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Christian Baldini - conductor & composer
United States
Registrace 9. 11. 2009
Official CZcams Channel of opera and orchestra conductor and composer Christian Baldini. He has conducted in four continents and has served as assistant conductor with the BBC Symphony Orchestra in London and the San Francisco Symphony. In recent years, Baldini has worked internationally with the Munich Radio Orchestra, Buenos Aires Philharmonic, National Symphony Orchestra (Argentina), Florida Orchestra, English National Opera, Teatro Colón, North Netherlands Orchestra (livestreamed worldwide from the Concertgebouw in Amsterdam) and the Scottish Chamber Orchestra, with which he recorded a prize-winning Mozart CD (BBC Magazine Recording of the Month). He has been Music Director of the UC Davis Symphony Orchestra since 2009 and of the Camellia Symphony Orchestra since 2012. Recent engagements include guest conducting the Buenos Aires Philharmonic and the Nordwestdeutsche Philharmonie at the Concertgebouw in Amsterdam.
Franz Schubert, Symphony No. 3 conducted by Christian Baldini
Orquestra Sinfônica de Porto Alegre (Porto Alegre Symphony Orchestra)
Christian Baldini, conductor
April 13, 2024
Casa de Música de OSPA
ospa.rs.gov.br/ospa-e-prestigiada-por-um-grande-publico-em-concerto-classico
FastNotes
Written in 1815 when Schubert was 18, the Third Symphony is notably concise, and shorter than the composer’s first two symphonies. But it also foreshadows ideas that would expand the scale of the symphony.
Schubert’s Third has no real slow movement. Instead there is a lightly scored (without trumpets and timpani) Allegretto in ABA form.
The third movement is marked “Menuetto,” but the name is rooted more in tradition than reality. The middle section, scored for solo oboe and bassoon, and strings without cellos, is more a Ländler, or even a waltz, than a minuet.
The finale, in the rhythm of the tarantella, is marked “presto vivace” (quick, lively). The movement owes much to the frenetic drive of comic opera overtures.
Composed: 1815
Length: c. 25 minutes
Orchestration: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings
In 1815 the 18-year-old Schubert was working as a full-time, year-round schoolteacher, taking twice-weekly composition lessons with Antonio Salieri, and doing some private music teaching on the side. Yet he somehow managed to compose over 200 works, including four operas, two masses, two symphonies, and 145 songs, a productive explosion that has had music historians shaking their heads for generations. He began his Third Symphony on May 24 and finished it on June 19. He also wrote some songs, liturgical music, and an operetta in those 26 days.
The Third Symphony is notably concise, and shorter than Schubert’s first two symphonies. But it also foreshadows ideas that would expand the scale of the symphony. The rushing scale passage of the first movement’s slow introduction is turned into the second theme of the Allegro, contrary to the standard practice of making the Allegro contrast with the introduction by not having them share any musical elements. Schubert would revisit the idea to great dramatic effect a decade later in his “Great” C-major Symphony.
Like the Seventh and Eighth symphonies Beethoven was writing at about the same time, Schubert’s Third has no real slow movement. Instead there is a lightly scored (without trumpets and timpani) Allegretto in ABA form. It has an ambling principal section and a middle section with a jaunty little clarinet tune.
The third movement is marked “Menuetto,” but the name is rooted more in tradition than reality. The minuet had had a long life - about 150 years - but it was dying. In his late works, Haydn liked to spice his minuets with odd accents that would have flummoxed any dancer. Schubert does the same here, with rudely accented upbeats: the phrases all begin on the third beat, not the first. The middle section, scored for solo oboe and bassoon, and strings without cellos, is more a Ländler, or even a waltz, than a minuet.
The finale, in the rhythm of the tarantella, is marked “presto vivace” (quick, lively), about as clear an instruction to avoid dawdling as a composer can write. The sheer fleetness of the themes creates enormous momentum, but Schubert adds a few sly (or dramatic, depending on the performance) pauses to keep us guessing. The movement owes much to the frenetic drive of comic opera overtures.
- Howard Posner
www.laphil.com/musicdb/pieces/3963/symphony-no-3-in-d-major-d-200
Regente - Maestro - Compositor
Christian Baldini, conductor
April 13, 2024
Casa de Música de OSPA
ospa.rs.gov.br/ospa-e-prestigiada-por-um-grande-publico-em-concerto-classico
FastNotes
Written in 1815 when Schubert was 18, the Third Symphony is notably concise, and shorter than the composer’s first two symphonies. But it also foreshadows ideas that would expand the scale of the symphony.
Schubert’s Third has no real slow movement. Instead there is a lightly scored (without trumpets and timpani) Allegretto in ABA form.
The third movement is marked “Menuetto,” but the name is rooted more in tradition than reality. The middle section, scored for solo oboe and bassoon, and strings without cellos, is more a Ländler, or even a waltz, than a minuet.
The finale, in the rhythm of the tarantella, is marked “presto vivace” (quick, lively). The movement owes much to the frenetic drive of comic opera overtures.
Composed: 1815
Length: c. 25 minutes
Orchestration: 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, timpani, and strings
In 1815 the 18-year-old Schubert was working as a full-time, year-round schoolteacher, taking twice-weekly composition lessons with Antonio Salieri, and doing some private music teaching on the side. Yet he somehow managed to compose over 200 works, including four operas, two masses, two symphonies, and 145 songs, a productive explosion that has had music historians shaking their heads for generations. He began his Third Symphony on May 24 and finished it on June 19. He also wrote some songs, liturgical music, and an operetta in those 26 days.
The Third Symphony is notably concise, and shorter than Schubert’s first two symphonies. But it also foreshadows ideas that would expand the scale of the symphony. The rushing scale passage of the first movement’s slow introduction is turned into the second theme of the Allegro, contrary to the standard practice of making the Allegro contrast with the introduction by not having them share any musical elements. Schubert would revisit the idea to great dramatic effect a decade later in his “Great” C-major Symphony.
Like the Seventh and Eighth symphonies Beethoven was writing at about the same time, Schubert’s Third has no real slow movement. Instead there is a lightly scored (without trumpets and timpani) Allegretto in ABA form. It has an ambling principal section and a middle section with a jaunty little clarinet tune.
The third movement is marked “Menuetto,” but the name is rooted more in tradition than reality. The minuet had had a long life - about 150 years - but it was dying. In his late works, Haydn liked to spice his minuets with odd accents that would have flummoxed any dancer. Schubert does the same here, with rudely accented upbeats: the phrases all begin on the third beat, not the first. The middle section, scored for solo oboe and bassoon, and strings without cellos, is more a Ländler, or even a waltz, than a minuet.
The finale, in the rhythm of the tarantella, is marked “presto vivace” (quick, lively), about as clear an instruction to avoid dawdling as a composer can write. The sheer fleetness of the themes creates enormous momentum, but Schubert adds a few sly (or dramatic, depending on the performance) pauses to keep us guessing. The movement owes much to the frenetic drive of comic opera overtures.
- Howard Posner
www.laphil.com/musicdb/pieces/3963/symphony-no-3-in-d-major-d-200
Regente - Maestro - Compositor
zhlédnutí: 973
Video
Vesti la giubba (Leoncavallo, Pagliacci) - Thomas Kinch
zhlédnutí 448Před 5 měsíci
Rising Stars of Opera - February 4, 2024 Thomas Kinch, tenor Christian Baldini, music director & conductor UC Davis Symphony Orchestra Mondavi Center for the Performing Arts - Jackson Hall "Vesti la giubba" (Italian), "Put on the costume", often referred to as "On With the Motley", from the original 1893 translation by Frederic Edward Weatherly) is a tenor aria from Ruggero Leoncavallo's 1892 o...
Vi ravviso, o luoghi ameni - Vincenzo Bellini (La sonnambula) - Jongwon Han
zhlédnutí 345Před 5 měsíci
Jongwon Han, bass-baritone Christian Baldini, music director & conductor UC Davis Symphony Orchestra February 4, 2024 - Rising Stars of Opera Jackson Hall, Mondavi Center for the Performing Arts (UC Davis) Vi ravviso, o luoghi ameni - No. 6, Cavatina from Act I of the Italian opera La Sonnambula by Vincenzo Bellini Libretto: Felice Romani Role: Count Rodolfo, Lord of the village Voice Part: bas...
Casta diva - from Vincenzo Bellini's “Norma” (1831) - Nikola Printz
zhlédnutí 671Před 6 měsíci
Nikola Printz, mezzo-soprano UC Davis Symphony Orchestra Christian Baldini, music director & conductor February 4, 2024 - Rising Stars of Opera Jackson Hall, Mondavi Center for the Performing Arts “Casta Diva” is the most famous aria of Vincenzo Bellini’s “Norma” (1831). It is sung by the title character, a Druidess or priestess of the Gauls, in the first act. The opera takes place in Gaul betw...
La ciudad ausente - Gerardo Gandini (Full Opera)
zhlédnutí 566Před 7 měsíci
Gerardo Gandini, La ciudad ausente (libretto by Ricardo Piglia) Teatro Colón, Buenos Aires, Argentina December 7, 2023 UNEDITED LIVE PERFORMANCE Dirección musical Christian Baldini Dirección de escena Valentina Carrasco Escenografía Carles Berga Vestuario Luciana Gutman Iluminación Peter Van Praet Asistente de dirección musical Diego Censabella Asistente de dirección de escena Lorenzo Nencini A...
Haydn, Symphony No. 103 "Drumroll" - Chamber Orchestra of Chile, Christian Baldini
zhlédnutí 181Před 9 měsíci
Orquesta de Cámara de Chile Christian Baldini, director Julio de 2022 Chamber Orchestra of Chile Christian Baldini, conductor July 2022 PROGRAM NOTES By the early 1790s Haydn was an independent operator, after more than three decades of remarkably fruitful employment by the Austro-Hungarian Esterházy family. The most beguiling post-Esterházy offer, coming after his nominal retirement, was from ...
Gerardo Gandini, Eusebius (Cinco Nocturnos para Orquesta)
zhlédnutí 724Před rokem
Orquesta Sinfónica Nacional (Argentina) Christian Baldini, Director 26 de Julio de 2023 Auditorio Nacional Centro Cultural Kirchner (Ballena Azul) La obra "Eusebius", Cinco Nocturnos para Orquesta, del compositor Gerardo Gandini, se estrenó en el Teatro Colón, en septiembre de 1985, por la OrquestaFilarmónica de Buenos Aires bajo la dirección de Juan Pablo Izquierdo El propio compositor, Gerard...
Robert Schumann, Symphony No. 1 "Spring"
zhlédnutí 627Před rokem
Orquesta Sinfónica Nacional (Argentina) Christian Baldini, director Auditorio Nacional - Centro Cultural Kirchner Buenos Aires, 26 de Julio de 2023 Robert Schumann, Sinfonía No. 1 "Primavera" - Op. 38 Christian Baldini, conductor, National Symphony Orchestra of Argentina Although he had made some "symphonic attempts" in the autumn of 1840 soon after he married Clara Wieck, he did not compose hi...
Spider-Man Homecoming Theme (Arr. Dante Baldini)
zhlédnutí 632Před rokem
Camellia Symphony Orchestra Christian Baldini, Music Director & Conductor McClatchy Auditorium, Sacramento (California) March 19, 2023 Michael Giacchino (b. Riverside Township, New Jersey 1967) Giacchino studied filmmaking at the School of Visual Arts in New York City. After college, he took a marketing job at Disney and began studies in music composition, first at Juilliard, and then at UCLA. ...
Matthew Rasmussen, Suite for Bassoon and Strings
zhlédnutí 188Před rokem
I Nocturne II Tarantella 03:23 UC Davis Sinfonietta Matthew Rasmussen, bassoon Christian Baldini, conductor Recorded in May 2021 in Jackson Hall, Mondavi Center, Davis, California.
György Ligeti - Chamber Concerto (UC Davis Sinfonietta)
zhlédnutí 461Před rokem
UC Davis Sinfonietta Christian Baldini, music director & conductor May 2022 - Ann Pitzer Center (Davis, California) Members: Alice Lenaghan, flute and piccolo Sarah Wald, flute and piccolo Estevan Romero, flute and piccolo Trey Makler, oboe, and oboe d'amore and English horn Shanon Rubin, clarinet Michael Talty, bass clarinet Maya May, horn Benjamin Kimelman, horn Jonathan Minnick, trombone Jac...
Alberto Ginastera, Sinfonía Don Rodrigo (National Symphony of Argentina)
zhlédnutí 854Před rokem
Alberto Ginastera, Sinfonía Don Rodrigo Orquesta Sinfónica Nacional (Buenos Aires, Argentina) Mónica Ferracani, soprano Christian Baldini, director 15 de Julio de 2022 Centro Cultural Kirchner - Auditorio Nacional - Ballena Azul (CCK) In the uncertain panorama of today's music, few indeed are the composers who appear able to set their course as though by an infallible compass. Among those few, ...
Victor Lavallén Sinfónico (arr. Diego Schissi) - Orquesta Nacional de Música Argentina
zhlédnutí 1KPřed rokem
Orquesta Nacional de Música Argentina "Juan De Dios Filiberto" (ONMA) Christian Baldini, director Centro Cultural Kirchner (Auditorio Nacional, Ballena Azul) 5 de Agosto de 2022 Víctor Lavallén Quinteto, integrado por Víctor Lavallén (bandoneón), Diego Schissi (piano), Juan Pablo Navarro (contrabajo), Guillermo Rubino (violín) y Alejandro Bruschini (bandoneón) Para leer una entrevista con Victo...
Ney Rosauro, Double Concerto for Marimba, Timpani and Orchestra
zhlédnutí 292Před 2 lety
Orquestra Sinfônica de Porto Alegre (OSPA) Christian Baldini, conductor Ney Rosauro, marimba Douglas Gutjahr, timpani April 9, 2022 - Casa da OSPA A native of Rio de Janeiro, Brazil, Ney Rosauro is considered one of the most important percussion composers of the 20th century. With his unique style of writing, which combines charming melodies with catchy rhythms, Rosauro utilizes the rich elemen...
Carrie Hennessey sings Verdi: Pace, pace mio dio (La forza del destino)
zhlédnutí 397Před 2 lety
Camellia Symphony Orchestra Carrie Hennessey, soprano Christian Baldini, music director & conductor Capistrano Hall - Sacramento State University School of Music June 4, 2022 Synopsis: Leonora wanted to flee the strict parental home with her lover, because her father did not want to approve of his daughter’s relationship with the Creole Alvaro. When her father surprises them during the escape, ...
Oscar Strasnoy: Kuleshov (Piano Concerto) - with Ryan McCullough
zhlédnutí 496Před 2 lety
Oscar Strasnoy: Kuleshov (Piano Concerto) - with Ryan McCullough
Himno Nacional Argentino - Orquesta Sinfónica Nacional & Coro Polifónico Nacional de Argentina
zhlédnutí 99KPřed 2 lety
Himno Nacional Argentino - Orquesta Sinfónica Nacional & Coro Polifónico Nacional de Argentina
Ney Rosauro, Brazilian Fantasy (Bach in Brazil)
zhlédnutí 239Před 2 lety
Ney Rosauro, Brazilian Fantasy (Bach in Brazil)
Christian Baldini Conducts Jean Sibelius - Symphony No. 2
zhlédnutí 382Před 2 lety
Christian Baldini Conducts Jean Sibelius - Symphony No. 2
Ney Rosauro in conversation with Christian Baldini
zhlédnutí 138Před 2 lety
Ney Rosauro in conversation with Christian Baldini
Ukrainian National Anthem - We Stand with Ukraine!
zhlédnutí 596Před 2 lety
Ukrainian National Anthem - We Stand with Ukraine!
CSO Operatic Rising Stars on March 13, 2022
zhlédnutí 124Před 2 lety
CSO Operatic Rising Stars on March 13, 2022
Jean Sibelius, Violin Concerto - with Judy Kang
zhlédnutí 808Před 2 lety
Jean Sibelius, Violin Concerto - with Judy Kang
Christian Baldini on his composition Elapsing Twilight Shades with the Munich Radio Orchestra
zhlédnutí 187Před 3 lety
Christian Baldini on his composition Elapsing Twilight Shades with the Munich Radio Orchestra
Maximilian Haft on Lutoslawski's Chain 2 (Album Release on Centaur Records)
zhlédnutí 130Před 3 lety
Maximilian Haft on Lutoslawski's Chain 2 (Album Release on Centaur Records)
Miranda Cuckson on Ligeti's Violin Concerto (Centaur Records Album Release)
zhlédnutí 203Před 3 lety
Miranda Cuckson on Ligeti's Violin Concerto (Centaur Records Album Release)
Varèse, Lutosławski, Ligeti & Baldini (Centaur Records) - Album Preview
zhlédnutí 221Před 3 lety
Varèse, Lutosławski, Ligeti & Baldini (Centaur Records) - Album Preview
Elgar, Hybrid Suite from Enigma Variations
zhlédnutí 1,1KPřed 3 lety
Elgar, Hybrid Suite from Enigma Variations
Mendelssohn, Violin Concerto in D minor (Andante)
zhlédnutí 279Před 3 lety
Mendelssohn, Violin Concerto in D minor (Andante)
Gardiner comico
John Eliot Gardner is the only one who got it right. NO idea what Boulez was up to. I don’t think he did either.
When are you coming to South Africa
A great idea. I'd have chosen the 1949 Toscanini and it's stereo equivalent, Rene Leibowitz. Lenny with the NYPO is much better IMO.
THE ENDING analysis was SUPERB!
Toscanini and Kleiber and keep the rest.
Impressed by Thomas Dausgaard and Alondra de la Parra, both of whom I'd never heard of before.
Solemne, bellisimo! debería prohibirse que se le falte el respeto a su maravillosa introducción instrumental (es decir, sin letra) cada vez que se la "tararea" con sonidos guturales como si fueran cabernicolas
Que belleza de himno y que orgullo ser Argentino!
Recuerdo cdo hacia el servicio militar obligatorio y desfilabamos con orgullo de pertenecer a esta hermosa patria.
QUE HERMOSURA NUESTRO HIMNOS.. NUESTROS HIMNOS.. SOY DE FORMOSA ARGENTINA Y EL HIMNO MARCHA A FORMOSA TAMBIEN ES HERMOSO!!! y las marchas tambien!!! marcha a san lorenzo, marcha a las malvinas, aurora, himno a la bandera!!! todos hermosos❤❤
O juremos con gloria morir! Saludos desde Vzla
Cabeza a cabeza con el himno de la Unión Soviética, los mejores del mundo, capaz tercero la Marsellesa.
A lo largo del tiempo vas analizando la letra y es extraordinario.
Avec Toscanini, la musique chante et nous enchante, un très grand parmi les grands!
Dov'è Claudio Abbado ? Insieme a Bernstein per sono le versioni migliori.
Fascinating and moving piece of music. Thank you for posting it. The Tale of Genji was written, surely, by Murasaki Shikibu, in the early 11th century.
Muy interesante. Comparando la misma obra con distintos directores resulta muy instructivo
ESE DIRECTORRRRRRRRRRRR!! PAPÁAAAAAAAAAAAAAAAA!! ESTA ES LA MEJOR VERSIÓN DEL HIMNO ARGENTINO DE TODA LA HISTORIA. ES IMPOSIBLE LO QUE HICISTE. LAS DINÁMICAS, LOS VOLÚMENES, LOS CAMBIOS DE VELOCIDAD, TODO ES ABSOLUTAMENTE PERFECTO. GRACIAS, CHRISTIAN!!!!!!!!
Espectacular
Soy de Uruguay , y admirador del himno Argentino en musica y letra
Qué hermoso himno, eriza la piel! Saludos desde Uruguay🇺🇾♥️🇦🇷
Imo, Thomas would make a great Phantom in Phantom of the Opera
Oid motarles el grito sagrado, LIBERTAD, LIBERTAD, LIBERTAD!!!... madre mia!!..❤
Habrá himno más hermoso?? Gracias Blas, Vicente y Mariquita ja
De chico, en los actos, lo esuchaba y cantaba por hacerlo sin mas, no entiendia realmente lo que decia, hoy mas grande, entiendo la letra, y toda la lucha y sufrimiento q tiene detras, y la verdad es q me pone la piel de gallina, la 2da repeticion de, AL GRAN PUEBLO ARGENTINO ¡SALUD! , es epica. Orgulloso de ser Argentino.
Bello nuestro himno una letra fantástica y una música tremenda , gracias 🫂 Dios x permitirme nacer en una tierra tan bendecida
❤Amo mi himno 💕 sentimientos a flor de piel y esa sensación de poder que explota el ❤
Allegro CON BRIO! This means lickety-split, 1 to a bar tempo. If under-speed, the necessary forward drive/momentum and punch to the gut sf chords lose the requisite bite.
Hampson è cascato sul sillabato, ha sbagliato tutte le parole.
Buenas noches. ¿Alguien podría decirme qué teatro es este en donde se ejecutó de manera tan magistral y sentida, el Himno Nacional Argentino? Una maravilla!! Los músicos, el coro y el Director un Maestro!! Gracias!!! ❤
Es el Auditorio Nacional, hogar de la Orquesta Sinfónica Nacional Argentina, conocido también como “la ballena azul” en la hermosa ciudad de Buenos Aires. Otros nombres son: CCK, Centro Cultural Kirchner, y Palacio Libertad.
Muchas gracias por su pronta respuesta con la información. Reciba un cordial saludo.
El de Colombia es el segundo hermoso
El orgullo que me da ser argentino. Gracias Dios por hacerme nacer en esta tierra hermosa. Amo a mi Patria!
Salió el mejor himno del mundo ,el año pasado , por sobre 10
Sono Italiana come è possibile dimenticare il nostro Maestro Arturo Toscanini? Era un Maestro esigente desiderava la perfezione e il rispetto della partitura. Grazie v.v.❤❤❤
Q hermosura nuestro himno !!! Es único ❤
*music casually plays 16 seconds later… Conductor: Guys time to jumpscare the audience
Pretty accurate! 🤣
❤ es precioso
AS MALVINAS SÃO ARGENTINA E SEMPRE SERÃO----BRASIL.
MUITO LINDO O HINO DA ARGENTINA.
Imposible no emocionarse. Viva la patria, viva argentina. Vamooooooooooo. Amo mi país, amo haber nacido en argentina de mi mamá y papá argentinos.
5:32 Wedding Pas de Deux (Acte III) 12:25 Panorama (Acte II) 14:58 Pas d'action (Acte I) 28:48 Valse (Acte I)
Grandioso
I think this is the first time I've heard this instrumental piece. It sounds ethnic.
Nunca me Canso de Oirlo, me Encanta
Oh! wonderful they are, I enjoyed veryvery much. By the way, I hear that "Beethoven said tempo is music" I recognized that there are various long note between short rhythm and longer. how about Myung-Mhun Chung. I would love his phrasing and articulation is so sensibility to rhythm. 92yr. Japanese.
What are the groupings for the 5/8, 9/8 and 7/8 bars?
Muti is the best!!! Karajan Bernstein and la parra were very good
This was fun. However , it’s tough to put a chamber orchestra or a youth orchestra up against a full symphonic orchestra. With all that said, Muti (and the Philly sound) and Karajan killed it. Bernstein did great and so did Alondra de la parra.