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I'm suffering from GAS constantly... I mean, I have a pair of Austrian Audios 0C18 for my overheads, which are kinda 414 type and they are pretty good. But I'm always thinking "maybe a tube mic will be even better?" It drives me nuts... Your videos shows greatly, that the differences aren't that big but you and other guys telling that the processing after tracking are showing the real differences...

Love it. Nice pick & great work. Love Stanton’s playing & sounds

Great work, Tim! Love it! Thanks for doing this! 🙏🏼🥁🙌🏼

i Love it Bro

Pretty sure the same sound is used on The Leon: The Professional ost too

I love the quest people had over this very sound. It reminds me when I used a couple hours of lonely night remembering the "Space Ghost: Coast to Coast" series had one of its outro indents who mystified me: The Williams Street logo. It sounded like something industrial with an ominous humming. Seeing this indent as a child, late at night, lights off and alone was unnerving to me. I had to dig deeper. I did eventually find the Jack Webb's "Mark VII Limited" indent with the hand hammering the logo away (the real source of the sound). Sometimes, some strange things like these sounds: they mark us in a way not many things could.

e kits look so small. Any recommendations for tall people in the $1k to $2k options? I surprised that the don't look like they have height options.

Great video as usual Tim. As someone who practices exclusively on an EKit, there is nothing better you can do than adjusting the sensitivity of the drum heads like you mentioned. Dialing in your snare pad is especially important as it will help replicate the feel of ghost notes, AND more importantly, a correctly sensitive EKit will reduce fatigue that often correlates to EKit practice. Finally, it may also be a good idea to buy a drum brain that is decent, but not top of the line, and invest $120 in some drum software like EZDrummer. From my experience the brains just don’t emulate real drums as well as I’d like, but there is fantastic software available at all different price points.

Dynamics ❤

I’d recommend a keyboard amplifier for e-kits if you want to play out loud. They have the broad frequency range you talk about and are often neutral in colour.

sE8s all day! Best bang for my buck I've ever gotten out of any mic.

I go with the SE 8

Also used in this track from 1994 czcams.com/video/A-NcPOyXFH0/video.htmlsi=UuDmSJ-LzsTEbNNV

This is the amount of independence Texas wish they had

Hi Tim, first of Super infinite Amazingness in all the transcriptions truly out of this world. Would like to ask for a tip. What is the best way to be better in sight reading. At times charts are open charts, big band charts as well like more of open bars, but at times, im struggling with writing the rhythm, I can properly read notes on the chart but writing at times, I get rhythms mixed up😅. But generally any tips on how to read fast. Im a new cruise ship drummer but would like to read more of full note per note vs full interpretation of empty bars. Ty, any tip would do.

Very nicely done.

Please transcribe Omar Hakim - Shadows in the rain ( Sting) Thank you @giovannipapaleo1

Great video. I thought the KM184s came out on top. Very smooth/ balanced/ natural across the frequency spectrum. Slightly less lows compared to some others, but nothing some close mics/ EQ couldn't handle. There was too much "sandiness" and harshness in the transients in the SE8s (and muddiness in the bottom?) for me to consider them a viable alternative. Agree the WA-67s are very good as well. Play-out sounded HUGE and I had to ask - what is your signal chain on the play-out?? Would love to get close to that sound one day!! Cheers.

WA14 for me. I hate the modern 414s without the transformer. KMs were great also.

I used to play the Catalina Club. Those Toms have a very crappy overtone resonance, especially when playing on the snaremount. Kills all of the sustain. Using booty shakers on the mount, the tom kind of floats,l and gives it an amazing big sustain without overtones. Never without them, no matter that drums I play

I never comment on youtube vids but I had a gig in the evening yesterday that relied on backing tracks and a few other things, and I realized that morning that it was randomly shutting off. Without your video I would have been screwed lol. Really great, straight to the point problem-solution format was a HUGE lifesaver. Big thanks man.

You could make an entire genre of music called GoldenEyecore incorporating that sound. Everybody seems to have known exactly which sound this video is going to be about. Every now and then you hear it in other movies and music but I couldn't give any examples although each time I have heard it I immediately think of GoldenEye

My buddy uses this a lot in an acoustic lead group and he’s suped it up, rad video and gig Tim!

cool little instrument!

You should check Percubo, from Brasil. The idea is similar but IMO better executed.

Will there be a recording of the gig to hear what it sounds like live?

That's a pretty cool setup Tim, and you sound good playing it! My wife and I got to see Cody play last month (with Ben Rector), and it was a really great show. Too bad you didn't get the call for that gig... they went "sans drummer" for that show, and I was a little bummed about that. : )

Coolest 😊

🔝🔝🔝🔝🔝

Amazing work transcribing! And thank you for making it available for download! Very kind of you! Greetings from Ireland 🙏

From my experience as someone who did work in audio in early 2000's I started in Logic, then got a job in a ProTools shop so I switch both at work and home to Protools. I left audio and now retired and doing audio again because I've been in and around music all my life. From my viewpoint Logic (and Cubase) were mainly used by composer types doing TV/Film/Media work. ProTool is mainly used by engineer who came from more traditional studio work, ones like me who go back to analog days. Now Ableton Live is new to me I started learning it as my DAW to return to audio with and from what I experienced so far it is focused on performance use be that EDM, or even playback engineers for concerts. Now I have started to look again at Logic and probably will try ProTools again. I find Ableton has a steep learning curve it's interfaces can be hard learn. Some people I find liking it for more traditonal work don't use the Session view unless absolutely necessary. I like Ableton MIDI capabilities, not a fan of it for mixing, I like the routing and how I can create effects and drum racks. Getting back to Logic has been easy in general, but I don't like Logic version of Ableton Session view for create music cells and triggering for live use. ProTools I haven't loaded it up yet, but doing my research it has changed some but not a lot, so it shouldn't be too hard for getting back up to speed. Now for the type of music I want to work on Logic or Ableton would probably better suited, but ProTools can do it, but doesn't have as many built in tools. Price Logic is best bang for the buck they tools, instruments, and loops it comes with are very good. Ableton similar to Logic close to same as far as tools, instruments, and loops but I think Logic's are a little bit better in general. Ableton has a lot of pricing tiers not as cheap as Logic but not too much more either. ProTool is expensive (and its Avid) it has some good tools, but form what I see ProTools users are using a lot 3rd party plugins, instruments, and etc compared to Logic or Ableton. I'll add a category and that is education. Ableton and ProTools both have a lot of online classes available. Logic I don't see as much. So that's my view coming back to audio as an old head.

Thank you for this, it really help me

Jackson Parodi did this on his CZcams channel about 7 years ago. He did so much digging to find it, until He found it was from a Proteus FX.

I really love SE8, they beat 451s and 81s in my studio

NOT as GOOD

My Drummer is using Logic then remotely sending me his tracks, I am using protools, the levels are never at -18, almost always at near 0. Thx Lorne.

great test, they are all great for OH, my fav would be the AKG

That metric modulation idea is fucking nasty and I don’t understand it at all

Great idea! I upgraded your idea with the bungee cords going through 8 chain links in the middle and just hooking the bungee cords to 2 tension rods. It stops the chain from going under to the other side and there's no need for and tape. It's also ready at anytime to put on or off.

It sounds like a manhole cover being removed or replaced back on to the manhole.

How about stopping it from LOOPING?!? My gawd...I go into the menu and set it to Loop = OFF. But I see no place to SAVE or anything. As soon as I go out, it's still looping. I go back in and, sure enough, it's still set to LOOP. How can they make it this user UNFRIENDLY? I mean, way to go! 👀

Nice. It reminds me to Katana-Zero feels

Well this was an awesome video, and I’m equally impressed as I read all the comments, and you reply to all of them all with great information. Learned a lot on this video!

really adds some nice "trashiness" to make it sound overall fuller. I wonder if theres something particularly interesting about the gameboy, or if the result would be the same using random headphones as a mic. Cheers from Chile.

I like how you transform ghost notes to passage on toms. Well done

My fave jazz drummer is Billy Cobham, maybe you could expand the list and add him in this list

Great video Tim!

cool little trick!

I am so glad you did this. Super dope! Much love from Baltimore!

Wonderful for character. A little tricky with the phase (in my opinion) to other mics sometimes, but freaking lovely for the vibe!