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HOCKET ensemble
Registrace 17. 05. 2014
HOCKET is a cutting edge, new music, piano duo based in Los Angeles, CA. Members Sarah Gibson and Thomas Kotcheff are both pianist-composers dedicated to commissioning and performing contemporary music.
Jordan Nelson - Moon River III
Jordan Nelson - Dancing on the Ceiling
from Songbook
HOCKET (Sarah Gibson & Thomas Kotcheff), piano four-hands
Video/Audio Engineer: Louis Ng
from Songbook
HOCKET (Sarah Gibson & Thomas Kotcheff), piano four-hands
Video/Audio Engineer: Louis Ng
zhlédnutí: 126
Video
Jordan Nelson - Dancing on the Ceiling
zhlédnutí 40Před 16 hodinami
Jordan Nelson - Dancing on the Ceiling from Songbook HOCKET (Sarah Gibson & Thomas Kotcheff), piano four-hands Video/Audio Engineer: Louis Ng
Alexander Elliott Miller - Aftermath
zhlédnutí 203Před rokem
Alexander Elliott Miller - Aftermath Alexander Elliott Miller, electric guitar HOCKET, piano Louis Ng, Director
Sarah Gibson & Thomas Kotcheff: Unread Messages
zhlédnutí 171Před 3 lety
Sarah Gibson & Thomas Kotcheff: Unread Messages for soprano and piano four-hands Recorded Live on October 16, 2020 at Boston Court Theater, Pasadena composed & performed by the composers
Frederic Rzewski: Four Hands, II. senza misura
zhlédnutí 299Před 3 lety
Live performance from the "Songs of Insurrection" Album Release Concert Complete concert: czcams.com/video/uXJgGBWWgDs/video.html
Dehiscence, by Ted Hearne | #What2020SoundsLike
zhlédnutí 129Před 3 lety
Dehiscence for two pianos, by Ted Hearne About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for our community to express themselves. #What2020SoundsLike is a project of mi...
Estampie, by Stephen Hartke | #What2020SoundsLike
zhlédnutí 292Před 3 lety
Estampie for 2 Players (piano four-hands, toy piano, melodica, tambourine, and kick bass drum), by Stephen Hartke About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for ou...
Superspreader, by Maya Miro Johnson | #What2020SoundsLike
zhlédnutí 143Před 3 lety
Superspreader for two pianos, toy piano, and accordion, by Maya Miro Johnson About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for our community to express themselves. #W...
"HOCKET Joined the Meeting," by Celka Ojakangas | #What2020SoundsLike
zhlédnutí 149Před 3 lety
About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for our community to express themselves. #What2020SoundsLike is a project of miniature commissions with a quick turnarou...
Touch, by Nina C. Young | #What2020SoundsLike
zhlédnutí 164Před 3 lety
Touch for piano four-hands, by Nina C. Young About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for our community to express themselves. #What2020SoundsLike is a project o...
Nobody Can Do It Like Me!, by José Martínez | #What2020SoundsLike
zhlédnutí 123Před 3 lety
Nobody Can Do It Like Me! for piano four-hands, by José Martinez About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for our community to express themselves. #What2020Sound...
Yea, We Talked About It, by Derrick Skye | #What2020SoundsLike
zhlédnutí 118Před 3 lety
Yea, We Talked About It for melodica and piano, by Derrick Skye About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for our community to express themselves. #What2020Sounds...
Looming, by David Crowell | #What2020SoundsLike
zhlédnutí 62Před 3 lety
Looming for piano four-hands, by David Crowell About the project: 2020 has been a year with unprecedented emotional, mental, physical, and sociological affects. HOCKET has been trying to figure out how to make music together, make sense of what’s happening in the world right now, and provide an artistic and musical outlet for our community to express themselves. #What2020SoundsLike is a project...
Please Scream Inside Your Heart, by A.J. McCaffrey | #What2020SoundsLike
zhlédnutí 239Před 3 lety
Please Scream Inside Your Heart, by A.J. McCaffrey | #What2020SoundsLike
Once Less, by Matthew Ricketts | #What2020SoundsLike
zhlédnutí 165Před 3 lety
Once Less, by Matthew Ricketts | #What2020SoundsLike
Let's get the hell out of here, by Dale Trumbore | #What2020SoundsLike
zhlédnutí 85Před 3 lety
Let's get the hell out of here, by Dale Trumbore | #What2020SoundsLike
Little B, by Paul Kerekes | #What2020SoundsLike
zhlédnutí 223Před 3 lety
Little B, by Paul Kerekes | #What2020SoundsLike
c** y** h*** m*?, by Peter S. Shin | #What2020SoundsLike
zhlédnutí 240Před 3 lety
c y h m*?, by Peter S. Shin | #What2020SoundsLike
Final Thoughts, by Jonathan Richards | #What2020SoundsLike
zhlédnutí 51Před 3 lety
Final Thoughts, by Jonathan Richards | #What2020SoundsLike
up / down, by Katherine Balch | #What2020SoundsLike
zhlédnutí 155Před 4 lety
up / down, by Katherine Balch | #What2020SoundsLike
March for Jacob Blake, by Jen Shyu | #What2020SoundsLike
zhlédnutí 138Před 4 lety
March for Jacob Blake, by Jen Shyu | #What2020SoundsLike
Dog Daze, by Scott Lee | #What2020SoundsLike
zhlédnutí 98Před 4 lety
Dog Daze, by Scott Lee | #What2020SoundsLike
Jasmine, by Maria Kaoutzani | #What2020SoundsLike
zhlédnutí 80Před 4 lety
Jasmine, by Maria Kaoutzani | #What2020SoundsLike
Ombré, by Sakari Dixon Vanderveer | #What2020SoundsLike
zhlédnutí 221Před 4 lety
Ombré, by Sakari Dixon Vanderveer | #What2020SoundsLike
Kit01, by Hitomi Oba | #What2020SoundsLike
zhlédnutí 132Před 4 lety
Kit01, by Hitomi Oba | #What2020SoundsLike
Mariachititlán, by Juan Pablo Contreras | #What2020SoundsLike
zhlédnutí 272Před 4 lety
Mariachititlán, by Juan Pablo Contreras | #What2020SoundsLike
Crosstalk, by Nicolas Lell Benavides | #What2020SoundsLike
zhlédnutí 85Před 4 lety
Crosstalk, by Nicolas Lell Benavides | #What2020SoundsLike
Vanishing, by Gemma Peacocke | #What2020SoundsLike
zhlédnutí 112Před 4 lety
Vanishing, by Gemma Peacocke | #What2020SoundsLike
Les barricades quotidiennes, by Christopher Stark | #What2020SoundsLike
zhlédnutí 199Před 4 lety
Les barricades quotidiennes, by Christopher Stark | #What2020SoundsLike
Distanced, by Joel Thompson | #What2020SoundsLike
zhlédnutí 105Před 4 lety
Distanced, by Joel Thompson | #What2020SoundsLike
💀💀💀💀💀💀💀💀💀
She was the Fist composer I listened to when I started finding music outside of my comfort zone.
Que En Paz Descanse
What a cacophonous load of pretentious horse shit.
On peut lire la lettre suivante de la Société Musicale Indépendante aux autorités douanières françaises, datée du 7 mai 1929 (source: Manuel Cornejo, Maurice Ravel-l'Intégrale, lettre numéro 2238) : " Le Comité de la Société Musicale Indépendante estime qu'il y a le plus grand intérêt à laisser entrer le piano spécialement construit par Monsieur Wyschnegradsky, piano à quart de ton, qui peut rendre les plus grands services pour la musique moderne. Le comité de la S.M.I demande donc à la direction des douanes, de faciliter l'entrée de cet instrument à Paris afin de permettre aux compositeurs français de se rendre compte des expériences de Monsieur Wyschnegradsky. Un vice-président Maurice Ravel "
Fascinating piece. Does the name of the ensemble refers to this piece as well, because it seems a bit Hoketus-technique to me as well with the alternation between quartertone piano's?
WHAT IS THAT MELODY!???!?!?
I can't find the score anythere :(
Haunting.
Conducted discipline in quarter tones... Contemporary rather than temporary.
Conducted discipline in quarter tones... Contemporary rather than temporary.
fortunately we have something called the "well tempered" tuning system
I love Wyschnegradsky, the playful despicable tone of it all. Delicious Gosh I love No. 3, (started at 1:25) I am so glad such thing exists so that I could listen
I really enjoyed it 💀
THE UNIVERSE SINGS TO ME!
How do you get a music rack for inside of the piano to hold up the score? I plan on performing this and I'd like to know. Amazing job!
we built a custom stand for our iPad using a piece of wood covered in black duct tape and on top of that we placed our iPad stand. Hope that helps!
This has the same feel of dreaminess skirting right on the edge of nightmare as in some of his _Twenty-four Preludes in All the Tones of the Chromatic Scale Diatonicized with Thirteen Sounds_ -- especially VII. Having said what I said above, the different pieces are definitely not the same: This one is the industrial-strength version.
De fato, como noutras peças de Crumb, o piano é um novo instrumento cheio de possibilidades musicais. A interpretação é fantástica. Parabéns ao grupo.
The music it’s playing again
"C-CAN YOU HEAR THAT MUSIC?"
BURNING BRIGHTER THAN A SUPERNOVA!!!
Очень хорошая музыка очень дилетантски сбацана. Кто эти люди??!
Outstanding performance!
Beautifully cute...
Nice af
11:35 my favorite. You really get to hear the quarter tones with each instrument playing melodies.
Какая это прелюдия?
@@OxideManganese Что?
@@musicplaylists64 Do you know what piece is playing at this point? What's the prelude?
@@OxideManganese I will get back to you on that. I am busy right now but will respond with the answer when I find some time. This is a selection of the 24 preludes, you could simply find the full version and go through and figure out which one this is. That is what I am going to do when I find some free time.
@@OxideManganese Prelude X (10)
I've listen this many times, but ffirst time i see it. Splendid! Thaks you very much, it was a pure joy!
WHAT IS THAT MELODY?!!!
THE UNIVERSE IT SINGS TO ME, WHAT IS THAT MELODY ?
A man who enters Hell, is not one who leaves...
When I read scores for quarter tone music, I’m just puzzled by how the time is coordinated. I’m so glad I get to see the musicians interact for this piece
THE UNIVERSE!!! IT SINGS TO MEEE!!!
RELEASE ME!
THE UNIVERSE IS SINGING TO ME !
WHAT IS THAT MELODY
Incredible performance!
Wow, impressive. I'm loving this piece. Crumb's music continues to grow on me. This is the first use of non-keyboard inside-the-piano techniques I've heard that really appeals to me, that feels musical and creatively done. The techniques add to the keyboarding so many fascinating drone, harp, autoharp, percussion, and other sounds, making the piano into a whole new instrument. Well done!
It is nice to see the virtue signaling by those who pretend that they enjoy out of tune instruments. ;)
Maybe some people do, I know I'm someone who enjoys 12+ tet music
Stop virtue signalling about being someone who sees something wrong with that.
I love it! It’s so interesting and hauntingly beautiful
WHAT IS THAT MELODY
dude what
Some elements (trilles, arpeggios) remind late Scriabin
He was a spiritual successor of Scriabin
Wow what a Music... I am obsessed 💕💕💕💕
gravity, is a harness. i have harnessed gravity.
Incredible, bravo ! Where can we find the score ? Greetings from France
I have recorded myself (2 recordings put together, one of them at speed 2^(-1/24)) playing the 18th prelude at home (it is on my channel), i will like to do the others when i have more time! I have also improvised a piece with 8th tones (4 recordings at speeds 1, 2^(-1/48), 2^(-1/24) and 2^(-1/16))
I like Wyschnegradsky.
Amazing performance!
im not sure the added notes really worked in the cosmic canons finale. it's supposed to be very sparse and timeless yet peaceful, and the added notes and less soundboard hits make it feel more uneasy than peaceful. it's not a bad idea on its own, but as an ending to the entire makrokosmos series it feels less satisfying
found this song in 2017 my junior year in high school and then rewatched beautiful boy when I realized the memories made me who I am
Great minimalist interpretation with a "meditative" timing. Very balanced in colours and dynamics. Love it!
Thank you!