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Very good intonation! But since is Wieniawski, could you play it more pyrotechnically, more "show off-ishly"?

Nice playing!!! But how did you find the sheet music? I’ve been looking for it everywhere!

Bravo , génius 😂

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Es un placer poder escuchar estos 20 cuartetos

I am deleting my draft video, and I will switch to making score videos for Sauret's 24 Etudes-Caprices, Op. 64 instead. So I am not making videos for Etudes Artistique Op. 38 anymore (unless you want me to). What I meant in our chat was that you own the copyright to the recordings that you made for Sauret's Op. 38 (even though the sheet music is in the public domain). So if you register your recordings with Content ID and someone were to made a video containing your recording, you have the option to monetize that video. One last thing: the score videos on your channel have entire pages in one widescreen clip, making the notes small and difficult to see for the audience. It is better to crop each page into segments instead. I think that your score videos would've gotten more views if you had made it this way.

Amazing! I’ve never heard this before. Thank you! 👏🏻👏🏻👏🏻🙏🏻🎻

🎉❤ Bravoooooo

Hermoso escucharte denuevo

Nothing in a year??? Should we send flowers?

Holy Molly.....thats insanely tough!!!!

Did you write these Robert? If not who did? Bravo either way - they are so much fun to listen to.

very beautiful !

So that's her theme?

fantastisch !

da hat aber einer von " Nel cor più .... " abgekupfert.

wieder sehr schön und vor allem mit perfekter Intonation gespielt. Frage: gibt es auf der ganzen Welt jemand, der diesen Prim - Doppeltriller am Ende bzw. vor dem Presto spielen kann ? Is there anybody in the whole world, who can play this prim- double drill in e ( the last note before the Presto as well as the last note of this caprice ) ?

remarkable intonation and clarity. even in an echo-y room, everything rings true, even the most awkward chords and passages.

Flex

in my opinion, this one is the most difficult of all of them. Without the second violin, it sounds naked. Didn´t you think of playing the second violin as well, Robert ?

as always it is a pleasure to listen to your execution of the most difficult pieces of violin music, Robert ! I have the Ricci recording and like it, even though there a some unaccurate parts in it. He recorded them without corrections. And I recorded some of them myself. So I know the challenge ! See also the CD by Ingolf Turban with a mixture of other Ernst pieces, together with these 6 polyphonic etudes.

no second violin ?

Robert, you are not only a great virtuoso but also an interesting composer !

Corelli?

Bravo, Robert ! Obviously the Flesch edition. With this 3:1, 3:1,4,4 bowing. When I talked to Ricci about this bowing, he said, that he thinks, it was a mistake of Ricordi, who edited the caprices first. But what about the original script ? I don´t have the paper at hand in the moment.

fantastique ! Caprice Nr. 1 !!!

Hi Robert, you are a unique violinist. Very soulful music. I'll try

Very clear! Bravo!

Wie immer sehr schön ! Interessant, wie du die Akkorde spielst ! Kurz gebrochen !

Difficile😅

Super!

Very nice

hello, I have a question, which of the sauret artistique etudes would you consider to be the easiest and the hardest? thanks in advance (nice recording by the way!)

Parabéns Robert! Saudações do Brasil. Como faço para conseguir a partitura para violino desta música transcendental?

So Sauret's paganini cto # 1cadenza is quite representative of his incandescent virtuosity-and of this performance. Chapeau!

how magical it sounds

wieder einmal muss ich deinen Pioniergeist bewundern. Du machst durch deine Aufnahmen Literatur bekannt, die mir völlig neu ist. Vielen Dank, lieber Robert !

sehr klar und mit perfekter Intonation. Gratuliere, Robert. Diese Etüden von Sauret werden wohl nur sehr selten gespielt.

bro your arpeggios sound like midi, very very clear. You can literally hear any note, nice!

That hora staccato section sounds like a midi player 😄.

Bravo Robert ! I never heard this piece... Very difficult... 😱

Amazing stuff...thank you for all your videos. There are some really great rarely used/played etudes that you've recorded...so nice to hear them well played. Bravo!

This looks sadistic however the andante section sounds so beautiful. Great playing as always, bravo!

I have nothing to add to my comment 2 years ago !

ich kenne das Lied von Schubert nicht. Aber du hast sehr schön ruhig gespielt. Perfekte Intonation, die Tremoli exact ausgespielt ! Gratulation, Robert !

Locatelli - oft nur auf seine Violinkonzerte reduziert, während diese " Kadenzen " sehr hohe Ansprüche stellen. Bravo, Maestro !

very suitable to the theme nervosity ! congratulation, Robert !

Wondeful!!!

Very nice. Played very precise, you can hear every note, nothing gets lost there in a mush of sound, and yet it is very musical, not robotic which is usually the danger with technically precisely played interpretations. And neither is it a flashy show off. Well done. I like this much better than the interpretations by Kremer, Hahn and Kang. In these there is a mush of sound in wich individual notes tend to get overpowered and diminished at times. Also technically precise is the interpretation of Yu-Chien Tseng, but it is a bit of a show off, too flashy for my taste. Your's is nicely balanced between these two extremes, just right. Thank you for sharing.