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Pablo Ferrández
Registrace 16. 04. 2008
Born in Madrid in 1991, in a family of musicians, Pablo Ferrández joined the prestigious Escuela Superior de Música Reina Sofía when he was 13 to study with Natalia Shakhovskaya. After that he completed his studies at the Kronberg Academy with Frans Helmerson and became scholar of the Anne-Sophie Mutter Foundation.
Prizewinner at the XV International Tchaikovsky Competition and SONY Classical exclusive artist, Pablo Ferrández announces himself as a musician of stature. A captivating performer, “Ferrández has a lot: technique, mettle, spirit, authority as a soloist, expressivity and charm” (El Pais).
Recent highlights include the debuts at the Hollywood Bowl with Los Angeles Philharmonic under G. Dudamel, with Bayersichen Rundfunk Symphony Orchestra under D. Gatti, with Bamberg Symphony under C. Eschenbach, performances of Brahms Double Concerto and Beethoven Triple Concerto with Anne-Sophie Mutter.
The debut album "Reflections" is out March 26, 2021 - Link below!
Prizewinner at the XV International Tchaikovsky Competition and SONY Classical exclusive artist, Pablo Ferrández announces himself as a musician of stature. A captivating performer, “Ferrández has a lot: technique, mettle, spirit, authority as a soloist, expressivity and charm” (El Pais).
Recent highlights include the debuts at the Hollywood Bowl with Los Angeles Philharmonic under G. Dudamel, with Bayersichen Rundfunk Symphony Orchestra under D. Gatti, with Bamberg Symphony under C. Eschenbach, performances of Brahms Double Concerto and Beethoven Triple Concerto with Anne-Sophie Mutter.
The debut album "Reflections" is out March 26, 2021 - Link below!
Giving back the Lord Aylesford Stradivari ( SUBS ESP)
Hello guys! Recorded this video in September 2023 but never got a chance to upload it, here I talk about my decision of giving back the lord Aylesford Stradivari a few years ahead of time because I completely fell in love with the Archinto Stradivari from 1689 who is play thanks to the stretton society who gave me this cello on a life long loan.
zhlédnutí: 9 114
Video
MONTH in the life, VLOG of my concerts in March 2024 (subtítulos ESP/ ENG)
zhlédnutí 6KPřed 4 měsíci
Hello everyone! I thought of posting this vlog about my concerts in March 2024, kind of like a “month in the life “ type of thing , thought it would be interesting for some of you who came to my concerts to see what else is around the performances in itself, this month I have been to madrid, Valencia, Barcelona, Paris, Munich, Erlangen and Boston. Hope you enjoy the video!
The importance of FINGER SUBSTITUTION !! (Technical TUTORIAL)
zhlédnutí 3,5KPřed 4 měsíci
In this tutorial I talk about a very important technique, finger substitution, there are two reasons to use this technical tool when we play, to avoid unnecessary shifts and also to make something more expressive. I encourage you to revisit your cello or violin pieces to see if you can incorporate this great tool into your playing, happy practicing !
Practicing ELGAR CONCERTO, preparing my concerts in Boston, San Francisco, Galicia and Winterthur.
zhlédnutí 5KPřed 5 měsíci
Hey everyone, in this open practice I’m working on the Elgar cello concerto, this season I’m playing it with Boston Symphony, San Francisco Symphony, Galicia Symphony and Winterthur symphony, so lots to look forward and lots to practice. Hope you enjoy this episode!
What’s the role of the performer? How do we reach our own unique interpretation? (Shostakovich)
zhlédnutí 2,7KPřed 6 měsíci
Hello! In this short video I tell you a couple of examples of how I reach my own interpretation when I play our cello masterworks. Couple excerpts from the Shostakovich cello concerto, hope it’s useful!
4 TIPS to keep your instrument HEALTHY during travel 🧳 (violin, viola cello) + 1 just for cellist !
zhlédnutí 3,4KPřed 6 měsíci
 hello everyone in this video I tell you a few tips to keep your instrument healthy while traveling, I string instrument reacts a lot with humidity air pressure and so on so it’s vital that we keep things as stable as possible when we change locations,  conditions also very at home so these tips can be useful even if you’re not leaving your house hope this small tutorial helps. I also include...
How I Adapt my technique from Romantic to Classical (Haydn Concerto)
zhlédnutí 11KPřed 6 měsíci
Hello everyone on this short open practice I try to show you how I change things like vibrato articulation and Bow technique when I play a classical concerto such as Haydn C major, comparing with a more romantic type of playing, Hope this tutorial is useful!
HOW I USE THE THUMB FOR A BETTER BOW CHANGE (Tutorial)
zhlédnutí 11KPřed rokem
In todays tutorial I speak about one part of the bow technique, how I use the right thumb for better bow changes hope its useful ! Probably this will work for either cellists or violinist/violists, just a little detail to keep in mind while practicing! Music : Pablo Ferrández and Denis Kozhukhin joint album “ reflections “ check it out in your favorite music platform! · Follow me on Instagram: ...
The GOLDEN sound of the famous 1689 STRADIVARIUS “Archinto”
zhlédnutí 25KPřed rokem
Hello Everyone, in this video I introduce you to the famous Stradivarius cello Archinto, this cello has been recently loaned to me by the Stretton society, I’m completely in love with this instrument. Since my microphone is not top notch I leave you here a few links of tracks where you can listen to the instrument in high quality. Spotify : open.spotify.com/track/3wqUNqrYnYctrTr2xgJDLk?si=eIjAV...
Rehearsing Beethoven sonata with Beatrice Rana /OPEN PRACTICE EP 13
zhlédnutí 16KPřed 2 lety
In this episode I show you a little part of my rehearsal with my dearest friend Beatrice Rana, we were preparing for a concert in her festival in Italy Classiche forme in July 2022 It was the second time we played the 2nd Beethoven piano and cello sonata, we played it for first time a few days ago in Rheingau, so this is just a little preparation for the second concert. Hope you enjoy the video!
How I practice Brahms F Major cello sonata. 1st mov/ OPEN PRACTICE. EP 12
zhlédnutí 10KPřed 2 lety
Hello everyone! In this episode of Open practice I show you what do I focus on when practicing the Brahms F major cello sonata, I hope you find useful tips for your own practice!
Pablo Ferrández “ TALKING CELLO” with Zlatomir Fung
zhlédnutí 20KPřed 2 lety
Hello everyone! It has been a while since the last talking cello! I hope you enjoy this new episode with Zlatomir Fung !
How I practice for a recording, how to work on quality. OPEN PRACTICE / EP 11 BRAHMS DOUBLE CONCERTO
zhlédnutí 9KPřed 2 lety
Hello everyone in this episode of open practice I show you how I practice when I am preparing a recording, the difference with a live concert is that you are working specially in the small details, trying to find the most amount of quality because the microphone picks everything up! Hope you enjoy this episode
My latest technical tool, How to get a DEEPER SOUND. ( Tutorial)
zhlédnutí 21KPřed 2 lety
My latest technical tool, How to get a DEEPER SOUND. ( Tutorial)
How I practice Saint Saens Cello concerto. Open Practice/ ep 10
zhlédnutí 28KPřed 2 lety
How I practice Saint Saens Cello concerto. Open Practice/ ep 10
Bach 1st suite HOW I PRACTICE the famous PRELUDE in G Major. OPEN PRACTICE / 9
zhlédnutí 24KPřed 3 lety
Bach 1st suite HOW I PRACTICE the famous PRELUDE in G Major. OPEN PRACTICE / 9
How I practice DVORAK CONCERTO, the most epic cello concerto ever written/ OPEN PRACTICE 8
zhlédnutí 31KPřed 3 lety
How I practice DVORAK CONCERTO, the most epic cello concerto ever written/ OPEN PRACTICE 8
Pablo Ferrández, Denis Kozhukhin - Rachmaninoff: Melody, Op. 21, No. 9
zhlédnutí 8KPřed 3 lety
Pablo Ferrández, Denis Kozhukhin - Rachmaninoff: Melody, Op. 21, No. 9
Q&A 3 : How to play against a bad acoustic, dealing with a crisis... answering your questions!
zhlédnutí 6KPřed 3 lety
Q&A 3 : How to play against a bad acoustic, dealing with a crisis... answering your questions!
Pablo Ferrández, Denis Kozhukhin - Rachmaninoff: Zdes' khorosho (How fair this Spot)
zhlédnutí 27KPřed 3 lety
Pablo Ferrández, Denis Kozhukhin - Rachmaninoff: Zdes' khorosho (How fair this Spot)
Pablo Ferrández, Denis Kozhukhin - Falla: Canciones populares Españolas, Asturiana
zhlédnutí 9KPřed 3 lety
Pablo Ferrández, Denis Kozhukhin - Falla: Canciones populares Españolas, Asturiana
Pablo Ferrández, Denis Kozhukhin - Granados: Danzas españolas, Oriental
zhlédnutí 46KPřed 3 lety
Pablo Ferrández, Denis Kozhukhin - Granados: Danzas españolas, Oriental
Pablo Ferrández - Rachmaninoff: Sonata in G Minor, Op. 19, Allegro scherzando
zhlédnutí 24KPřed 3 lety
Pablo Ferrández - Rachmaninoff: Sonata in G Minor, Op. 19, Allegro scherzando
Pablo Ferrández “ TALKING CELLO” with Sheku Kanneh-Mason / Ep 20( subs ESP)
zhlédnutí 17KPřed 3 lety
Pablo Ferrández “ TALKING CELLO” with Sheku Kanneh-Mason / Ep 20( subs ESP)
How I work on SOUND CLARITY in a classical concerto. Open Practice 7, Haydn concerto.(SUBS ESP)
zhlédnutí 18KPřed 3 lety
How I work on SOUND CLARITY in a classical concerto. Open Practice 7, Haydn concerto.(SUBS ESP)
Pablo Ferrández "TALKING CELLO" with Marc Bouchkov/ EP19, ( SUBS ESP)
zhlédnutí 6KPřed 3 lety
Pablo Ferrández "TALKING CELLO" with Marc Bouchkov/ EP19, ( SUBS ESP)
Pablo Ferrández “ TALKING CELLO” with Carmen Maria Elena Gonzalez /EP18 (SUBS ENG)
zhlédnutí 8KPřed 3 lety
Pablo Ferrández “ TALKING CELLO” with Carmen Maria Elena Gonzalez /EP18 (SUBS ENG)
Madre de dios, estos tips valen oro. ¡Muchas gracias, Pablo!
Grazie di condividere il tuo sapere e con noi poveri violoncellisti mortali
Vielen Dank für Ihre Info, Bin Klassischer Tenor-Bratscher, 1.Instrumt "Stimme/Gesang", KEIN PROBLEM " für die Kabine,bzw für die " Cabin Crew", aber 2 Instrument "Bratsche", da geht's los, ok für Sie als Cellist, ist blöd das Sie einen 2.Sitz buchen müssen,bzw zahlen müssen, was die "Geigerkollegen" und wir die "großen Schwestern und Brüder" der Geiger, wir "Bratschisten" NICHT " müssen, aber bin schon paar mal mit meiner Viola geflogen, was auch nicht immer "easy" war!!! Nochmals danke schön und alles Gute Ihnen und bei Ihren Konzerten mit "Maestra Mutter 🇪🇺🇩🇪" aus unserer Nachbarschaft", ihre gebürtige Heimat Markgräflerland Südschwarzwald Dreiländereck 🇪🇺🇩🇪🇨🇵🇨🇭, Wehr. LG Josha, Ihr Tenor-Bratscher-Kollege🙋♂️🎻= à la Cello für Sie, 🎻=à la Viola für mich 😲= à la Gesang ebenso für mich 🎶🙏🍀
Very informative and insightful!
ドボルザークのセロの素晴らしい演奏は熱い夏の素晴らしい清涼剤。
Dope kicks btw
Gracias!!!
Wonderfully generous of you to share these working sessions with us! You teach us so much!
Well, the title says talking cello WITH Isserlis but it is all a one way conversation with no dialogue and Pablo, who is being very gracious, is not asked his opinion on anything. It's all Isserlis. To the point of rudeness on Isserlis's part. Oh well.
¡Qué joya me recomendó CZcams! ¡Gracias, Pablo! Danke schön, Johannes! 😍😍😍
Wonderful to watch your practice techniques. Thank you for sharing. How far out from the concert date do you practice with same intensity?
You are not only an epic cellist, you are a perfect human
2da parte
Is there anyone who knows what the song is?
Love this is piece of song amazing play the cello vibration is so beautiful.🎻
Pero que grande eres!!!
Ish! If i played or practiced like that, i would be exhausted. That is a lot of tension you are displaying. You maybe young now and can play like that but you will dearly pay for it in just a few years.
I'm sorry, but I find it hard to stand this affected guy Isserlis...and I don't have to. So I'll switch off quickly. 😷
I somewhat agree. Notice how Isserlis treats Pablo like a beginner, ignoring the fact that Pablo is a fantastic player, but Isserlis talks about himself without once asking Pablo his opinion on anything! But Pablo is gracious throughout which is a great credit to him. I too find Isserlis very self absorbed and self important, but maybe he is just shy and it comes out all wrong.
You are so generous to share tips such as this with other cellists. Great instruction!
I’ve played both a Haide Goffriller and their Ruggeri model in a hall, directly against an Antoniazzi and a 1693 Brescian Tononi. No comparison, but the Chinese have clearcut and are running low on wood. Necks, etc., are now made of Chinese materials to conserve supply. I’ve also played the Castelbarco Strad, the Sleeping Beauty Montagnana, etc., and can attest to the echelon of instrument the Haide people are producing; with professional sound setups the results are very often superb-not invariably, of course, but more than occasionally.
This is fantastic! Thank you!
This video is as well presented as your playing.
Just wanted to say thank you. My son is 11 and working on this movement and after watching your videos I think he is inspired to practice like a pro. You will probably never know the ripple effect you have in life!!
🙏🏻🙏🏻💪🏻💪🏻💪🏻
Siete favolosi🤩
Excelente video muy buena grabación, Ayslesford my superior mayor rango de frecuencia mucho más abierto ! ideal sala grande gran cuerpo, probaría otras cuerdas pirazzi o spirocore tungsteno, larsen no tienen la suficiente tensión para este cello. El Boccherini sonido cerrado, rangos medios muy altos, no es un timbre bonito o fino, tiene cuerpo pero se siente abombado, probaría un Puente Frances en este cello .
Claramente hay un ganador, mayor rango de frecuencia y más abierto, el cual omitiré porque la calidad de grabación del audio es malísima.
Thank you for a wonderful performance / evening last night in Straßbourg! Whiel I can't compare the two cellos, I can confirm that the Archinto sounded absolutely astounding!
Absolutely brilliant thank you so much ❤
Funny guys these cellists 😂
Bravi!
So interesting ❤
Pabló❤️
what song is this? (at the very start)
First, congrats on your great violoncello playing! I see that your right arm is very balanced and well versed. I just wanted to mention a curious observation. I notice that you are mainly using your elbow and for arm in the spiccato of this movement, which is in line with pedagogy of Ivan Galamian, Janos Starker, Leonard Rose and their successors. However, I see that some cellist (I can not belive how they do it) use their upper arm in detache, fast bowing... I see that Kian S., for instance lack flexibility in his elbow and under arm in his Elgar, however, it sounds quite ok. I used to do the same arm motion as Kian, but realize that I get injured and hurt when doing so over time. I just wanted to ask you if you are conscious about how you move your elbow, forearm when practicing this slowly? I realize that this video was published some years ago, however, I am sure that many other cellists would be interested to hear you deliberate on this! Agian, THANKS FOR YOUR OPENESS AND GENUINE INTEREST IN THE ART OF PRACTICING, CELLO PLAYING AND MUSIC!
sounds like a cello - metal strings amplified by a resonator box (an air cavity in other words)
100/100
Show your bows, talk more about them.
Pablo, we need a new series. Visit Zlatomir at Julliard and record a class with him.
Great tips! Thank you!!!
london bocherini is so great!!!!
I like your cello but felt you deserve a still better instrument- I feel you need a cello that has more immediate response- or maybe the soundpost needed an adjustment-
I loved your Elgar playing as well as your solo Bach with ornaments!!! I was in SF concert on Mother’s Day. Stellar!
Hey Pablo! I hope you know just how inspiring and amazing it is to watch this as a cellist. I will be studying music in BOSTON this fall for my masters! 😁 v
Me fastina esta obra y shostakovich. Tuve la oportunidad de escucharte en Donostia en agosto. Impresionante. Pero me encantan estos videos del proceso de aprendizaje. Aquí se aprecia la exigencia, el nivel técnico y lo que requiere. Gracias por compartirlo. Sé lo que es tocar un instrumento, y esto está más allá de lo humano.
You’re amazing.
Interesantes
😂😂 brilliant these 5ths are criminals!! yes they are.... but absolutely astounding and so insipiring thanks so much for the insight and it's just stupendous watching you perform
❤
If I play like this I think my teacher will say my body is too tense...I never play like this by the way...maybe I should start XD
Boa noite. / Bom dia. Professor Pablo Fernández. Como é a técnica que o Sr usa para casar a respiração com todas as frases musicais,???? Percebo que encaixa no ponto exato cada uma delas. Isso é com treino que o Sr conseguiu essa habilidade,??? Amo os concertos para violoncelo. Pois sei tocar um pouquinho esse instrumento.