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John Pototschnik
Registrace 28. 11. 2013
Factors that determine a painting's price
Many question how an artist's painting prices are established. In this short video I clearly explain all that's involved.
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Video
It's here; It's new; It's arrived
zhlédnutí 560Před 4 měsíci
I'm very pleased to share with you the formation of the American Heritage Art Gallery. We're a unique online fine art experience suitable for our time. In a culture dominated by chaos, we offer high quality representational art that depicts America’s heritage and the wholesome vision that made her great. To learn more, please visit our website. Also, don't forget to follow us on Facebook and In...
Why use a limited palette
zhlédnutí 1KPřed 8 měsíci
In this short video clip I share with you some major benefits of using a limited palette of just three primaries. If you diligently apply what I recommend, I promise, you'll see improvement in your work.
"Painting Values & Color"
zhlédnutí 1,1KPřed 9 měsíci
I'm pleased to announce the release of my newest art instruction video..."Painting Values and Color." Many young artists have a very difficult time understanding these important basics to fine painting. In this video, I demonstrate and explain clearly and concisely what they are, their importance, and how best to separate them in order to positively help you improve your paintings. You'll love ...
How I handle commissioned works - Part 6 (Completion of painting)
zhlédnutí 735Před 11 měsíci
Part 6 in this series sees the completion of this commissioned painting. In this video you'll see the tree trucks and foliage painted, the signing of the painting, a good shot of the completed painting, and my closing remarks. Thanks for joining me for this series.
How I handle commissioned works - Part 5 (Palette and brushes)
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Nearing the end of this 6-part series, I talk about the palette and brushes used. Additionally, continuing with the painting, I complete the front door, porch, steps and tree shadows.
How I handle commissioned works - Part 4 (Building form and color)
zhlédnutí 667Před rokem
Well, we're into the middle part of the painting, some artists call this the most difficult and less fun part...it's the nitty-gritty, buckling down part. In this video I solidify the form of the structure and develop more fully the house colors.
How I handle commissioned works - Part 3 (Color application)
zhlédnutí 875Před rokem
In Part 1 of this several-part series, I revealed the commission, the reference material, and established the drawing. In Part 2 a monochromatic block-in was created. Now, in Part 3 the application of color to the monochromatic begins.
How I handle commissioned works - Part 2 (Monochromatic block-in)
zhlédnutí 635Před rokem
In this series of videos I share the process followed after accepting a commission, and then each step along the way to completion. In this, Part 2 video, I show some of the process I use to create a monochromatic block-in, including the completed piece.
How I handle commissioned works - Part 1 (The commission, process, and drawing)
zhlédnutí 1,1KPřed rokem
In the upcoming series of videos I share the process followed after accepting a commission, and then each step along the way to completion. In this video I show the photo reference used, the color study approved by the client, and the start of the process.
Tim Breaux's unique journey
zhlédnutí 516Před rokem
Tim Breaux is a talented guy...a pharmacist, author, inventor, and artist. In this exciting interview we explore each of those areas with emphasis on how to succeed in this world as an artist. He shares with us his path. You'll find this very helpful and interesting.
The value of creating a gray scale
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I believe many beginning, even more advanced artists, believe it is a frivolous, unnecessary exercise to create a gray scale. Even though the title is a play on words, the true meaning is real. What I have learned from years of teaching is that many can't create a gray scale, and when they do try, they realize just how difficult it is. Being able to discern and create a nice clear, separation o...
An interview with Amanda Lovett
zhlédnutí 662Před rokem
Amanda Lovett is a talented artist living in Georgia. I've known her for a number of years and she was most instrumental in helping me create my book, "Limited Palette Unlimited Color". In this interview she tells us about her art career, the move from amateur to professional artist, learning from others, communicating through art...and much much more.
The Purposeful Creator - Introduction
zhlédnutí 640Před rokem
Here's a new and exciting way of presenting broader content for you my blog, Facebook, and CZcams channel followers. This Vlog will provide the opportunity to present live and instructive interviews with creative people in the arts. This short introduction explains the concept. Next week, I will be posting Episode 2...an interview with artist, Amanda Lovett.
Episode 134 Fine Art with John Pototschnik
zhlédnutí 406Před 2 lety
Honored to be interviewed by Mark and David Baral for their Destination Arete podcast. We discuss when I first decided to become a fine artist; what's the first and most important step in my painting process; and, what's the number one thing I want to communicate through my paintings. I believe you'll enjoy this interview. I recommend that you check out Mark and David's podcast. www.destination...
The Purposeful Creator - An Interview With Riley - Episode 1
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The Purposeful Creator - An Interview With Riley - Episode 1
The Culvert - Understanding the composition
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The Culvert - Understanding the composition
How to Select Primaries when using a Limited Palette
zhlédnutí 31KPřed 3 lety
How to Select Primaries when using a Limited Palette
13th Annual New Visions Show, St George, UT
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13th Annual New Visions Show, St George, UT
"Can I Play?" - The creative process revealed
zhlédnutí 1,7KPřed 4 lety
"Can I Play?" - The creative process revealed
Create Unlimited Color with a Limited Palette
zhlédnutí 2,4KPřed 5 lety
Create Unlimited Color with a Limited Palette
"Hill Country Vista" (Plein Air) - the wrap up
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"Hill Country Vista" (Plein Air) - the wrap up
"Hill Country Vista" (Plein Air) - Halfway
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"Hill Country Vista" (Plein Air) - Halfway
"Hill Country Vista" (Plein Air) - The setup
zhlédnutí 766Před 6 lety
"Hill Country Vista" (Plein Air) - The setup
A very helpful video, John. Thank you. I am enjoying diving into your videos at the moment. Alas your book / stream package totals almost $400 in Australian money. Well worth it I'm sure but I'll have to sell a few paintings before I can spring for it. In the meantime these examples are gold. Ta!
Yes, the packages can get pretty expensive, Hi Yi. However, each product can also be purchased separately. Glad your enjoying the videos.
Masterclass. Superb skill and technique
So you have to mix 16 tubes on your palette before knowing which to use. So much for limitation. Nice paintings though not with just the same 3 primaries.
The video was made for those who have never used a limited palette...not for experienced painters who know what certain colors and color mixtures will yield. Once you've done the work here and created color wheels for each, It's very simple from that point to select the appropriate 3 color palette. Yes, my paintings are generally done using just three primaries.
Thank you
I'm a mexican, and I don't know why, but you kind of remind me to the guy from “a mi me vale vrg ” meme 😂😂😂😂😂😂😂, this one czcams.com/video/paeRLh785TM/video.htmlsi=Z-67Ot_bSsbFASLN
Is dit boek ook in het Nederlands te koop?
Excellent explanation, thank you.
Merci Hélas la transcription ne s'est pas affichée😪
Oui, c'est difficile pour moi de le faire.
C 'est une merveilleuse video. Tous ces conseils sont à garder précieusement. Merci de Paris
Thank you sir.
Thankyou for clarifying this for us.
Clear, concise and true. What more could one ask for? I do think that it is absurd when people think a large painting is worth more than a small one. Ever see an original Vermeer? Or The Mona Lisa?
He mentioned this under ‘name recognition’ at the end of video
Consider also that I am speaking of how the artist sets the price, not how history determines a painting's value. I'm sure Vermeer and Leonardo priced "Girl With a Pearl Earring", and the "Mona Lisa" at very similar prices to their other work of the time. Only history has set them apart.
💥👍
🧐👍💥
At last an honest opinion on this subject. Thanks
Thanks for sharing!
Ego sure gets in the way at times!
Market certainly freaks ego's out And non egoistic out. Only a sociopath does not bother about markets or such as label as ego 😊
It can. It's like any other profession. We certainly see it in sports, music, and entertainment.
Salamat po.
Thank you so much for these instructions ❤❤
Man I can’t believe how much you are charging for your book. No cool man, not cool at all.
But then you have not seen the quality of the book, the content, the weight of the pages, the spiral binding, and the inclusion of a clear acrylic palette.
Thank you, that was amazing 🤩 I really hope you will do more of this kind of stuff. It so incredibly valuable. Make lots to pound it in. Where can I find your book please 🙏
Thank you for the encouragement. Here's a link for the book purchase: painttube.tv/search?type=product&q=john%20pototschnik*
You're God's gift to mankind! Congratulations to your silver medal! It's gold to my eyes!
Thank you for sharing your story! You are such a gifted person : )
You're the best teacher!!! you give the best advice... I wouldn't have thought of mixing all the grays in the pallets first before putting on paper. May abundant blessings come your way!
@22:50 Wow!!! That's genius!!! thank you so much for sharing your knowledge! : )
PS. And what gorgeous paintings too!!! You are a treasure!!!
Very informative and it cleared up a lot for me. Thanks you.
Everything is now clearer to me.
Thank you for your generosity in sharing your experience and recommendation of a 3 color primary palette. A new subscriber and glad I found you on CZcams.
Thank you, Lolita. Glad you found the video helpful.
Wishing you all the very best John in your new venture. Your work is beautiful x
Kay, Thank you..
❤
Excited to see this come together and follow the journey!
I appreciate it, David.
❤refreshing to hear your voice in the art community!!!
Thank you.
I never had much desire for painting. I used to do lots of pencil drawing and some pen and ink. I didn't do much artwork for years until my daughter showed some interest. I did a few things for her that she wanted, fairies and things. I was very surprised to see many of the things I did for her go with her to college!! Things I did for her and some things I just did as exercises. She took a page of Sheridan style floral patterns I did as practice for leather work. I started getting some interest in paint and managed to mix up some mud with some old watercolors laying around. Since then I have explored mixing and split primary palette. I had made some notes for paints I want to buy based on a Winsor & Newton color chart. I found 6 of them here...Lemon Yellow - Cad Y lite - Ult blue - Cobalt Blue - Alizarin Red - Cad Red. I have my white and black chosen and was going to get three more - Yellow Ocre - Raw and Burnt Umber. Your vid confirmed my choices. Very informative and thanks so much for this - your paintings are amazing!
You're most welcome.
Thanks so much for sharing, really great content and well presented!
You're most welcome, Daniel.
I spent a year trying to figure out which colours and type of paints to use to finally get to where you point to in a single video. I’m using acrylic but wanted some of the working time of oil so I went with the golden open line and have pruned myself down to a handful of primaries with a focus on three main ones. In hindsight my reasons for not choosing oil were not accurate but at this point I’m happy with the open line.
I went through the same thing early in my career, Jeff. Oils were just too messy, too much trouble, but when I switched from acrylic to oil, it was like I found the perfect medium for my temperament. Periodically, I'll use golden open acrylics today for small studies. I like them OK but they don't have the body of oil paint.
Thank you. Wonderful paintings!
Thanks for sharing your knowledge! Great information!
Please, what kind of white do you use? I started to try Zorn pallete, and in the beggining I tried white from the paper, but was not enought, so I adder white gouashe (wich is not exactly watercolour, it made me feel as cheating...)
Hello John. I bought both your limited palette book and video combo as well as your "Painting Values & Color" video. Which one should I watch first?
First off, thanks so much for purchasing the book and DVDs. I'm not sure if you have "Limited Palette Landscapes", that was my first DVD. It's shows my whole painting process from start to finish. If you have that one, I would begin with that. If you don't, then begin with "Create Unlimited Color with a Limited Palette". The book is a supplement to this video; it takes what was taught in the video and expands on it verbally and visually, plus it is a workbook that has projects. Watch "Painting Values and Color" last. It is somewhat like "Limited Palette Landscapes" but with a different subject, different palette, and not quite as in depth. It is only four hours compared to the 15 hour "Limited Palette Landscapes." Hope this helps. Would love for you to write a review after viewing. Thank you.
@@johnpototschnik8857 thank you for your reply. I will certainly write a review. I'm a self thought artist and I definitely want to improve.
You have to learn your colours like musicians learn their scales... and you have to practice, practice and practice.
Perfect analogy.
Thank you for the video! I work mainly with watercolor, and I love limited palettes and changing them around. I used different and sometimes exotic triads, but for more serious illustrations I use the same six colors that give me a variety of textures and colors within a unified gamut.
Thank you so much for this video! It is incredibly surprising how your creative approach to the color system makes it easier to understand the choice of colors and oil manufacturers. And gives oil painting a less expensive form of art! Now I am simply amazed and in love with this approach! As a novice self-taught artist, I was looking for something similar, and finally found it with you!
Thank you, great video! But I wish the camera was stationary when looking at the color charts. I start to get a little motion sick and have to look away. But that's probably just me and maybe a few other people.
Is this monochrome oil?
Is it linen canvas,oil?
Been playing around lately with thalo blue green shade, quin red, cad yellow light, and raw umber. It's a bit hard to control, and I'm not sure I could do it without the raw umber, but wow does this palette create nothing but pure colors and greys. I feel truly limitless with this selection.
Yes, that phalo green is powerful.
Thanks also for casually telling everyone you made a mistake, as you fixed it.
Working the scale by halves, is a helpful idea in understanding the thought process involved, thank you.
Would like a quick demo of the actual mixing of these colours……..😊
Thanks so much John for taking the time to explain colour simply from the beginning….will help take the ridiculous confusion away with colour choices. A fun new level thks
Glad it help, Jennifer.