your brain is fried.... "phrase' has never been a permanent setting in an actual PHRASE.. as 'phrase' is just a placecard till you fill the track with an actual numbered phrase... OR are using 'phrase' to recall the last tone selected In any case, this phrase 'feature' has been a part of the RM1x and RS7k since inception...some find it problematic, others find it helpful but most of us arent fussed coz we use program changes to lock a sound to a phrase along with respective track control settings and all CC recordings.. . I wouldnt use this method if my intent was to change tones as i jump section to section (or even change tone halfway through a section) Phrases dominate tracks as they control what the track does, what it holds, what it sends to effects, how those effects are configured, and how the phrase and track is managed whilst a recorded phrase is sittin on that track. However THIS level of control can ONLY happen if you set those commands within a phrase...either PC's or CCs or NRPNs .. either manually or through recording or from external control. Dont think of the tracks as a sound or control source... coz theyre not... If you leave a phrase/clip untouched and theres just simple note data, then your track configuration /settings are in command, inc tone, lfo, fx eq etc. BUT throw afew CC/s or PC/s or NRPNs into that phrase on toss it on any given track, and those track settings take the back seat and immediately follow the commands within the phrase, overriding pre-existing track settings... Make sense? So wtf does that have to do with anything 'phrase' related? Well, like I said, a basic phrase without ProgChange (or other) commands has the track retain tone and other settings. This limits you to one tone per track across all sections. For what youre wanting to do, youre much better off and safer using program changes, and NOT using the placecard of the 'phrase" setting Remember, "Phrase" is a flag or placecard of sorts, used when a sound is allocated (but not PC'd) to a phrase or track. So going back to the heirarchy I mentioned earlier, the track dominates UNTIL its told otherwise by the phrase... and if there is no command, then that original command (track settings) remains as is.... Keypoint here, is that THAT phrase will command the track to go to ABCXYZ of the Tone generator, until told otherwise. ... its NOT the other way around... And so if there is no command in the phrase, or there are no 'phrase' tweaks (CC's or whatever) then the last chosen setting for that track or phrase will be used UNLESS youre TG shows "phrase" (on that track).. Make sense? BUT... TBH its better you DONT use 'phrase' for permanent work or set it onto a track UNLESS you intend on keepin the ONE tone on any same one track throughout your entire style (project) Use "phrase" when you jump through sounds to audition and tweak, and revert back to the phrase or tracks unprogrammed sound if you have to, by just dialling back to the begingin of the TG settings.... BUT use PROGRAM CHANGES and Control Change's to make those tweaks permanent in the phrase. Its easy to do and all the PC and tone numbers are right there for you.. just keep a notepad handy... Moving on... "phrase" was never designed as a permanent solution for locking a sound to a phrase. Again, if you wna change sounds at any time in any section on any track, then thats what Program Changes are for... You cant do that with 'phrase' set "phrase" flagged tones on a track with no recorded phrase set to that slot (shown when you hit pattern button twice to bring up the phrase to track matrix), and phrases themselves (actual numbered recordings) are independent of track ONLY if you allocate controls within those phrases. If youve just got note data, then going back to the heirarchy tree I mentioned earlier, the track settings dominate until told otherwise by the phrase... Jeebus I hope that made sense.. BTW you can use this same method pf editign the phrase to insert PC, NRPN and CC messages within your phrase recording to change effects, track settings, filter types, effect types, LFO types, portamento on/off, speeds etc per phrase within any given track. Theres more but imma stfu coz this is long enough...

  • @Tubeinnit
    @Tubeinnit Před 3 lety

    Really cool RS videos, thanx for sharing! 👍

  • @xisotopex
    @xisotopex Před 3 lety

    is there a way to have different measures playing in a style? for instance in style one, you have a 4 measure drum loop looping, on track 2 a 4 measure bassline looping,, and on track 3 you want to have a lead playing for 8 measures, or 9 or whatever. is this possible?

    • @zamisers7k
      @zamisers7k Před 3 lety

      yes it is possible, they can also have different time signatures. You wouldn't think that would make sense having dif time signatures playing together but you can, not that I've done much of anything other than 4/4 much myself. The style/pattern does not have a true length, it has a bpm/tempo, but it is the phrases assigned to the tracks that each can have their own measure lengths, in fact you switch sections and have a different phrase on the same track with a different length of measures. It is a hard concept to grasp compared to many other sequencers, but once understood it like a light comes on in your head and you realize how powerful the RS can be in this department.

  • @therestismusicnoise2853

    Govno

  • @nickynice779
    @nickynice779 Před 3 lety

    Hello buddy I've been watching a lot of your videos as you defiantly spent a lot of time on this machine I just got my one today after regrettably selling my rm1x for the same price I paid 10 years ago £140 "gulp" . Any way I have a quick question as I'm just unboxing it and setting up Do u use stereo or mono plugs and 1 or 2 cos I'm baffled had same problem with my rm1x alway thought one channel was blown cos it only came out of one speaker and i don't wanna even risk it with my rs7k

    • @zamisers7k
      @zamisers7k Před 3 lety

      If you are using one plug then you want to use the head phones out as stereo if it is a stereo plug and cable. The L & R outs are mono, don't use a stereo plug on them, not sure what will happen if do, but prob best to make sure you use mono cables on the L & R outs. I use both ways sometimes, but mostly L & R mono outs to seperate channels on mixer with panned to opposite sides, and also the AIEB2 outs as well sometimes for EQing kicks separately from the main mix. Thanks for watching new RS buddy!

    • @nickynice779
      @nickynice779 Před 3 lety

      @@zamisers7k I forgot to mention the wire I have is a stereo rca to red and white phonos to my dy mixer

    • @zamisers7k
      @zamisers7k Před 3 lety

      @@nickynice779 for that I would suggest, if you have not already, get a 1/4 male stereo to L&R RCA female converter and use that on the phones jack on the RS. Otherwise you'll have to get 2 female RCA to 2 female 1/4 mono converters and then two mono cables for L&R outs on the RS which is more of a hassle. Either way should work. I have never heard of having wrong cables on the RS outputs causing damage, they just don't work like expected I imagine. I also like to avoid RCA cables, they seem to go bad sooner and more prone to interference. If that is what your mixer takes then I am assuming it is a DJ mixer, maybe get a console mixer that takes 1/4" jacks instead. There are some small and cheap ones, they look more "professional" I often use a little Yamaha AW10, one of my fav little mixers :) :) :)

  • @dubcousteau
    @dubcousteau Před 3 lety

    Hey thanks, I didnt know the you could change the phrase voice setting in the pattern view. Always used a programm change for that.