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De Profundis
Registrace 22. 12. 2016
The Trio: Arthur Rubinstein, Jascha Heifetz, and Gregor Piatigorsky (Meet the Masters, 1952)
The Trio
The film by World Artists
Episode of Meet the Masters series
NBC, April 6, 1952
The film by World Artists
Episode of Meet the Masters series
NBC, April 6, 1952
zhlédnutí: 205
Video
Ravel: Piano Concerto in G Major - Michelangeli, Celibidache, LSO, 1982
zhlédnutí 14KPřed 4 lety
Maurice Ravel: Piano Concerto in G major, M. 83 I. Allegramente 00:00 II. Adagio assai 09:14 III. Presto 18:44 Arturo Benedetti Michelangeli, piano Sergiu Celibidache, conductor London Symphony Orchestra Royal Festival Hall, London April 11, 1982
Schumann: Violin Concerto in D minor, WoO 23 - Menuhin, Barbirolli, NYPO, 1938
zhlédnutí 6KPřed 4 lety
Yehudi Menuhin, Violin New York Philharmonic Orchestra John Barbirolli, Conductor February 9, 1938 I. In kraftigem, nicht zu schnellem Tempo - 12:35 II. Langsam - 05:54 II. Lebhaft doch nicht schnell - 08:55
Offenbach: Tales of Hoffmann - Gedda, Schwarzkopf, de los Angeles, d' Angelo, Ghiuselev - Cluytens
zhlédnutí 3,6KPřed 4 lety
Nicolai Gedda (tenor), Nicola Ghiuselev (bass), Michel Sénéchal (tenor), Victoria de los Angeles (soprano), Robert Geay (bass), Renée Faure (spoken voice vocals), Jeannine Collard (mezzo-soprano), André Mallabrera (tenor), Jean-Pierre Laffage (bass-baritone), Jacques Pruvost (bass-baritone), Christiane Gayraud (mezzo-soprano), Jean-Christophe Benoit (soprano), Elisabeth Schwarzkopf (soprano), J...
Vivaldi - Concerto in F major for 2 horns, strings & continuo, PV 320
zhlédnutí 257Před 4 lety
Munich Chamber Orchestra Conductor - Hans Stadlmair Horn - Alois Spach, Gustav Neudecker Harpsichord [Continuo] - Hilde Noe Recorded -1969
Vivaldi - Concerto in D major for 2 oboes, 2 clarinets, strings & continuo, PV 74
zhlédnutí 226Před 4 lety
Munich Chamber Orchestra Conductor - Hans Stadlmair Clarinet - Hans Schöneberger, Jost Michaels Harpsichord [Continuo] - Hilde Noe Oboe - Gernot Schmalfuß, Helmut Winschermann Recorded -1969
Vivaldi - Concerto in F major for 2 horns, strings & continuo, PV 321
zhlédnutí 171Před 4 lety
Munich Chamber Orchestra Conductor - Hans Stadlmair Horn - Alois Spach, Gustav Neudecker Harpsichord [Continuo] - Hilde Noe Recorded -1969
Vivaldi - Concerto in F major for flute, oboe, bassoon, strings & continuo, PV 261
zhlédnutí 692Před 4 lety
Concerto in F major for flute, oboe, bassoon, strings and continuo, PV 261 - La Tempesta Di Mare, Op. X No. 1 Munich Chamber Orchestra Conductor - Hans Stadlmair Bassoon - Rudolf Klepac Flute - Hans-Martin Linde Harpsichord [Continuo] - Hilde Noe Oboe - Gernot Schmalfuß Recorded -1969
Vivaldi - Concerto in G minor for violin, 2 flutes, 2 oboes, 2 bassoons, strings & continuo, PV 383
zhlédnutí 420Před 4 lety
Vivaldi - Concerto in G minor for violin, 2 flutes, 2 oboes, 2 bassoons, strings and continuo, PV 383 - Per L'Orchestra Di Dresda Munich Chamber Orchestra Conductor - Hans Stadlmair Bassoon - Detlev Kühl, Rudolf Klepac Flute - Hans-Martin Linde, Peter Jenne Harpsichord [Continuo] - Hilde Noe Oboe - Gernot Schmalfuß, Helmut Winschermann Violin - Eduard Melkus Recorded -1969
Ernest Chausson - Poeme, Op. 25 (Fritz Kreisler, 1948)
zhlédnutí 1,7KPřed 6 lety
Lento e misterioso Molto animato Animato Poco lento Poco meno lento Allegro Tempo I Tranquillo Bell Telephone Hour Orchestra conducted by Donald Voorhees Recorded live from a radio broadcast on January 19, 1948
Natan Sharansky: I will fear no evil for thou art with me
zhlédnutí 417Před 6 lety
Psalm 23:4: Though I walk through the valley of the shadow of death, I will fear no evil: for thou art with me * Soviet dissident recalls how he learned Hebrew in Gulag through mathematically deciphering Book of Psalms. From the ocean of words first phrase that he understood fully were 13 words from Psalm 23:4
Beethoven - Cello Sonatas No. 2 (Gregor Piatigorsky & Artur Schnabel)
zhlédnutí 4,7KPřed 7 lety
Beethoven - Cello Sonatas No. 2 (Gregor Piatigorsky & Artur Schnabel)
Franck: Prelude, Chorale and Fugue, FWV 21
zhlédnutí 33KPřed 7 lety
Franck: Prelude, Chorale and Fugue, FWV 21
Mozart: Piano Sonata No 14 in C minor, K 457
zhlédnutí 131KPřed 7 lety
Mozart: Piano Sonata No 14 in C minor, K 457
Francois Couperin - Le Gaillard-Boiteux
zhlédnutí 1,4KPřed 7 lety
Francois Couperin - Le Gaillard-Boiteux
Francois Couperin - Le Tic-Toc-Choc, Ou Les Maillotins
zhlédnutí 4,1KPřed 7 lety
Francois Couperin - Le Tic-Toc-Choc, Ou Les Maillotins
Francois Couperin - Allemande La Vemeuil
zhlédnutí 1,2KPřed 7 lety
Francois Couperin - Allemande La Vemeuil
Francois Couperin - La Frenesie, Ou Le Desespoir Sous Le Domino Noir
zhlédnutí 772Před 7 lety
Francois Couperin - La Frenesie, Ou Le Desespoir Sous Le Domino Noir
Francois Couperin - La JalouiseTaciturne Sous Le Domino Gris De Maure
zhlédnutí 453Před 7 lety
Francois Couperin - La JalouiseTaciturne Sous Le Domino Gris De Maure
Francois Couperin - Les Coucous Benevoles Sous Des Dominos Jaunes
zhlédnutí 7KPřed 7 lety
Francois Couperin - Les Coucous Benevoles Sous Des Dominos Jaunes
Couperin - Les Vieux Galans Et Les Tresorieres Suranees Sous Des Dominos Pourpres Et Feuilles Mortes
zhlédnutí 601Před 7 lety
Couperin - Les Vieux Galans Et Les Tresorieres Suranees Sous Des Dominos Pourpres Et Feuilles Mortes
undisputed gifted... one of the greatest at the present...saw him a few times. At his recitals he just keep on playing till he had enough (mostly after some hours). Absolutely incredible ❤
Tonalité intéressante.😁
Senza nulla togliere al grande Arturo preferisco la versione Abbadò Argerich
che spettacolo, minuti di meraviglia
Both born on 17th April.
19:09
Michelangeli y Celibidache, dos colosos reproduciendo una joya
Interprétation de grand niveau, parfaitement adaptee à la sophistication vertigineuse de ce chef d oeuvre.
Whoever was coughing the WHOLE TIME should have been escorted out
Гений и Моцарт,и Соколов...
This last movement is pure rapture, thanks in large part to the joie de vivre of Schnabel's performance
Es terriblemente corta, pero tremendamente cautivadora esta "piecita" de Rameau... y la interpretación de ese gigante del piano, Sokolov, es fuera de serie... 🎯 De Profundis: Gracias por publicarla!!!!
How is that even possible that this video doesn’t have any comments? This is literally the best Beethoven Op. 10 No. 1 I have heard.
I've got a Mint Pre war Manual set in the Pre war His Master's Voice 78rpm Record album Recorded on Wednesday, February 9th,1938 and its a very Rare item and I think the Second Movement has been left off this Transfer and this is the only Recording that Yehudi Menuhin and John Barbirolli Made as no one could see by Christmas 1939 War would Break out again
Молюсь. За. Всех. Выпускников. Ленинградской. Десятилетки. И. Консерватории. Да. Будет Воля. Исходящая. От. Тебя Бог Всемогущий. Наш Бог. Отцов. Наших избравший. ДАВИДА РАБА. СВОЕГО. И. ЕГО. ПОТОМКОВ. ПОСЛЕ. НЕГО ИЗБРАВШИЙ ПЕСНОППЕНИЯ. И. СЛАВОСЛОВИЯ. ДАБЫ. ТЫ. В СВОЕМ. МИЛОСЕРДИИ. ОБРАТИЛС. К. НАШЕМУ ЧТЕНИЮ. ПЕСНОПЕНИЙ КНИГИ. ПСАЛМОВ КОТОРЫЕ. Я. БУДУ. ЧИТАТЬ СЛОВНО. ИХ. ПРОИЗНОСИЛ. САМ ДАВИД. КОРОЛЬ. ИЗРАИЛЯ. МИР. ЕМУ. ДА. ЗАЩИТИТ. НАС. ЕГО. ЗАСЛУГА И. ДА. ПОСТОИТ. ЗА. НАС. ЗАСЛУГА. ИХ. СЛОВ. ИХ. БУКВ. ОГЛАСОВКИ. И. КАНТИЛЯЦИИ. И. ИЗ. ХРАНИЛИЩА. БЕЗВОЗМЕЗДНОЙ. МИЛОСТИ. ПОМИЛУЙ. НАС. И. ТВОРЕНИЯ. НАШИХ. РУК. УТВЕРДИ. ...
Mozart revealing intimate moments in his matrimony. As Mitsuko Ushida said, everything Mozart wrote was opera. Sokolov is again very personal in his both hilarious and dramatic staging of this performance on par with the one by Gulda.
Pure Sokolov! A beauty at every note...
5.11 à 5.53 : l'expression du visage de Michelangeli puis de Celibidache , et "l'explosion des sons " entre les 2. Sans parler du sublime adagio..
此曲精妙，莫札特在天人之間，人不我知，且禱於天，志於道，據於德，依於仁，游於藝，天德流行，自強不息
Oh that adagio…❤😮❤😢❤
Thank you for uploading this historical performance.
Sokolov Is God
No, Sololov is NOT G-d. Only G-d is G-d.
@@davidbenjamin4798God is within Sokolov, if you don’t see it it’s your limit
Un Mozart operistico, cantado.Una interpretacion maravillosa.
Schnabel is truly amazing. Another dimension...
Sokolov es de otro planeta! ❤
Большой пианист Григорий Соколов,но у него неправильная трактовка ,непонимание в первой и третьей части
It is worth noting what happened historically that caused this marvelous violin concerto, Schumann's 3rd violin sonata, and some of his other late great music fo be left out of the repertoire for close to a century. His friend the great violinist Joachim, realizing that Schumann's mental health was deteriorating and that his music was becoming a little erratic in certain structural and technical ways, withheld the music from publication and hid it away after Schumann''s death, to protect the "reputation of the master". Why Joachim didn't prioritize the deep inner beauty of this late music over the sometimes flawed structure only he would know. Somehow we got it back, and avoided the tragedy of it being lost forever. To this day I feel that all of Schumann's violin music, except perhaps the first sonata in a minor, is heard far too little. I'm not sure what other late Schumann also disappeared. Incidentally, Schumann's orchestration was long regarded as so flawed that Mahler reorchestrated some of the best known symphonies.
Ist ja sagenhaft! Nie habe ich dies Werk so verinnerlicht erlebt. Hatte es selber gespielt, haha, halt vier Qualitätsstufen tiefer. Voller feinster Düfte, danke, danke, guter Grigory! Und danke für das raufladen!
Thank you for sharing this! I'm very accustomed to another version where Nicklaus/the Muse are doubled by a Mezzo soprano, and i was surprised to hear a man singing those lines at first, but I really enjoy this take! The conductor really makes Offenbach's lively sense of rhythm unmistakable in this recording, too!
Die Interpretation von Horowitz macht die Klaviertranskription von der musikalischen Tiefe her einer Orgelaufführung ebenbürtig - und so mancher 0815-Orgeleinspielung überlegen.
Sie haben absolut recht. Aber ganz ehrlich - kenne Sie ein Orgelaufführung der C-Dur Toccata, die dieser Horowitz-Aufnahme ebenbürtig ist? Ich jedenfalls nicht.
Onvoorstelbaar!
6:05 Chorale played enjoyable tempo 👍
If I would play this so slow people would stumble over each other to condemn it. It's nice as background music in a restaurant.
Gad....couldnt listen beyond the first bars.Never thought formula one would see the day of piano playing.
Remarkable clarity in this rapt, deep, and most tender of piano masterpieces. But Rubinstein is more ecstatic.
Magic around 5:50! Best interpretation i have heard so far
The coughers are a b#tch
Amazing how Horowitz makes the piano sound like an organ.
What a fugue!! Blows you away
Even in Bach Horowitz has a so personnal touch and is recognizable within 2 seconds. Great Volodia !
What a combination of two great genius of perfection. Both of them are no more among the living but they still speak to us today through their extraordinary depth of talent.
Best performance of The Tales of Hoffmann!!!
Another outstanding youtube find. ABM truly one of the greatest.
what I can say about the second movement, and what I love so much about it, is that sounds so perfectly wrong.
45:34 Non aucun hote vraiment 50:49 Les oiseaux dans la charmille 1:08:01 Belle nuit, o nuit d'amour 1:18:21 Scintille, diamant!
Ontroerend ❤️🎶❤️
Heard this live long time ago in Amsterdam. Was so impressed! Sokolov at his best.
Elegant and noble. I love it, especially the slow part（2nd movement ) ! The last part is just excellent!!!
Tempo beaucoup trop rapide !
I am amazed when I hear this very involved music . What was Schumann doing? But he really sticks to it .Thanks that Brahms came and saved the German violin concerto after Mendelssohn ,1868Bruch .I must research and find what concrti every touring violinist played in those days? Sinding ,Martucci ,Resphigi wrote 3Violin concerti!!!(I can't believe it we never hear them) etc.are well forgotten
May I ask what you mean by "saved the German violin concerto after Mendelssohn and Bruch"? Forgive if I am wrong, but it sounds like you are influenced by the ideology of Wagner and ultimately National Socialism. (Bruch, by the way, despite composing a setting of kol nidre, just as he did a much longer setting of scottishj tunes, was not Jewish in any way.) At any rate, please telll us what you do have in mind. And again forgive me if you meant something entirely different (perhaps the immediate entry of the violin without the symphonic exposition?)