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That was so relaxing, and the emotion I feel is joy 😌

What a great video series. Thanks for taking so much time to make these.

Another brilliant video by a modern-day master! Soooo much research went into this video! Thank you, Jill!

23000 paintings is a painting a day for 63 years.

Your videos are a treasure to me. Your beautiful voice with the music and breathtaking art and knowledge are just perfect! Thank you for the work you put into these.

Beautiful film, thank you so much for giving me the chance of seeing it. I am a beginner and Dianne's quick tips (which I practice) have helped me more than any teacher or CZcams teacher. And then I get sent this wonderful film. I will not give up so easily now. Also, it will make seeing great art work more interesting.

This is stunning... thank you.

It is so sad to realized that women always have been reduce to nothing, how many others could have had a great career and did not because of men's perception :(

Thank you for your mature and very informative presentation. I can only hope for many more.

Wonderful vignette of his work. For anyone who wants to see more of his work, there is a detailed video here: czcams.com/video/nKwswwnkoVA/video.html

A good artist knows when to let go of the technical process of painting and let the pure talent and instinct do it's thing; . In time knowing instinctively when to let each one simply do it's thing; going back and forth with unnoticed ease and natural procession.

Your incorrect if his process sequence. layer apon layer of pure color/hues undercoat will eventually negatively affect the painting subjects when applied; and his was not, so your explanation of layer apon layer of hues is incorrect.

This video is stupid. Just paint what you see, know basics of mixing colors, done !!!

Cảm ơn bạn rất nhiều. Chia sẻ của bạn rất hay

Thanks

Your video is so professional and love your voice! Thanks for sharing all the testing on the papers.

7:01 cool technique

Great insights into Whistler's art, with so many interesting details. But why do you play trashy sound-kitsch in the background? I found it puzzling, especially because you talk about art! Would love to listen to your narrative till the end , but I could not endure it longer than 10 min. Unfortunately I cannot stop the sound completely because I would not hear you, and Youbute does not offer a filter to separate the two. What a pity. Was it your choice of background noise, or has CZcams added it?

wonderful analysis. thank you.

Amusing vedio thanks❤

Thank you, this was great!

Yesterday I hung a frames canvas print of Sisley's Bridge at Villeneuve La Garenne in my bedroom so that I can look at it first thing in the morning and last thing at night. I started looking at his works after reading John Rewald's book, 'Camille Pissarro Letter to His Son Lucien.' In his letters Pissaro mentions Sisley, and other [now] famous artists struggling to make a living from impressionism. Their day to day struggle with dealers selling their work was quite a revelation and we often assume that the fame they have today was what they had in their lifetime. The reality of their fame was, however, something that only a few of them enjoyed and benefited from at the time.

This video has less known artists at least to me. I appreciate your teaching me about them. Great talent!

How could they would be forgotten when most of these women were very successful?

Would you consider doing a tutorial on Japanese gansai watercolor paint? I've read that they can look and behave differently than Western watercolor paints, but have never seen any actual demonstrations. Thanks!

Would you consider doing an acrylic painting class? 🤞🤞 Thanks!

Very educational i love it and enjoyed every min of it.

Why do you tend to crop out the sky above the trees? In every example, I thought the composition was much better with the sky above the trees instead of having the trees touching the top of the image. We tend to see trees against the sky, so to me, leaving a large swath of sky above the trees feels way more comfortable and natural. I'd be interested in seeing the artwork you create based on the compositions you developed. It might change my mind when I see your finished work.

Jill I just want to let you know I was thrilled to see your name on my CZcams feed today. I was scrolling through my feed looking for a woman creator here that wasn't trying to sell me makeup. You really have uplifted my soul

always a pleasure to watch your videos, thank you

Terrific video love that you included the Asian and middle eastern artist

Your videos are always high quality, always new things to learn. Thank you very much, much appreciated.

the frescos you showed from the middle east were byzantine fresco's looking like they were from the 13th or 14th century or 12th century meaning they are part of the middle ages

It's always a special treat when you post a video. I love the way you analyze and describe the medium in a clear, understandable way that also shows off your deep knowledge and enthusiasm for the subject. Thank you.

A beautiful homage to watercolor. Just lovely. Thank you.

Another one of your great videos. thanks so much.

Jill Poyerd, I recently discovered your channel. I must say that I am very impressed with your work and skill. I do not wish to flatter you but the quality of your videos is as good as the documentaries published by BBC or National Geographic. It seems that you are a diligent student of art and have created all videos independently. We men feel very proud to see women like yourself contributing to art history. Other women should learn and take inspiration from you. Applause!

I appreciate the recognition of cave painters as artists.

❤Hermoso tu trabajo GRACIAS

Interesting art, well explained. Thanks.

Victorian female artists made watercolour paintings.

Your explanations are always so touching … ❤

Wonderful video Jill!!!!!!!!!

The question I didn't know I wanted the answer to.

*Thanks* for the video. Was ambivalent about Sisley, color would be a way to approach his work. Superimposing a color wheel 180 degrees onto itself is a good explanation of complementary greys. Points out the colors aren't exactly complementary otherwise the resultant wheel would be a continuous number five middle grey. Realize these are representations of pigments with a limited gamut.

I don't really think it was because of the process used why the paintings look different than with the earlier ones. It is really technique but of more knowledge. For example, one aspect that earlier artist doesn't understand much is perspective. Earlier artworks often look "primitive" since don't have the correct perspective or are totally flat. Such knowledge amongst other things (like composition and anatomy) are the main reason of the difference, not the techniques themselves. Just look at Sandro Botticelli. He still uses tempera and the old techniques but many of his paintings doesn't look primitive at all. These earlier artworks really has a lot in common with Naive Art where the artist has similar lack knowledge that gives their work similar "primitive" look to them.

*Thanks* for the presentation John Henry Twachtman was a member of the "Ten" along with George Inness. One of his techniques was to paint the top of the warp and weft of the canvas giving a pixelated image. Can still remember a winter scene of his at the Metropolitan Museum of Art last century where he used this technique. The image seemed to float in front of the background.

Another beautiful art history video, Jill thank you very much. It made up some memory. Peter Paul Rubens was the first popular European artist whose real works I had seen in the museum in 2017. It was so massive in size and jaw dropping beauty of them, paintings made me both demotivated and motivated at the same time as an aspiring artist. I travelled 400 kms just to see them and I never regret the decision, as after watching them I started to see art differently , then I used to before. Also I didn't know many artists, who I didn't know as they are still not very popular to the general public but after Rubens I dug some and I'm still grateful for this small but impactful event of watching Rubens in the museum. Without that exhibit, I might have given up practicing art.

*Thanks* for the fine three part series on the oil painters presented and their techniques. The loose brush strokes of William Bouguereau opened the door for me to his work. J.S. Sargent also set up his canvas parallel to the sitter then stepped back comparing the equal value and size of both the subject and painting. Assume paintings have a focal point or distance for optimal veiwing. The excellent and extensive watercolor web blog *Handprint* has a good article on Sargent.