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WayneJoness
Registrace 27. 04. 2007
Washburn Jennifer Batten JB100M - Reverb Listing
Washburn Jennifer Batten JB100M - Reverb Listing
www.joness.com/gr300/washburn_jennifer_batten-JB100_guitar.htm
www.joness.com/gr300/washburn_jennifer_batten-JB100_guitar.htm
zhlédnutí: 96
Video
Casio MG-510 Modified with Roland Ready Guitar GK-3 Electronics
zhlédnutí 369Před 14 dny
More details: www.joness.com/gr300/Casio-MG-5210.htm This video demonstrates the sounds of the Casio S/S/H pickups as well as highlighting the replacement of the Guitar-to-MIDI electronics with a modern Roland GK-3 Roland Ready synth kit.
How to Fix Nearly All Roland 13-pin Guitar Synthesizer Problems - SY-100 - GR-55 - Roland Ready
zhlédnutí 321Před 21 dnem
In this video I am going to show you a simple solution that in my experience will fix 90% of all your Roland 13-pin guitar synth problems. www.joness.com/gr300/how-to-fix-roland-guitar-synth-problems.htm
Expressive E Osmose Pedal Input Calibration and Assignment
zhlédnutí 130Před měsícem
This video is going to show you how to calibrate the pedal input on the Expressive E Osmose keyboard. The pedal 2 input duplicates the function of the modulation slider. I had a tough time finding this information in the manual, and want to thank Christopher Hans for emailing me this information. The global settings are accessible via the mode selection screen. Push the "m" button in the upper ...
Nord Stage 4 Triple Pedal 2 - Demo with Sound Examples Half Damping and Pedal Noise Is It Worth It?
zhlédnutí 411Před 3 měsíci
The Nord Stage 4 uses the Triple Pedal 2, which adds half damping and pedal noise. But is it worth it? Check out this video with audio examples.
Roland Reinvents the Classic Analog Guitar Synth | Boss SY-1000 vs GR-300 | 80s Tech Revisited
zhlédnutí 1,8KPřed 4 měsíci
Rediscover the amazing Roland GR-300 vintage analog guitar synthesizer recreated as an emulation in the Boss SY-1000. www.joness.com/gr300/SY-1000.htm
RARE! KORG WAVESTATION EX and KORG WAVESTATION A/D Original VHS Promo Video from 1991
zhlédnutí 996Před rokem
When I first moved to Los Angeles I got a job working for Joe Goodman at the flagship Goodman Music store on Cahuenga Blvd. We were advised to specialize and I became the 'Wavestation' guy. I bought one myself and used it on every music project I worked on. I tried to sell a Wavestation to everyone who walked into Goodman Music. The night I brought home my Wavestation was magical. This was synt...
Roland Vintage Analog Guitar Synthesizer Adjustment Setup GR-300 G-303 G-808 Max Performance
zhlédnutí 1,7KPřed rokem
This video is going to show you how to adjust the guitar synth pickup height and sensitivity on a vintage Roland guitar synth controller. The proper adjustment of the guitar synth pickup height and sensitivity is key to getting the best performance from a vintage Roland guitar synth. These adjustments apply to all the vintage controllers, from the GS-505, G-202, 303, 505, 707, 808 and the GK-1 ...
Roland Super JX-10 Original Factory Patches Demo - With Ibanez SDR-1000 - Mozart Rondo Alla Turca
zhlédnutí 887Před rokem
Original Factory Patches from the Roland Super JX-10. I recorded this in 1986 using my Roland JX-10 with the Ibanez SDR-1000 stereo reverb. I sequenced Mozart's Rondo Alla Turca using Voyetra's Sequencer Plus. On playback I randomly switched different patches on the JX-10 and SDR-1000, going directly to cassette tape. I edited some of the beginning as I did not start changing the patches until ...
Roland GR-300 Analog Guitar Synthesizer - Pro Tip - Super Filter Modulation w/ Expression Ramper
zhlédnutí 2,5KPřed rokem
The GR-300 lacks Filter Modulation, a staple of Analog Synthesizers. This video shows how to use the OBNE, Old Blood Noise Effects - Expression Ramper to modulate the GR-300 filter using the filter pedal input in the GR-300. A big shout out to Ian Thompson who brought this to my attention! Thanks Ian! www.joness.com/gr300/GR-300.htm
Boss GP-10 Pat Metheny GR-300 Solo Sound Vintage Analog Guitar Synthesizer
zhlédnutí 7KPřed rokem
www.joness.com/gr300/GP-10.htm The Boss GP-10 does a really amazing job of emulating the legendary Roland GR-300. This video shows you how to make a few adjustments to factory patch 3 GR-300 LEAD to match the sound of Pat Metheny's GR-300.
2hp Tune Multi-Scale Pitch Quantizer with Behringer 1027 Clocked Sequential Control Module
zhlédnutí 4,4KPřed rokem
Tune is a multi-scale pitch quantizer. It features 11 scales ranging from chromatic to octatonic with everything in between. In addition, the bias control allows the user to transpose the melody to a different octave or starting note.
Wooden Legs for the Arturia PolyBrute 6-Voice Polyphonic
zhlédnutí 836Před rokem
This video details the Arturia PolyBrute Wooden Legs, a set of four ash wood legs with a cinnamon finish. A beautiful accessory to a wonder analog synthesizer.
Digital Deck Covers - Ultimate Keyboard Cover? - Review and Comparison
zhlédnutí 601Před rokem
Want to learn more about Digital Deck Covers? Review of the Digital Deck Cover product lines.
Roland GR-300 Analog Guitar Synthesizer - Filter Pedal Shootout!
zhlédnutí 6KPřed rokem
www.joness.com/gr300/GR-300.htm#filterpedal At last! A comparison of Filter Pedals best suited for the amazing Roland GR-300 Analog Guitar Synthesizer.
Boss SY-1000 Expression Pedal Comparison: Roland EV-5 - Boss EV-30 - Mission Engineering SP-1
zhlédnutí 8KPřed 2 lety
Boss SY-1000 Expression Pedal Comparison: Roland EV-5 - Boss EV-30 - Mission Engineering SP-1
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Ten
zhlédnutí 346Před 3 lety
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Ten
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Nine
zhlédnutí 195Před 3 lety
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Nine
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Six
zhlédnutí 238Před 3 lety
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Six
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Five
zhlédnutí 103Před 3 lety
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Five
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Three
zhlédnutí 163Před 3 lety
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Three
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Two
zhlédnutí 205Před 3 lety
SBC-1324 Roland Vintage 24 and Modern 13 Pin Converter - Part Two
Boss SY-1000 Program and Bank Change Commands - Accessing 400 Patches - Tutorial
zhlédnutí 2,1KPřed 3 lety
Boss SY-1000 Program and Bank Change Commands - Accessing 400 Patches - Tutorial
Roland BC-13 Vintage Guitar Synthesizer 13-pin Bus Converter FULL REVIEW
zhlédnutí 3,1KPřed 3 lety
Roland BC-13 Vintage Guitar Synthesizer 13-pin Bus Converter FULL REVIEW
Roland GR-700 Most Requested Patch! Judas Priest "Turbo Lover" Glenn Tipton Tutorial JX-03 PG-200
zhlédnutí 8KPřed 3 lety
Roland GR-700 Most Requested Patch! Judas Priest "Turbo Lover" Glenn Tipton Tutorial JX-03 PG-200
Graphtech GHOST Acoustic Steel String Midi Kit Installation - Dos & Don'ts - Mostly Don'ts - Demo
zhlédnutí 1,4KPřed 3 lety
Graphtech GHOST Acoustic Steel String Midi Kit Installation - Dos & Don'ts - Mostly Don'ts - Demo
The Swallows Dream - Boss SY-1000 Performance Demo - Graphtech GHOST Acoustic Steel String Midi
zhlédnutí 1,8KPřed 3 lety
The Swallows Dream - Boss SY-1000 Performance Demo - Graphtech GHOST Acoustic Steel String Midi
Boss SY-1000 Resynthesis Master Stereo Recording Tutorial - Guitar Synth Demo Reamping
zhlédnutí 1,4KPřed 3 lety
Boss SY-1000 Resynthesis Master Stereo Recording Tutorial - Guitar Synth Demo Reamping
Roland GM 70 Alternate Tuning - Vintage Guitar to MIDI Synthesizer | Roland JX-03 - Modern GR-700
zhlédnutí 2,1KPřed 3 lety
Roland GM 70 Alternate Tuning - Vintage Guitar to MIDI Synthesizer | Roland JX-03 - Modern GR-700
Roland GM-70 MPE MIDI Polyphonic Expression Guitar Synthesizer Arturia Pigments Demo
zhlédnutí 2,8KPřed 3 lety
Roland GM-70 MPE MIDI Polyphonic Expression Guitar Synthesizer Arturia Pigments Demo
Many thanks for this video. The Jennifer Batten Guitar is a great and huge instrument. I understand why she decided to choose to built by a luthier this one of a kind of guitar. Both sounds by GR55 and SY-1000 are fantastic (personally I prefer SY-1000... the tracking is the best of the Best). Phil. from Dunkirk 👍
This is very good. Thanks. It covers the "As It Is" solo which I think is the best use of the Roland midi guitar in any song, any time. The live Japan version is very good.
Agreed! One of my favorite albums. What a great line up.
very nice
Thanks!
Wow !! Sounds amazing !!
For sure!
As always an excellent video with valuable information from one of the worlds leading guitar synthesizer experts. Thank you Wayne!
Thank you!!!
I just got the K2 and trying to learn how to connect a guitar. This is very helpful, thanks.
Thanks Wayne, this is very timely - I was testing a new GK-2B installation (on a 5-string fretless bass) over the weekend and I noticed that the jack connections were very noisy. De-Oxit to the rescue!
Yeah! Really glad to hear that, the stuff is like magic.
The "Space Strat" is a great patch. I prefer guitar synth patches that are unique to the guitar.
Me too. I wish the SY-1000 has more guitar based patches. That is what I liked about the VG-99. If I really want synth sounds I would just play a synth.
Great video!
I was thinking about getting one of these and try to use the 5 pin with the midi on GR 55 , if that would work that might be easier than modifying the guitar
You would not get any benefit using the 5 pin Casio with the GR-55. The GR-55 does not work as a MIDI module. The GR-55 is designed to be used with a 13-pin guitar.
This is awesome to see! I’ve been thinking of doing this with an MG-510 I have that someone swapped pickups and modified the pick guard already. I didn’t realize the hex PU could go directly into the GK 3 board! I’m just torn over modifying this Casio bc it functions as a midi guitar still and seems like a waste to modify a working 510, although I don’t even use it for MIDI - right now it just sits mostly unplayed
Do you have any current 13-pin Roland Guitar Synths?
@@WayneJoness Yes I have a guitar with a GK3 internal kit, and a GK2A on a Stratocaster, and a few different Roland 13-pin foot pedal synths.
Many many thanks for this very interesting share. Great Casio Guitar modifications. Phil. From Dunkirk
Thanks Phil!!!
Nice to know youre still making videos, WISH you were still making those 24 to 13 pin converters. Theres a guy in france who makes them, but the 400+ he charges for them is ridiculous...
Thank You for your demo, and I hope that toothbrush never makes it to the bathroom. ;-)
Glad to have you back again!
Thank you!!!
@@WayneJoness You're welcome! I hope that when I manage to acquire some Roland guitar gear, I'll be able to modify it as you have and build or order some of the accessories you've designed!
Yay! A new WJ vid!
Thanks!!!
If anyone knows of an LPK-1 available please let me know.. Been looking for one for quite some time to fix my G-808 which came with the LPK electronics removed...
Bummer, I will let you know if I hear of anything.
I wish there was a plugin that did this. Or a way to connect a digital guitar midi thing such as Jam Origin into the boss tone studio so I could play around with this tone without having to buy hardware
🤙
Thank you for this!
Glad you found this helpful!
whoa Danny Gottlieb on drums in the transition period 1980-1982
Excellent video, thanks for sharing. New sub. A+
Thanks! I hope to have some new videos soon!
Excellent tutorial, thanks for posting. New sub. A+
THANKS, WJ!
Thank you!
THANKS, WJ!
Glad you enjoyed the video!
THANKS, WJ!
You are welcome!
Do you remember the movie “Close Encounters of the Third Kind”? I prefer Pats version of communicating with aliens! 😂
if you wanted that Pat Metheny sound, what would be the best option in 2024, Sy1000 seems the obvious choice ?
I would go with the SY-1000, I think the overall sound of the SY-1000 is more detailed compared to the previous synths. Maybe better sampling rate or higher bit resolution?
I just got my hands on the vg99 finally. I have had the 8, the 88v1, just got the 88v2 earlier this year (big upgrade), but the pitch shifting always has a lot of artifacts in delay weirdness in it. I was hoping the 99 would be just slightly better, and as your video shows it's completely seamless. I turned into a Telly mode (guitar only) and made some recordings of open G tuning, and then pulled out my real Telly with open G playing through the exact same Amp Sim, and you can't tell which one was the e standard tuned guitar, and which one was the real telly actually tuned to open g. One would think Roland cloud would come out with this tech in their offerings and sell a slim line gk-usb model. The fact that they could do this almost 20 years ago, tells you that they can have something light years better now.
@lorenmorgan1931 Thank you so much for checking in!
@lorenmorgan1931 The more I use other Roland guitar synths, the more impressed I am with the VG-99. The newer models are great, but overall the VG-99 is the best guitar synth I have ever played.
@@WayneJoness Yea, I think the only two things that I like about the 88v2 vs the 99, are the Organ seems a lot better (and this could be because I am not sure how to use the 99 yet), and the Sitar effect. The Sitar on the 88v2 is absolutely amazing, but it's kind of a let down on the 99 for some reason. Again maybe because I am configuring things wrong, or my sensitivity is set up wrong. I just got it a few days ago and honestly i am still playing on some heavily modified presets rather than factory. I will factory reset it this week and play around some more with it. I will say though, the pitch shifting on it is mind blowing. Now i wish that I could figure out how to configure the D Beam how to do only the B string. A lot I think I still have to learn. Also there is supposed to be a 12string effect for any guitar model, not a clue where that is at? lol
@@lorenmorgan1931 I think the 12 string effect you are looking for is in the alternate tuning section. Also, comparing the VG-99 to the VG-88 I find the Nylon guitar weird on the VG-99, sometimes the soft goes away when you are playing softly. I could never figure that out.
@@WayneJoness I have read about others adjusting the sensitivity in weird ways, but is there a way to make a limit on the low end of sensitivity? I need to really dive into this thing a lot more. I will say for buying an almost 20 year old device, its still very exciting to say the least. Its pitch shifting blows the 88 out of the water, and honestly pretty much anything I have ever heard aside from the new Fomo Virtual Jeff Whammy bar (which I want badly cause it can lock in at +/- steps), and the D-Beam can do some really cool locking effects. As for the 12 string I will turn it on this afternoon and check it out the alternate tunings. I just saw a video where someone mapped a 12string effect to everything. I will also try out the Nylon and see if I have the same issue. I think when I was testing the Nylon (and some other models) I had to add compression to get the volume stable. I will say the Nylon on the 88v2 is way better than the v1, but I didn't think as good as the 99? I have only had the v2 for very short time (2 months) and way more familiar with the v1. Things I did notice that are drastically better are the Strat models, especially in the 2/4 positions, and the acoustics of any type.I do wish, and maybe there is , can i assign the D-Beam to bend just one string? I have a setting on the 88v1 where I made a virtual B bender that I used for some songs live.
so is the bias the root note or does it just transpose the melody up? im confused on the concept of setting a scale without picking the root of the key and having trouble getting the specific scale i want
bias acts a little like the <octave> select on a typical keyboard.
Recorded the tv programme as a schoolboy in the 1980s. I couldn’t get my ear around the sound of a ‘trumpet’ slightly delayed coming out after the plectrum hitting the strings on the Roland as he played and him really feeling it -Are You Going With Me live.
Think it was called just Whistle Test by 1984. He was with the Group, playing a Roland Guitar Synth live when it became just Whistle Test. Are You Going With Me in 1985.
Oscar Peterson = Jazz... Charlie Parker = Jazz... Miles Davis = Jazz... Pat Metheny = fusion/pop with some jazz influence
Why's the host sitting with the T-800?
Hey, I am new to synths. I bought a Korg Prologue 16. Is it possible to get that sound from my Korg? If so, can anyone help me to set that Sound on my Korg just like shown in that great video?
I am not that familiar with the Prologue 16. For me the key feature is to invert the envelope polarity. Not all synths can do that.
How can I purchase this for bass guitar??
I would check revebr.com or ebay.com, that is where I bought this.
RolandのギターシンセにHex Fuzzって各弦に個別にファズ掛けるやつがあったと思うけど ファズって実機で掛けてこそファズだと思うからHex Fuzz Face やってみて欲しい
All dated guitar synth sounds and a big bad Elmore James at the end!
I see you enjoyed this very much!
@@WayneJoness I saw the full video before. It was 1981, recording Ghost in The Machine I think. Or 1982 recording Synchronicity? Sting is making demos on a 4 track with a black Strat too!
@@KRAZEEIZATION Wow! Cool!
sabes como cambiar el afinador a 440 de esa pedalera ?? Gracias
Im disappointed with the Gr 300 tones in the Gm 800. Just not even close.
I would agree.
Problem is you cant get rid of the sound of the guitar.
Hm, I am not sure what you mean, the sound of the guitar? There is no guitar 'sound' in the K2 output, only the synth.
Is there a way to use the normal guitar pickups to control the pcm synth sounds? Therefor not using the gk pickup?
No, if you want PCM you need a hex (divided) pickup
dont you think you would of had better "chopping" by using clocked gate in combination? oh never mind, ididnt look un till the end lol...
So i guess the G303 was the pitchh tracking device.
bands like this sound of the 80?
Those shoes are ugly as sin.
Wayne very cool video. I'm the guy who sent you speed/time tests for gr300 and many synths midi a lot of years ago. I have bought this gp 10 and in my opinion the gr300 patch is faulty . I've spent a lot of time to set up at the best the pickup to see if this was a problem, anyway in the sound one octave up there is always a noise like a double note, like some kind of distortion that makes the sound unusable for long notes. Of course i completely removed normal pu sound and stopped any other string to avoid resonance from them. As soon as possible I'll try to send you a clear sample of what I say. Also the attack for me is orrible , its noisy and scratchy and that is not normal on my gr300 this doesnt happen... good attempt roland , may be next time ...😅
Well, that is weird, what guitar/GK pickup are you using?
@@WayneJoness no matter what kind of guitar is the same on all of my guitars... gk3 gk2a...steinberger yamaha..no matter changing gk settings
@@claudioflabiano372 So, do you hear the same issues you are describing when you listen to this video I made with the GP-10? I do not hear a 'double note' in this video, and the attack to me sounds accurate. Are you saying your GP-10 sounds different than the GP-10 heard in this video?
@@WayneJoness the problem is on octave up, long notes high notes these kind of notes are not played on your video I've done a sample track I'll send you email or FB
Hey man, I'm trying to source a circuit board for the g-33. Ive contacted roland but having a hard time getting them to source it for us. Do you know anyone that sells aftermarket versions of them at all?
That was made only by Roland, they would be the only source for the circuit board. I have the service notes on my website: www.joness.com/gr300/G-33.html
@@WayneJoness Thanks man, just a heads up, Iv'e contacted Roland and they don't make them anymore/ have non left in stock. Really appreciate your websight though, has been a huge help. Thinking of making one from scratch, I'll send you through the results if your interested
Thank you for posting this accurate analysis. That s the kind of review I m constantly looking for.
Thanks so much!
dave gilmour used this live on his second solo tour