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SUPERBOOTH24: Pittsburgh Modular Voltage Lab 2
The Voltage Lab 2 from Pittsburgh Modular is a self-contained modular instrument that boasts an all-analogue design but introduces some interesting new waveshaping techniques.
pittsburghmodular.com/voltage-lab-2
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Video

SUPERBOOTH24: Korg Berlin phase8
zhlĂ©dnutĂ­ 2,6KPƙed dnem
At Superbooth 2024 we caught up with Tats from Korg Berlin to check out the phase8, the latest prototype instrument which employs their innovative new acoustic synthesis method. korg.berlin/ Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY eBook: sosm.ag/recording-ebook Get 50% SAVING off a...
SUPERBOOTH24: Melbourne Instruments Delia
zhlĂ©dnutĂ­ 1,3KPƙed dnem
The Delia from Melbourne Instruments takes many of the key features of their Nina synth module and places them in a keyboard. Interestingly it’s more affordable than the Nina... www.melbourneinstruments.com/delia Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY eBook: sosm.ag/recording-eboo...
SUPERBOOTH24: Tiptop Audio Polyphonic Modular Art Series
zhlĂ©dnutĂ­ 588Pƙed dnem
Tiptop Audio show off the latest modules to join their Art line-up, a series of modules which make it possible to build a polyphonic Eurorack rig. tiptopaudio.com/art/ 00:00 - Intro 00:45 - Polyphonic Wavetable Modules 01:53 - Triax 8 Polyphonic Oscillator 04:18 - Octovert, M Module & Z8000 Matrix Sequencer 06:23 - VC-Resonator 07:41 - A Polyphonic Eurorack System? 10:15 - Price & Availability ...
SUPERBOOTH24: Tiptop Audio Buchla 200t Series
zhlĂ©dnutĂ­ 2,5KPƙed dnem
We check out the latest additions to Tiptop Audio's collection of Buchla 200 Series recreations, bringing the legendary designer’s sound to modern Eurorack systems. tiptopaudio.com/buchla/ 00:00 - Buchla Partnership Intro 01:10 - 200t Complete System 02:02 - Model 259t Oscillator 04:49 - Model 285t Frequency Shifter 07:23 - SOUND DEMO Subscribe to Sound On Sound: sosm.ag/subscribe Visit our mai...
SUPERBOOTH24: SOMA Laboratory FLUX
zhlĂ©dnutĂ­ 887Pƙed dnem
SOMA Laboratory's latest experimental offering is FLUX, a performance instrument that uses handheld magnets to offer Theremin-style control over pitch and volume while leaving a hand free for modulation. somasynths.com/ Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY eBook: sosm.ag/recordi...
SUPERBOOTH24: Rodec Audio MX Modular
zhlĂ©dnutĂ­ 1,2KPƙed dnem
Legendary Belgian mixer manufacturers Rodec Audio are back with the MX Modular performance console, here giving us a quick demo of all the features on the third day of Superbooth 2024. www.rodec.com/pages/mx-modular-1 00:00 - Intro 00:56 - MX Modular Performance Console 02:08 - Customisable Channel Strip 02:54 - MX Modular Overview 05:18 - Performance & Sound Demo 08:37 - Price & Availability S...
SUPERBOOTH24: Polyend Press
zhlĂ©dnutĂ­ 1,5KPƙed dnem
We spotted a new prototype debuted at this year's Superbooth show. Press sees Polyend head in a new direction, offering an analogue stereo compressor with some versatile side-chain filtering options in a compact pedal enclosure. polyend.com/ Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY ...
SUPERBOOTH24: Polyend Tracker +
zhlĂ©dnutĂ­ 912Pƙed dnem
With the launch of the Tracker , Polyend‘s popular hardware sampler has gained eight additional tracks and a collection of new built-in drum and synth engines. polyend.com/ Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY eBook: sosm.ag/recording-ebook Get 50% SAVING off a Sound On Sound Di...
SUPERBOOTH24: Groove Synthesis 3rd Wave
zhlĂ©dnutĂ­ 1,3KPƙed dnem
Groove Synthesis revealed a major update for the 3rd Wave at this year's Superbooth show, kitting out their powerful instrument with 35 seconds of sampling. www.groovesynthesis.com/ Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY eBook: sosm.ag/recording-ebook Get 50% SAVING off a Sound On...
SUPERBOOTH24: Arturia Polybrute 12
zhlĂ©dnutĂ­ 1,7KPƙed dnem
Arturia have just launched the PolyBrute 12 which doubles the voice count of the original PolyBrute and boasts a new FullTouch keyboard that opens up a whole host of expressive performance possibilities. www.arturia.com/products/hardware-synths/polybrute-12/overview Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-p...
SUPERBOOTH24: AudioScape Engineering EuroBuss
zhlĂ©dnutĂ­ 672Pƙed dnem
We stopped by the AudioScape Engineering stand at Superbooth 2024 who are debuting a remarkably faithful sonically period-correct recreation of the legendary British-Console’s centre-section quad compressor, reimagined in 18 hp! www.audio-scape.com/ Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TEC...
SUPERBOOTH24: Enjoy Electronics DeFeel
zhlĂ©dnutĂ­ 1,5KPƙed dnem
The Enjoy Electronics DeFeel module can be placed after a sequencer and allows users to generate a huge range of rhythmic variations via a touchscreen interface. www.enjoy-lab.com/defeel Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY eBook: sosm.ag/recording-ebook Get 50% SAVING off a Sou...
SUPERBOOTH24: AJH Synth RadioPhonic
zhlĂ©dnutĂ­ 795Pƙed dnem
The RadioPhonic from AJH Synth was originally commissioned by Hans Zimmer to replicate the original BBC Radiophonic workshop at Maida Vale Studios. ajhsynth.com/Radiophonic.html Subscribe to Sound On Sound: sosm.ag/subscribe Visit our main website (over 17,020 articles!): www.soundonsound.com Get FREE 170-page RECORDING TECHNOLOGY eBook: sosm.ag/recording-ebook Get 50% SAVING off a Sound On Sou...
Electric Indigo - Techno | Podcast
zhlĂ©dnutĂ­ 230Pƙed dnem
Susanne Kirchmayr, also known as Electric Indigo, is an Austrian music producer, Techno DJ and founder of the female:pressure, an international network of women in the electronic music industry. Here she chats to Caro C about her career beginnings through to her current projects. Chapters 00:00 - Introduction 01:02 - Ferrum 7 music track 02:09 - Starting Out As A DJ 08:55 - Becoming A Music Pro...
Recording Bass - Mark Mynett | Podcast
zhlĂ©dnutĂ­ 428Pƙed 14 dny
Recording Bass - Mark Mynett | Podcast
Michael Whalen - Imaginary Trains | Podcast
zhlĂ©dnutĂ­ 251Pƙed 14 dny
Michael Whalen - Imaginary Trains | Podcast
SUPERBOOTH24: Bitwig Studio 5.2
zhlĂ©dnutĂ­ 2,7KPƙed 14 dny
SUPERBOOTH24: Bitwig Studio 5.2
SUPERBOOTH24: Oberheim TEO-5
zhlĂ©dnutĂ­ 2,9KPƙed 14 dny
SUPERBOOTH24: Oberheim TEO-5
SUPERBOOTH24: UDO Audio Super 8
zhlĂ©dnutĂ­ 2,2KPƙed 14 dny
SUPERBOOTH24: UDO Audio Super 8
Bernt Malmqvist - Pearl Milab | Podcast
zhlĂ©dnutĂ­ 165Pƙed 14 dny
Bernt Malmqvist - Pearl Milab | Podcast
Recording Drums - Mark Mynett | Podcast
zhlĂ©dnutĂ­ 350Pƙed 14 dny
Recording Drums - Mark Mynett | Podcast
Peter Zinovieff - A Tribute | Podcast
zhlĂ©dnutĂ­ 304Pƙed 14 dny
Peter Zinovieff - A Tribute | Podcast
Richard Norris - The Grid | Podcast
zhlĂ©dnutĂ­ 309Pƙed 14 dny
Richard Norris - The Grid | Podcast
McDSP - Analog Processing Box | Podcast
zhlĂ©dnutĂ­ 434Pƙed 14 dny
McDSP - Analog Processing Box | Podcast
Sarah Angliss - My Electroacoustic World | Podcast
zhlĂ©dnutĂ­ 327Pƙed 21 dnem
Sarah Angliss - My Electroacoustic World | Podcast
Genelec - Developments In Immersive Audio | Podcast
zhlĂ©dnutĂ­ 470Pƙed 21 dnem
Genelec - Developments In Immersive Audio | Podcast
Chiara Luzzana - Sound Designer | Podcast
zhlĂ©dnutĂ­ 289Pƙed 21 dnem
Chiara Luzzana - Sound Designer | Podcast
CEDAR Audio - Real-time Audio Restoration | Podcast
zhlĂ©dnutĂ­ 346Pƙed 21 dnem
CEDAR Audio - Real-time Audio Restoration | Podcast
Keyboard Processing Tips - Matt Johnson | Podcast
zhlĂ©dnutĂ­ 599Pƙed 21 dnem
Keyboard Processing Tips - Matt Johnson | Podcast

Komentáƙe

  • @PUKEYTATTOOS
    @PUKEYTATTOOS Pƙed 9 hodinami

    I hope he’s figured out a different hairstyle by now


  • @ReynaldoIvanPena
    @ReynaldoIvanPena Pƙed 10 hodinami

    Everything about this interface is a dream, it’s 100%. Carbon is the absolute best. With that being said, Carbon should’ve gone through a test on iZotope plugins before release.

  • @2.Plus.2.Equals.5
    @2.Plus.2.Equals.5 Pƙed 11 hodinami

    Soma always making something interesting. To extend on the "magnetic handles" Idea, use a gyro/accel built-in each to add even further control using the angle/movement/speed as modifiers to control whatever elements of the sound you'd like.

  • @4kfreelance
    @4kfreelance Pƙed 20 hodinami

    Why the he'll are the sound fx the loudest thing in a film these days? When you look back to John Ford films the music sets the scenes in more sedusive way. Nowadays it's bang crash wallop, turn the volume down on remote and can't hear the quite dialogue and the softer dynamics of the scores. I need a Waves rider fader for the TV remote.

  • @litoboy5
    @litoboy5 Pƙed 22 hodinami

    Great

  • @dodgedforgottenn
    @dodgedforgottenn Pƙed 23 hodinami

    Get a new guy to rep your products, TE! Sounds like he thinks the product is pretty meh.

  • @ajigangadharan2221
    @ajigangadharan2221 Pƙed dnem

    Notepad 8FX has a very cheap delay effect. When we select reverb and delay together, the reverb gets delayed along with the delay, effectively overriding the reverb. This is a very annoying effect to hear. They will need to do something about it.

  • @moogfooger
    @moogfooger Pƙed dnem

    A good attempt at a documentary video and I tried to like it a lot. Only thing is, most of Alex's music examples we could have done without. The video ended up looking and sounding like a commercial for Alex Bell music rather than a historical document. Cheers

    • @jelte_music
      @jelte_music Pƙed 13 hodinami

      Imagine a documentary about synths without actually hearing the synths


    • @moogfooger
      @moogfooger Pƙed 8 hodinami

      @@jelte_music I can imagine a synth video without hearing from you!. Cheers

  • @waynepayne864
    @waynepayne864 Pƙed dnem

    first time i came to this video i have no idea what he was talking about. the more i learn and occasionally return to what he was talking about the more i understand

  • @cynthiak3376
    @cynthiak3376 Pƙed dnem

    I love this video, and being of a "certain age" the equipment is quite recognizable, Tubes aged, calibration drifted, but it sure made some wonderful music! Although I got into the studio a little later (Neve consoles and Studer A800 era) The thing to remember is that stereo was so very new, in the 50's and 60's and even George Harrison said "why do you need two speakers? They felt the Beatles should be heard in mono, George, Paul, John and Ringo in one big room at Abbey Road-EMI. Also the time the child/teen bought that 45 RPM record, the record players (not exactly a turntable) - was generally brutal. And studio mic placement was pretty much, here's your mic, hit record and go. It was really the Beatles that revolutio(ized) recording. Which drove George Martin crazy at first - John was the most experimental.. In any case, thank you for the wayback machine! BTW, my signal chain is as analog as possible, I use outboard Dangerous Music, Universal Audio, SSl, Neve - Just call me an old fashioned analog gal. 🙂

  • @wurlinnawurl
    @wurlinnawurl Pƙed 2 dny

    I want this thing so freaking bad.. arghhh..

  • @donanderson013
    @donanderson013 Pƙed 2 dny

    That was hilarious (and thoughtful)! Sam reminded me of the character 'Holly' in Red Dwarf. In my opinion, just the act of going to a Studio with a good live room and a good desk room really elevates a band to do something special. There's nothing like doing an overdub in the live room and getting the thumbs up from the rest of the band behind the glass in the desk room. Part of it is having all the good gear the studio has being available to you to. Just make sure that you have rehearsed the living daylights out of everything as a band before you spend the money and go to as Studio. It can be all over in a couple of sessions... and it'll sound awesome!

  • @lassihietala8465
    @lassihietala8465 Pƙed 3 dny

    I find the constantly shifting camera angles confusing because it's sometimes hard to spot which room is being used at the time. During the actual demonstration the rooms should be also shown and switched in the same order as they are introduced in the first half of the video.

  • @ertatta
    @ertatta Pƙed 3 dny

    To my ears the XLS sounded the most natural and true at capturing the various instruments that were recorded. They might not give the sparkle & glitz of the EB & XL II, but I feel they’re more accurate and a neutral starting point to work from. The TL II would’ve been great to include in this shootout.

  • @Dan_the_car_man
    @Dan_the_car_man Pƙed 3 dny

    I have an opeth album that was mastered from Abby road at half speed just check the matrix and yup it says “Miles Abby road”

  • @elgersnikkenburg9378
    @elgersnikkenburg9378 Pƙed 4 dny

    Cool and is there any way to upgrade the memory?

  • @bobcoover
    @bobcoover Pƙed 4 dny

    Just about done and ready to release this update. It gives you 35 seconds at 48 KHz. Lower the sample rate and you get more. You can also lower the bit depth to 12 bit or 8 bit. There are up to 8 multi-samples across the keyboard for a single part, and you have four parts total to work with. Up to 32 different samples if you want. You can loop or play samples as one-shot. The looping includes equal power or equal volume crossfading with crossfade lengths up to the full length of the loop. Each sample is individually tunable. The 3rd Wave shows up as a hard-drive on your computer, so store or swap out the sample memory whenever you want. Any or all of the three oscillators can play an independent set of samples, or PPG waves, or modern user waves, or virtual analog into the SSI2140 filters and backend.

  • @loweni7460
    @loweni7460 Pƙed 5 dny

    Glad we're getting synths with more than 6 voices nowadays

  • @Studio22mix
    @Studio22mix Pƙed 5 dny

    Great concept, I love the approach 😊

  • @davidjazay9248
    @davidjazay9248 Pƙed 5 dny

    This will pair nicely with my Meng Qi Wingie!

  • @TheCubanGiant
    @TheCubanGiant Pƙed 5 dny

    You know they take analog seriously when they decide to show animations with a flip book.

  • @oblitafier
    @oblitafier Pƙed 5 dny

    I already love this keyboard. I really don’t think it needs sampling, especially given the low amount of memory for 2024. Importing and creating wavetables seemed like enough already

  • @whitesands928
    @whitesands928 Pƙed 5 dny

    Just got into mixing but after watching Karen I wish I could go back to those days, amazing.

  • @wes2819
    @wes2819 Pƙed 6 dny

    another cable standard 😼‍💹

  • @asynchronicity
    @asynchronicity Pƙed 6 dny

    File under beautiful looking perpetual prototype

  • @KoushikVaraghur
    @KoushikVaraghur Pƙed 7 dny

    Legendry. Composing by trial and error method along with generous collaboration. There are composers who write notes on paper and magic happens when musicians just play it. No trial. No error. Just pure magic.

  • @eduardpopovici6776
    @eduardpopovici6776 Pƙed 7 dny

    Sam: -Hello Michael! Michael: -Hello Michael! 😂

  • @showmaster13
    @showmaster13 Pƙed 7 dny

    Marketing agencies man
 ‘don’t take away from the visual’. The ad without sound: đŸ‘€đŸ€”đŸ€•

  • @martynridley3671
    @martynridley3671 Pƙed 7 dny

    If I wanted to use sounds like this in a song, I would just use my synth, as most would, so I'm struggling to see the point of it other than a novelty. I think you'd quickly get bored with it and the only thing that would make it sound good is the marketing!

    • @asynchronicity
      @asynchronicity Pƙed 6 dny

      Yeah, somebody has gone way too far down the rabbit hole. It’s kind of disturbing.

    • @Brendan-Black
      @Brendan-Black Pƙed 4 dny

      ​@@asynchronicityHow tf is it disturbing? 🙄

    • @asynchronicity
      @asynchronicity Pƙed 4 dny

      @@Brendan-Black Ha, yeah too strong a word, granted. As a long time fan of both Korg and Tats to see them kind of stuck on this electric kalimba thing for so long stresses me out a little.

  • @DoctorRevers
    @DoctorRevers Pƙed 8 dny

    Just a little higher and we can see the oscilloscope:)

  • @thegroove2000
    @thegroove2000 Pƙed 8 dny

    SORT OUT THE ARRANGE PAGE. A better way to move around sections of the song. Like presonus studio one for example,

  • @waivestate3783
    @waivestate3783 Pƙed 8 dny

    Sounds great

  • @freedom19813
    @freedom19813 Pƙed 8 dny

    when is ARA2 upgrade?

  • @BobbyGeneric145
    @BobbyGeneric145 Pƙed 8 dny

    back when Sos was more than a hundred vids from NAMM

  • @DichotomousRex
    @DichotomousRex Pƙed 9 dny

    Yeah but can i have one?

  • @stevewoywitka3258
    @stevewoywitka3258 Pƙed 9 dny

    It looks cool, but the sound it creates. Just make an electribe like the emx1

  • @VictorSteiner
    @VictorSteiner Pƙed 9 dny

    I‘ve lost track by now 
 did they release their version of the 5 step sequencer and the big sequencer that could randomly jump locations but they could also be adressed via CV?

  • @vsmraj
    @vsmraj Pƙed 9 dny

    Legends makes themselves better everyday!

  • @connorwhite6089
    @connorwhite6089 Pƙed 9 dny

    As always, thank you Sam.

  • @BILLY-px3hw
    @BILLY-px3hw Pƙed 9 dny

    just clip a lapel mic on your kalimba plug it into a guitar pedal or two call it done

    • @ausermane5926
      @ausermane5926 Pƙed 7 dny

      Right but the sequencing decouples the musical information and the dynamic/timbral control which makes the interface different and interesting

  • @mikegeary8056
    @mikegeary8056 Pƙed 9 dny

    Sounds great

  • @Soundpaintmusic
    @Soundpaintmusic Pƙed 9 dny

    Gorgeous!!

  • @VocalChainsStudio
    @VocalChainsStudio Pƙed 9 dny

    Damn that thing sounds awesome

  • @VocalChainsStudio
    @VocalChainsStudio Pƙed 9 dny

    Nice job TipTop❀

  • @Zif-the-Old-Herring
    @Zif-the-Old-Herring Pƙed 9 dny

    The annoying background noise owns the day.

    • @Brendan-Black
      @Brendan-Black Pƙed 4 dny

      Meh, I was able to tune it out. I'm used to having to do that after years of making music, recording and mixing in a full house where noise really does "own the day." 🙂

  • @Zif-the-Old-Herring
    @Zif-the-Old-Herring Pƙed 9 dny

    Many CD's shoved 65 minutes, or more, of music at the listener. The ear does get tired of the same 'sound'. With vinyl and 20 minutes per side, we could remember another cool record we had and put that one on. I'll listen to the other side later. Don't Bogart that pinner, my friend, pass it over to me. And so it goes.

  • @lefunghi6151
    @lefunghi6151 Pƙed 10 dny

    Oh I will buy that System 100%. So nice

  • @pauld1588
    @pauld1588 Pƙed 10 dny

    not many know this.. Aditya Modi acted as a child artist in Nayagan movie as Kamalhasan's grandson.. my dream of becoming a sound engineer just flew out of the window due to financial constraints because in Chennai there was only SAE institute back in 2001 which was charging Rs.1.5 lakhs for a sound engineering course.. I didnt want to burden my Dad, so I met the legendry Mr. H Sridhar in 2001 and unfortunately he said he doesnt have an open spot in his team.. so as an Indian middle class guy i had to bury my dreams and went on to complete MBA, work for different corporates and settled in the US. After family and kids i consoled myself that there is a reason for everything.. so i always envy these guys Adithya Modi, Suresh Permal and Karthik đŸ™‚â€ cheers to you guys, you are at least doing what you love in life.. ARR Sir you are a great inspiration to all of us.. Especially i admire you so much for The Sunshine Orchestra.. ❀

  • @van3ck666
    @van3ck666 Pƙed 10 dny

    THe phase8 stole the show for me last year... even more excited now. Glad to see this is developing along nicely.

  • @johnchiappone2163
    @johnchiappone2163 Pƙed 10 dny

    It's beautiful. Why isn't this on your site. I was expecting to be able to preorder.