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Here I became a convert - I want to be with them !!

1:29 eateot moment

Miss both....RIP!

A bit too ‘glutinous’, and at times self-conscious at making ‘beautiful sound’, Sutherland’s interpretation . Whereas Maria delivers it with a hair raising urgency, a primordial inner pathos, a sharp cutting fatality, above all a focused expression, an economy of expression without aiming to project the voice but the true character, that is a living Leonora and not an opera singer. Drama is not for Sutherland. She is best outside those roles that demand sharp dramatic intuition. Just compare with Callas’ performance at Palais Garnier. The voice, the eyes, those hands!

I was today years old when I found out that Danny Kaye (and by extension Sylvia Fine) and Adam Sandler had used this music to inspire one of their comedic routines. Kaye and Fine used this as basis for an operatic sequence in the movie Wonder Man, and Sandler used parts of the melody for an Opera Man sketch (which also starred Jon Lovitz and Glenn Close!).

Il trovatore misere

Then the Caretaker fans arrived

Imádom a Trubadurt, ez a legcsodálatosabb áriája. Sokszor láttam Miller Lajos Lunájával

The best. I know this is not some original input in regards to this particular role; but Leonora belongs to La Stupenda & La Divina. They both actually added to the role, very much like what they managed w/ Lucia & Norma.

eateot has brought me here

MISERERE O Miserere, da ópera Il Trovatore, de Verdi, acalma. O coro de vozes: "Miserere de uma pessoa já próxima Da partida que não tem volta! Misericórdia de sua alma, Divina bondade, Presa não é da estada infernal!" Acima. Leonora: "Esse som, esses preceitos solenes e fatais. Impera neste ar o terror sombrio! ... Todos em oração O embaixador nos convida e afirma: a todos amais Os lábios dizem e o coração bate!" Hora de inspiração. A matrix está sendo transferida para o outro da matrix. Libera-nos das amarras das gemônias que arrastam Os prisioneiros do crime em comum. Magister dixet. Churchill: atravessar o inferno aqui na Terra sem parar. A egrégora de amor as muitas dores alheias sustam. Este devotamento ao nosso próximo só traduz em amar. (*) (*) FERNANDO PINHEIRO, presidente da Academia de Letras dos Funcionários do Banco do Brasil. - in MISERERE (poesia), de Fernando Pinheiro. - in O mundo de Morfeu, de Fernando Pinheiro.

Leonora, Addio!

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Internal Bewildered World

This is wonderful because the opera singers knew their craft... Not like the microphones the new mob use and just scream.... Wished they would listen to the noise they are making... Maybe if the listen to this they may learn how to sing.... However they are now only in it for the money... I have even given up going only listen to the old greats... Thank god for recording of these wonderful VOICES that don't need to scream to they just open their mouths and out comes the wonderful sounds.....

This is a diamond treasure! Gives me goosebumps

On the whole, I am not a big fan of Il Trovatore, but this is wonderful

This has been taken from DECCA studio recording. Am I right? Do help me. Thanks. June 2019 Santiago of Chile

Beautiful.

Devo dire che l'immensa Joan Sutherland in molte parti ha superato perfino Maria, * inoltre aveva una struttura degli armonici che la rendeva impareggiabile! * Callas.

Magnificent!! What else can one say? Sadly no one like Pavarotti and Sutherland exists today.

Esto es fabuloso, de mis partes favoritas de Il Trovatore. Y cantada por estos dos genios es aún más más impresionante.

Sutherland`s voice too heavy, it does not suit her,

I LOVE Sutherland, and always have. But, this is boring compared to Callas or Ponselle.

A lovely soprano and a great tenor = magic.

Muy hermoso pero la callas le pone sentimiento y voz Estupenda voz la Diva la callas unica perdón perdón pero así es c allas bastianini y Carlitos bergonsi ycablassi

As good as it gets...