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Trrill
United States
Registrace 17. 01. 2006
Two Rs and two Ls... because the singing is extra. Trrill is about florid passages, improvisatory underpinnings, staccato'd intuitions, and virtuosities even at their most ridiculous.
Trrill's aim is to rediscover, rescue, remaster, repitch, and recontextualize footage and recordings of the greatest singers in the old-school operatic tradition-works that are primarily in the public domain or excerpted and edited to fix incorrect speeds or tones or audio-visual synching.
Caveat: I'm biased in favor of #baritones and baritone literature, but if you want to learn even more about these singers, checkout this spreadsheet. Voice parts are separated by tabs: bit.ly/2W4qmE3
Trrill's aim is to rediscover, rescue, remaster, repitch, and recontextualize footage and recordings of the greatest singers in the old-school operatic tradition-works that are primarily in the public domain or excerpted and edited to fix incorrect speeds or tones or audio-visual synching.
Caveat: I'm biased in favor of #baritones and baritone literature, but if you want to learn even more about these singers, checkout this spreadsheet. Voice parts are separated by tabs: bit.ly/2W4qmE3
Cornell MacNeil - Nemico della patria [Andrea Chenier] - Live 1983
We're fortunate to have so much close-up, live-action footage of great American baritones like Merrill and MacNeil. With the Italians and its many great baritones, we're not so lucky because while they made many films of operatic literature, almost all of them were studio treatments and so lip synched to pre-recorded tracks, robbing modern-day lovers of singing/technique/pedagogy of the ability to study these singers' real physical actions and coordinations.
I don't want some sort of algo to set off automated content alerts, so I won't name the locale of this gala... but I'm sure you can guess it.
Please don't make me block you for commenting with the ole "well he uncovered too high" canard. You're the grillionth person to say it; it doesn't make you a connoisseur. 🖤
.........
Two Rs and two Ls... because the singing is extra. Trrill is about florid passages, improvisatory underpinnings, staccato'd intuitions, and virtuosities even at their most ridiculous.
Trrill's aim is to rediscover, rescue, remaster, repitch, reclaim, and recontextualize footage and recordings of the greatest singers in the so-called old-school operatic tradition-works that are primarily in the public domain or excerpted and edited in fair use in order to fix incorrect speeds or tones or audio-visual synching.
Caveat: I'm biased in favor of #baritones and baritone literature, but if you want to learn even more about these singers, checkout this spreadsheet. Voice parts are separated by tabs: bit.ly/2W4qmE3
#belcanto #baritones #opera
I don't want some sort of algo to set off automated content alerts, so I won't name the locale of this gala... but I'm sure you can guess it.
Please don't make me block you for commenting with the ole "well he uncovered too high" canard. You're the grillionth person to say it; it doesn't make you a connoisseur. 🖤
.........
Two Rs and two Ls... because the singing is extra. Trrill is about florid passages, improvisatory underpinnings, staccato'd intuitions, and virtuosities even at their most ridiculous.
Trrill's aim is to rediscover, rescue, remaster, repitch, reclaim, and recontextualize footage and recordings of the greatest singers in the so-called old-school operatic tradition-works that are primarily in the public domain or excerpted and edited in fair use in order to fix incorrect speeds or tones or audio-visual synching.
Caveat: I'm biased in favor of #baritones and baritone literature, but if you want to learn even more about these singers, checkout this spreadsheet. Voice parts are separated by tabs: bit.ly/2W4qmE3
#belcanto #baritones #opera
zhlédnutí: 1 541
Video
![Enzo De Muro Lomanto - En fermant les yeux [Manon] - Live 1933](http://i.ytimg.com/vi/cvFKXer6zOA/mqdefault.jpg)
![Enzo De Muro Lomanto - En fermant les yeux [Manon] - Live 1933](/img/tr.png)
Enzo De Muro Lomanto - En fermant les yeux [Manon] - Live 1933
zhlédnutí 569Před 6 měsíci
Some might say a Manon aria is something seemingly better suited for a Georges Thill, but interestingly De Muro Lomanto shared a teacher with Thill in Fernando De Lucia. And here you can hear a through line of the history of tenor singing-some of De Lucia's shaded mellowness, some of Fleta's glistening melancholy, and even a preview of the pained simplicity of Di Stefano. A nice little record.....
![Viorica Tango - Tacea la notte placida [Il trovatore] - Live 1933](http://i.ytimg.com/vi/EcIdC03X280/mqdefault.jpg)
Viorica Tango - Tacea la notte placida [Il trovatore] - Live 1933
zhlédnutí 555Před 6 měsíci
Born Viorica Vasilescu, she studied singing first in Bucharest, then in Paris. Made her stage debut at the Bucharest Opera in 1920 as Elsa in Lohengrin. She continued singing there until 1922 and then went to Italy, where she performed successfully at numerous theaters in the years that followed. In 1922 she married the conductor Egisto Tango (1873-1951), who was then conducting at the Vienna V...
![Ugo Donarelli - Eri tu [Un ballo in maschera] - 1922 (correct pitch)](http://i.ytimg.com/vi/zRPluSN7jD4/mqdefault.jpg)
Ugo Donarelli - Eri tu [Un ballo in maschera] - 1922 (correct pitch)
zhlédnutí 1,3KPřed rokem
Ugo Donarelli Dobici (1888-Feb 17, 1962). Studied with Antonio Cotogni at Santa Cecilia in Rome. Early career in the provincial theaters of Italy. Circa 1920 toured South America as part of company under Serafin. While singing in London in the early 1920s, he made a number of solo discs (as well as some duets with tenor Nicolas Fusati) under the Velvet Face series of J.E. Hough's Edison Bell Co...
![Ugo Donarelli - Largo al factotum [Barbiere di Siviglia] - 1923 (correct pitch)](http://i.ytimg.com/vi/YEIuOQZ7zJg/mqdefault.jpg)
Ugo Donarelli - Largo al factotum [Barbiere di Siviglia] - 1923 (correct pitch)
zhlédnutí 702Před rokem
Ugo Donarelli Dobici (1888-Feb 17, 1962). Studied with Antonio Cotogni at Santa Cecilia in Rome. Early career in the provincial theaters of Italy. Circa 1920 toured South America as part of company under Serafin. While singing in London in the early 1920s, he made a number of solo discs (as well as some duets with tenor Nicolas Fusati) under the Velvet Face series of J.E. Hough's Edison Bell Co...
![Ugo Donarelli - Già mi dicon venal [Tosca] - 1922 (correct pitch)](http://i.ytimg.com/vi/dUKesH2CQZQ/mqdefault.jpg)
Ugo Donarelli - Già mi dicon venal [Tosca] - 1922 (correct pitch)
zhlédnutí 374Před rokem
Ugo Donarelli Dobici (1888-Feb 17, 1962). Studied with Antonio Cotogni at Santa Cecilia in Rome. Early career in the provincial theaters of Italy. Circa 1920 toured South America as part of company under Serafin. While singing in London in the early 1920s, he made a number of solo discs (as well as some duets with tenor Nicolas Fusati) under the Velvet Face series of J.E. Hough's Edison Bell Co...
"Pharyngeal voice" sung by a tenor on Edgar Herbert-Caesari's audio demonstrations
zhlédnutí 3,7KPřed rokem
As discussed in his 1951 work, The Voice of the Mind. Related videos: Interview with Domenico Mancini, falsettist student of castrato Alessandro Moreschi czcams.com/video/Pj5E2vVx2ZI/video.html Domenico Mancini in quartet of Mozart Ave verum czcams.com/video/GDSxeiQYBQk/video.html Domenico Mancini in quartet - Benedicta et venerabilis czcams.com/video/Rw97LIrPe6A/video.html Domenico Mancini as ...
![RATED HIGH G: Richard Tucker & Cornell MacNeil - Enzo Grimaldo [La Gioconda] - 1966, correct pitch](http://i.ytimg.com/vi/NikE_GK5UFo/mqdefault.jpg)
RATED HIGH G: Richard Tucker & Cornell MacNeil - Enzo Grimaldo [La Gioconda] - 1966, correct pitch
zhlédnutí 1,5KPřed rokem
The other copies of this performance on CZcams are from a recording that was erroneously transferred at too high a pitch/speed, making the voices/vowel colors too open and shrill. Now with the pitch corrected, the voices have more depth, more thump and twap-making that penultimate high G from Mac and Tuck all the more impactful. Teatro Colón Buenos Aires June 24, 1966 Bruno Bartoletti, conducto...
![BARITONE BEAST MODE: Cornell MacNeil - O monumento [La Gioconda] - LIVE 1966, correct pitch](/img/n.gif)
BARITONE BEAST MODE: Cornell MacNeil - O monumento [La Gioconda] - LIVE 1966, correct pitch
zhlédnutí 1,4KPřed rokem
The other copies of this performance on CZcams are from a recording that was erroneously transferred at too high a pitch/speed, making the voices/vowel colors too open and shrill. Now with the pitch corrected, the Mac's voice has more depth, more thump and twap-making that penultimate high G simply volcanic. Teatro Colón Buenos Aires June 24, 1966 Bruno Bartoletti, conductor ......................
RARE Cornell MacNeil & Martina Arroyo et al - Aida Act 2 "Triumphal" Finale - PBS Gala of Stars 1984
zhlédnutí 16KPřed rokem
Radio City Music Hall American Symphony Orchestra Westminster Choir February 28, 1984 Aida: Martina Arroyo Amonasro: Cornell MacNeil Radamès: James McCracken Amneris: Bianca Berini Ramfis: Paul Plishka Il Re: John Cheek 00:00 Intro by Beverly Sills 02:50 Allegro maestoso 03:38 Gloria all'Egitto 06:03 Triumphal March 07:34 Ballet 11:54 Vieni, o guerriero vindice 14:17 Salvator della patria (Il R...
Pasquale Amato - Il balen del suo sorriso [Il trovatore] - 1909 CORRECT PITCH
zhlédnutí 2KPřed 2 lety
From unissued Fonotipia matrix XPh 3892. ..................................... This channel is primarily about vocal emission-aural examples of basically correct singing, correct impostazione-chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it-with occasion...
Pasquale Amato - O monumento [La Gioconda] - 1909 CORRECT PITCH
zhlédnutí 1,4KPřed 2 lety
From unissued Fonotipia matrix XPh 3903. ..................................... This channel is primarily about vocal emission-aural examples of basically correct singing, correct impostazione-chiaroscuro, vowel clarity, firm and centered pitch, correct vibrato action, absence of throatiness or thickness, sounds free from constriction and from the acoustic noise that accompanies it-with occasion...
Silent film clips of Luisa Tetrazzini singing - 1925 & ca. 1940
zhlédnutí 18KPřed 2 lety
[00:00] On March 10, 1925 early British wireless radio station 2LO presented Italian coloratura soprano Luisa Tetrazzini in concert from their studio at Marconi House. I believe her accompanist is Ivor Newton. While we know something of her programme that day, it'd be difficult to guess what she's singing in these tiny snippets, taken from various moments throughout. [00:44] During a presumably...
Vaganova's 1946 Russian/Soviet ballet film: Method of Classical Dance - Методика классического танца
zhlédnutí 14KPřed 2 lety
In note 3 of the Supplement section of her Basic Principles of Classical Ballet, Agrippina Vaganova writes: "In order to preserve all our achievements for posterity it is necessary to resort to the aid of the motion picture, which will be a great contribution to the immortalization of our art. The years are passing by, and we hope that our achievements, registered on film, will aid future gener...
Giovanni Inghilleri - Cruda funesta smania [Lucia di Lammermoor] circa 1924
zhlédnutí 1,7KPřed 2 lety
Giovanni Inghilleri - Cruda funesta smania [Lucia di Lammermoor] circa 1924
Hermann Jadlowker - Tröstet Zion (Comfort ye, my people) - Handel's Messiah - ca. 1919
zhlédnutí 1,3KPřed 2 lety
Hermann Jadlowker - Tröstet Zion (Comfort ye, my people) - Handel's Messiah - ca. 1919
Maria Capuana - O don fatale [Don Carlo] - 1927
zhlédnutí 2,3KPřed 3 lety
Maria Capuana - O don fatale [Don Carlo] - 1927
Maria Capuana - Amneris scene Act IV [Aida] w/ Aroldo Lindi - 1928
zhlédnutí 1,5KPřed 3 lety
Maria Capuana - Amneris scene Act IV [Aida] w/ Aroldo Lindi - 1928
Dusolina Giannini & Giovanni Inghilleri - Ciel! mio padre! [Aida] - 1928
zhlédnutí 1,9KPřed 3 lety
Dusolina Giannini & Giovanni Inghilleri - Ciel! mio padre! [Aida] - 1928
Giacomo Rimini, baritone, sings Eri tu [Un ball in maschera] - 1918
zhlédnutí 2,6KPřed 3 lety
Giacomo Rimini, baritone, sings Eri tu [Un ball in maschera] - 1918
Carlo Galeffi, baritone, sings Il balen del suo sorriso [Il trovatore] - 1911 version
zhlédnutí 4,8KPřed 3 lety
Carlo Galeffi, baritone, sings Il balen del suo sorriso [Il trovatore] - 1911 version
Baritone Pasquale Amato as Napoleon in silent film Glorious Betsy - 1928
zhlédnutí 1,3KPřed 3 lety
Baritone Pasquale Amato as Napoleon in silent film Glorious Betsy - 1928
Francesco Maria Bonini & Elisa Petri - Stammi ad udir / Death of Valentino [Faust] - 1906
zhlédnutí 741Před 3 lety
Francesco Maria Bonini & Elisa Petri - Stammi ad udir / Death of Valentino [Faust] - 1906
Toscanini Says So: How Aida's father should sing. Giuseppe Valdengo - Ciel! mio padre - 1949 LIVE
zhlédnutí 23KPřed 3 lety
Toscanini Says So: How Aida's father should sing. Giuseppe Valdengo - Ciel! mio padre - 1949 LIVE
Danish Palestrinakoret (Palestrina Choir, dir. Mogens Wöldike) - Credo - Missa papae Marcelli - 1934
zhlédnutí 607Před 3 lety
Danish Palestrinakoret (Palestrina Choir, dir. Mogens Wöldike) - Credo - Missa papae Marcelli - 1934
Ninì Giani - Excerpts of Acerba volutta, Voi lo sapete, and songs - 1932
zhlédnutí 2KPřed 3 lety
Ninì Giani - Excerpts of Acerba volutta, Voi lo sapete, and songs - 1932
Maria Caniglia & Mario Basiola - Madamigella Valery? [La traviata Violetta/Germont duet ] - 1939
zhlédnutí 2,3KPřed 3 lety
Maria Caniglia & Mario Basiola - Madamigella Valery? [La traviata Violetta/Germont duet ] - 1939
Aureliano Pertile & Margaret Sheridan - Tu, tu, amore... O tentatrice! [Manon Lescaut] - 1929
zhlédnutí 1,8KPřed 3 lety
Aureliano Pertile & Margaret Sheridan - Tu, tu, amore... O tentatrice! [Manon Lescaut] - 1929
Fascists watch Turandot at Caracalla (w/ Galliano Masini) - 1938
zhlédnutí 4,8KPřed 3 lety
Fascists watch Turandot at Caracalla (w/ Galliano Masini) - 1938
Iva Pacetti & Gino Vanelli - Da quel dì [Ernani] - 1930
zhlédnutí 1,2KPřed 3 lety
Iva Pacetti & Gino Vanelli - Da quel dì [Ernani] - 1930
Look at the posture of that guy! He was a semi-pro baseball player in his youth. Huge Yankee fan, an sang Star Spangled banner at games. If he hadt tried he could have stood at home plate and been heard by the crowd. in the bleachers.
Along with Giuseppe Taddei and Robert Merrill one of my favourite baritones.
"churlish", yes indeed, so why did you have to write it then? Oh Buddha these besserwisser!! :((
It can not be better!!!!!!!!!!!
4:12 like a cannon!
Truly wonderful voice and rendition.
Irrepetible
Niente meno che divina
Спасибо! Очень живой и артистичный баритон!
Better than any mezzo of nowadays
To whom who aren’t happy enough with Valdengo there’s an option to go to listen great baritone Domingo and co.
A master of the theory that singing is actually extended speaking. Does not blur the drama. Nelli also is fine.
Bravo bravissimo!!!! Thank you for adjusting the pitch! What a magnificent singer!!!
UNA MARAVILLA,OTRAS ÉPOCAS,OTRO TEATRO COLÓN,OTRO PÚBLICO,OTRA COSA ,DETRÁS DEL TELÓN Y DELANTE DE ÉL,NO SE CONTONEABA CUALQUIER PERSONA SOBRE EL ESCENARIO GRITANDO CON UN MICRÓFONO EN LA MANO....................AHORA A NADIE LE IMPORTA NADA...................
Singing like this has disappeared.
Another name to add to the long list of wonderful Italian baritones who sang in the first half of the last century.
❤🎉Tagliabue 4:49 still is a Monster, Steals the Show🤭
What fire, what involvement, what diction ! Caballe should have learned from this recording how to give life to her a bit boring interpretations in the studio !
Eine singende Göttin
WOW what a sound from such an old man.
Ciao nonno.
this lesson is gold, and Danise's altercation are diamonds
❤️🇱🇨!!!
Única , inrrepetible r inigualBle
It was her greatest moment.....the best ever NORMA❤❤❤❤❤❤
The best version probably
♥
Göttliche Stimmen von Göttinen des Gesanges. Dieser Klang bei dieser Reinheit des Tones gepaart mit diesem Stimmumfang - einfach überirdisch !
WOW
Like a knife cutting through crystal. Superb!
Terrible that he only had 2 more years to live after this broadcast. I guess had he lived longer he would have appeared at the leading opera houses of Europe. I understand he only sang at La Scala, Milan in one production.
Callas forever! Nobody can sing this aria like Maria - Is obvious that Nilsson do not understand Italian. Oderwise she can not be so soft on the word orrore.. Every word is so meaningful with Maria, she really understand like nobodyelse Puccini. Is incredible how Maria modulate the intrinsic ritm of this aria crating visual effect - listen to he 1957 rendition of the aria - how she sing/say "o Principi che a lunghi caravane... dove parte del mondo qui venite..." lunghi caravane suggest in Maria rendition something ondulating like kamels on the sand dunes the quaitnes if is firs disrupted by the accent on QUI venite - here, here is my reign - to do a real very good crescendo for Io vendico SU VOI, quella purezza - very delicate, ascending on quel grido for the pike on quella MORTE. Maria is a real genius, I was incapable to listen to Pucini before I discovered Maria in1994 - til that moment I listen to her recordings again and again, and they are so alive, every time I discover a nuance, an accent a way how she can create with sound ONLY visual images. An other example is from La Sonambula - "amo il rio perche londa ti da..."when si sing first this at Edinburg is very much evident - is like you hear water going from a bottle to a glass for Elvino to drink - Callas a real genius, nobody sing like her.
CARUSO❤❤❤❤❤EL MAS GRANDE!!!!!
impostazione chiaroscuro
Wow! Why haven't I heard Danise before? Great voice!
Perfect italian.
Что то невероятное!!! Таких голосов сейчас нет((
Quando lo ascolto io piango
Di Provenza il mar, il suol - chi dal cor ti cancellò? Chi dal cor ti cancellò di Provenza il mar, il suol? Al natio fulgente sol - qual destino ti furò? Qual destino ti furò al natio fulgente sol? Oh, rammenta pur nel duol - ch'ivi gioia a te brillò; E che pace colà sol - su te splendere ancor può. E che pace colà sol - su te splendere ancor può. Dio mi guidò! Dio mi guidò! Dio mi guidò! Ah! il tuo vecchio genitor - tu non sai quanto soffrì tu non sai quanto soffrì il tuo vecchio genitor. Te lontano, di squallor il suo tetto si coprì il suo tetto si coprì te lontano, di squallor Ma se alfin ti trovo ancor, - se in me speme non fallì, Se la voce dell'onor - in te appien non ammutì, Ma se alfin ti trovo ancor, - se in me speme non fallì, Dio m'esaudì! Dio m'esaudì! Dio m'esaudì!
Wohl der authentischste Pollione aller Zeiten!
Documents like this are so valuable. I'm sure everyone else is carefully watching his tongue too. There is so much to be learned from close-up videos of great singers like this.
I can never get enough of this!!!
BRAVISSIMI 🇮🇹🇮🇹🇮🇹🥀🥀🥀🥀🥀
Ein Stimmfest!
Oh goodness this absolutely heaven to listen to. What a beautiful voice. Thank you for posting. I read a lot about the singers of the past but wow to listen to them is out of this world. ❤❤❤
He is not in good voice in the Aida excerpt.
Nulla! Silenzio! È la! Non s'è spogliata, non dormeâ Aspetta. Chi? Che cosa aspetta? Chi? Chi? Forse il mio sonno. Chi l'ha trasformata? Qual ombra maledetta è discesa fra noi? Chi l'ha insidiata? Il Talpa! Troppo vecchio. Il Tinca forse? No, no, non pensa, beve. E dunque chi? Luigi? No, se proprio questa sera voleva abbandonarmi e m'ha fatto preghiera di sbarcarlo a Rouen! Ma chi dunque? Chi dunque? Chi sarà ? Squarciare le tenebre! Vedere! E serrarlo così, fra le mie mani! E gridargli, sei tu! Il tuo volto livido, sorrideva alla mia pena! Sei tu! Su! Dividi con me questa catena! Ravvolgimi con te nella tua sorte giù insiem nel gorgo più profondo! Accomuna la tua con la mia sorte! La pace è nella morte! T'ho colto!