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WavePunk Music
United States
Registrace 19. 01. 2024
A place where I make music for myself and hopefully you enjoy it too!
I'm a DJ now - Day 214 of Producing For a Year
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/
This is Day 214 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we started building a DJ Set for a show!
To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html
To hear music by me, go here: soundcloud.com/wavepunk
#music #drumandbass #musicproducer #musicproduction #musicdaily #drumandbassmusic #365days #365dayschallenge #producingmusic #tutorials #musicvlog #bassmusic #synthesizer #metrik
This is Day 214 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we started building a DJ Set for a show!
To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html
To hear music by me, go here: soundcloud.com/wavepunk
#music #drumandbass #musicproducer #musicproduction #musicdaily #drumandbassmusic #365days #365dayschallenge #producingmusic #tutorials #musicvlog #bassmusic #synthesizer #metrik
zhlédnutí: 37
Video
Samples and Logic's New Stem Splitter - Day 213 of Producing for a Year
zhlédnutí 26Před 2 hodinami
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 213 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we extract samples for use in Drum and Bass To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicproducer #musicprodu...
How to Make a Synth Riser - Day 212 Of Producing For a Year
zhlédnutí 39Před 4 hodinami
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 212 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we build a synth riser in Vital To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicproducer #musicproduction #music...
Day 211 of Producing for a Year
zhlédnutí 63Před 7 hodinami
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 211 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we work on making a percussion better. To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicproducer #musicproduction...
Day 210 of Producing for a Year
zhlédnutí 60Před 9 hodinami
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 209 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we analyze our basses overall track and compare it to Parallel by Metrik Metrik - Parallel: czcams.com/video/KWEzYhhSJ2w/video.html To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear musi...
Big Progress! - Day 209 of Producing for a Year
zhlédnutí 81Před 12 hodinami
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 209 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we add a bunch of layers and sections to our latest DnB track. To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicp...
Day 208 of Producing for a Year
zhlédnutí 31Před 14 hodinami
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 207 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Check Out @welcome2bishu www.twitch.tv/welcome2bishu To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicproducer #musicpro...
Making a New Groove - Day 207 of Producing for a Year
zhlédnutí 34Před 16 hodinami
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 207 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we study wide bass in detail. To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicproducer #musicproduction #musicda...
FuntCase Answers my Dumb Questions - Day 206 of Producing for a Year
zhlédnutí 69Před 19 hodinami
Check out @FuntCaseUK: x.com/funtcaseuk Check out @DPMO: linktr.ee/dpmo BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 206 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we sit with FuntCase and ask him every question we can think of about producing EDM To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk...
ACTUALLY Making Wide Bass - Day 205 of Producing for a Year
zhlédnutí 94Před 21 hodinou
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 205 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we study wide bass in detail. Venjent's Music: czcams.com/video/z9-p06yiJ6Q/video.html To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #mu...
The Wide Bass Research Facility - Day 204 of Producing for a Year
zhlédnutí 47Před dnem
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 204 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we study wide bass in detail. Venjent's Music: czcams.com/video/z9-p06yiJ6Q/video.html To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #mu...
Unlocking the Secret to Wide Bass - Day 203 of Producing for a Year
zhlédnutí 75Před dnem
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 203 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we learn more about width and try copying a Venjent bass. Venjent's Music: czcams.com/video/z9-p06yiJ6Q/video.html To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here:...
EDM Bass Build - Day 202 of Producing for a Year
zhlédnutí 27Před dnem
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 202 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we work on Drum and Bass To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicproducer #musicproduction #musicdaily #...
The Sound Design Arc - Day 201 of Producing for a Year
zhlédnutí 54Před dnem
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 201 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we work on Drum and Bass To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbass #musicproducer #musicproduction #musicdaily #...
Day 200 of Producing for a Year!
zhlédnutí 44Před 14 dny
BOSSFIGHT IS OUT NOW EVERYWHERE: wavepunk.hearnow.com/ This is Day 200 of my 1 year challenge, where I do music production everyday for at least 15 minutes. Today, we work on Drum and Bass BISHU: czcams.com/video/BjAbRRKcyG0/video.html To better understand this challenge, watch this: czcams.com/video/NJLR56RavNk/video.html To hear music by me, go here: soundcloud.com/wavepunk #music #drumandbas...
DnB Bass Synthesis - Day 198 of Producing for a Year
zhlédnutí 77Před 14 dny
DnB Bass Synthesis - Day 198 of Producing for a Year
ANOTHER New DnB Idea - Day 197 of Producing for a Year
zhlédnutí 69Před 14 dny
ANOTHER New DnB Idea - Day 197 of Producing for a Year
Pads and Subs - Day 196 of Producing for a Year
zhlédnutí 62Před 14 dny
Pads and Subs - Day 196 of Producing for a Year
DnB Progress - Day 195 of Producing for a Year
zhlédnutí 1,6KPřed 14 dny
DnB Progress - Day 195 of Producing for a Year
This Video is NOT about Call and Response - Day 194 of Producing for a Year
zhlédnutí 981Před 14 dny
This Video is NOT about Call and Response - Day 194 of Producing for a Year
I Love This New Idea - Day 193 of Producing for a Year
zhlédnutí 217Před 21 dnem
I Love This New Idea - Day 193 of Producing for a Year
Drum and Bass Progress - Day 192 of Producing for a Year
zhlédnutí 186Před 21 dnem
Drum and Bass Progress - Day 192 of Producing for a Year
Putting together a DnB Beat - Day 191 of Producing for a Year
zhlédnutí 112Před 21 dnem
Putting together a DnB Beat - Day 191 of Producing for a Year
Using Spotify for Artists for the first time - Day 190 of Producing for a Year
zhlédnutí 40Před 21 dnem
Using Spotify for Artists for the first time - Day 190 of Producing for a Year
Drum & Bass Sound Design - Day 189 of Producing for a Year
zhlédnutí 307Před 21 dnem
Drum & Bass Sound Design - Day 189 of Producing for a Year
Different ways to automate ShaperBox 3 - Day 188 of Producing for a Year
zhlédnutí 77Před 21 dnem
Different ways to automate ShaperBox 3 - Day 188 of Producing for a Year
DnB Track Details - Day 187 of Producing for a Year
zhlédnutí 357Před 21 dnem
DnB Track Details - Day 187 of Producing for a Year
Building out the song - Day 186 of Producing for a Year
zhlédnutí 56Před 28 dny
Building out the song - Day 186 of Producing for a Year
Breakthroughs in Bass Design! - Day 185 of Producing for a Year
zhlédnutí 1,1KPřed 28 dny
Breakthroughs in Bass Design! - Day 185 of Producing for a Year
I loved your opening catch phrase in this video, " I'm excited to show you what I worked on today in producing for a year" -- future dj stream perhaps?
Sick! Keep it going man
Thank you! I think you will really enjoy day 215 :D
Never seen your channel before, saw a video recommended by THE ALGORHTYHM, mouse hovered, skipped in on the small preview, saw that Vital skin, heard that bass, and had me thinking hang on what VST is that?, and that wide base, hmmmm 👍 CLICK. Then noticed it was Vital and was in for the full video. Good job. If you only been doing this for an hour a day for 194 days, nice one 👍DAW tinkerage is one the best hobbies you can have, I love it, and who knows, 1 video/song goes viral and your wallet could be a lot happier for 1 to 2 years. Keep up the great work, and have fun 👍
haha glad you liked it! thanks for watching :D
i love the vital skin, i didnt even pay attention to the fact that vital supported skins
it makes it SO much more fun to use!
Hey man, which video shows you making the "Yuh bass" at 3.24. You said you really liked that sound and you made it 'yesterday' so I went back through some previous videos but no luck
Hey! So the "yeeaw" bass is the one I made in this episode that I break down starting at 0:43. The bass I made "yesterday" is the pulsewobwob that I do walk through in the Day194 video. It maybe sounds different in that episode because in this one here I'm modulating the pitch wheel to get it to do that octave jump, hope that helps!
lit 🔥
Ça tue !
Thank you!
I think that your bass' are getting fatter and moving closer to that pro wide bass sound youre looking for. But from what Ive seen, youre aiming to do this with a single vital instance per bass sound. www.youtube.com/@InverseAudioUK has some excellent tutorials about layering basses to achieve different functions.
From what I understand, the heavy emphasis on basses needing to be mono is a holdover from vinyl. Too much stereo width would make the play head hop out of its track. Nowadays it's more for if your song is played live and the sound guy doesn't mono everything under 80 or 150Hz like he's "supposed to". And that's only done because of phase shifting problems that *could* occur. I've never played live, but that's what I've read. Also, Metrik has a lot more white noise than your song. He has that shimmery reverb on the snare and hi-hat that you don't have. In the snippet you played, either the hi hat's reverb or the snare's reverb is always happening. He also has white noise risers/fallers between his sections. That could be filling out the square more.
I've messed with white noise in previous tracks and it's definitely something that has its place and might end up in this track, definitely agree that could be the difference here! That's really cool about the mono bass and its importance to Vinyl, I didn't know that. I do think it's still important, even if just because that's what our ears now are used to hearing, but also from a physics standpoint it makes sense. Thanks for watching!
@@WavePunkMusicto add to the mono/stereo low end conversation - Optical (Virus Recordings/Ed Rush & Optical) considers stereo width in terms of power and dryness - there's a Reddit AMA where he talks about peak power being achieved by both speakers moving in the same way, at the same time - though he concedes that can lead to a drier sound. As DNB producers I think it's up to us to search for that sweet spot in terms of stereo width for the elements/group in our projects - no hard and fast rule necessarily but preserving mono/power as much as possible in the low end makes sense - unless the widening is actively adding something, keep it pretty mono. Also in my case, a lot of older or smaller soundsystems used in grassroots venues in London can be mono - so that translation to mono is still relevant there
You could lose the 2nd & 3rd 8 bar loops. I find that dnb works best when you delete the ok bits and keep the awesome parts. Short tracks are super popular right now.
"delete the OK bits and keep the awesome parts" is great advice haha, thanks for watching!
Sounding so good! Keep it up man.
Thank you! I will :D
oooooh that drop at 1:51 was sick
RIGHT? I love it so much.
I accept the cool sunglasses as a substitute
Caleb! I just wanted to say I'm super proud of where you are in life. I used to be one of your guitar students when I was a kid! A lot has changed in my life (came out as trans, embraced the Judaism of my father's family, got hurt but then got better meeting my partner) but I'm so glad to see you seem to be doing well :)) I remember all the cool indie game soundtracks you used to show me and it's so cool what you've made of your life. Mazel tov and best wishes! -Cat
Yo! Thats crazy you found this channel, the internet is such a cool place. So glad to hear you are thriving and finding yourself outside of the world we were raised in. I hope you are still playing guitar or making music in some way :D
There's no sub bass.
You speak truth. Thanks for watching!
Why did you give me the finger at 6:26? JK, love your videos.
Hahaha sorry about that XD thanks for watching!
First of all, sorry for the wall of text A really important thing to take notice of when sounds start to approach the extremes of the stereo field is bad mono compatibility (when sounds get phase cancellation issues when played in mono). I don't know about Logic but usually DAWs have built in tools you can use to check mono compatibility. When played in headphones it isn't much of a problem bc both sides are isolated from each other, but it starts to get tricky once you move to speakers, especially professional rigs like in clubs and festivals which in fact are set up to only play the mono signal to avoid phasing issues. You already covered the basics by making the sub mono, but there's still a lot of information you might be losing in the mid to high frequencies which is basically unavoidable unless you have completely different sounds panned left and right. Regarding that Venjent track, if you listen to that track in mono you will find out that the bass sound noticeably less complex but it still sounds good. After analyzing the mid/side channels, I think what's going on is that he is stacking at least two bass sounds, one focused on the mid information (doesn't need to be completely mono except for the sub) and a top bass that is much brighter and completely wide (this one actually almost completely disappears in mono).First of all, sorry for the wall of text and for nerding out a lot, but I think this is good advice.
thanks for the thoughts! and thanks for watching!
I think it would be ccol if the shape of the sounds were the subtext of a song. Like the song would be about something else, but over the course of the song you show off different shapes of music. In sketch comedy, you might write a scene with 3 beats and each beat kinda builds off another. Make the song you want, but use the skill as the structure to build off
interesting, like visual shapes? you might enjoy Oscilloscope videos where people literally draw shapes with sounds!
To get the verb in vital sounding good modulate the time to the off position its noiceeeeee
OOH I hadn't thought of treating the time knob like a wet/dry knob and automating it, but I think that would totally work, I'll give this a try! thanks for watching :D
Did you try splitting it at a mid to upper freq and process it differntly? More distortion on the upper part? Did you slap OTT (free vst) on it? some go crazy and put 2xOTT on it.
omg wait OTT is free? I'm downloading that tomorrow lmao, I thought it was paid hahaha
Probably a yes/no situation on the Vital bug. Likely, under the hood, it's using a decimal point to represent the number in the unison percent (and other places). If that's the case, it's showing a rounded whole number. It shows 0%, but it's actually 0.3% or something along those lines. So, technically, probably not a bug in that it is working as intended. But also probably a bug since it doesn't do what the user expects it to.
yeah EXACTLY, I couldn't decide if it was a "bug" or not, because I do think it was intentional, but definitely not how most users will understand that parameter because of the UI. The other parameters like phase also are precise to decimal places, but the UI rounds up to a whole number. Probably a characteristic that comes with the territory of a free plugin
The High end details in Venjent's bass sound like down sampling. You would have to only down sample the high end somehow.
hmmm, could definitely be the case, in the next few videos we do some separating of individual sounds into multiple channels so we can have different frequency ranges take up different amounts of the stereo field, we could probably also apply distortion in a similar split-up way.
Seems like adding saturation makes the giornometer dance pretty good. I bet with some reverb and the Wider plugin from Infected Mushroom you get get it pretty filled out. Also, just parroting what other mixing tutorials say, if you've got really dry snare/hat/ride samples, putting them into a drum buss with a little touch of reverb to put them into a "room" sounds good and would fill out the sides on the gonionmeter also.
very true on the drums. I've been focusing on the basses, but drum reverb in DnB is something I still need to learn about. It's a subtle but important thing. Saturation and Distortion in general seems to be the key, I explore that quite a bit over the next few days :D Thanks for Watching!
People who use modular would sometimes do a patch for left and recreate it for right. So there would be a slight difference. I've seen Junky XL (Tom Holkenborg) do this in his old studio in one of his videos. If you just turn the degre of the sine wave, you could have areas of cancelation or overlapping, with more complex sounds this shouldn't be an issue.
Can you elaborate on the Goniometer? Is it a VST? Is it part of Logic? Is there a free version or is it part of vital? I used vision 4x from noisia so far... Thx and good break thrugh!
It's a default plugin in Logic called the MultiMeter. If you search "goniometer plugins" on google, the top result from ToneBoosters is free and works exactly the same as this one, just turn down the "blur" and "line" settings, by default it's a bit hard to look at.
thanks for your help here :) much apreciated, glad to be getting back into this
YO! so glad the video helped you :D Thanks For Watching!
Does your bass have a square osc in it? It sounds kind of squarey-, I feel like a DnB bass is closer to a reese bass with two detuned saws
it does sound squarey! you can see its wave shapes at 4:46, definitely squarish at the top of the formant sweep. My favorite part of DnB is how the basses kind sound like anything, the detuned saw sound is a DOPE one.
@@WavePunkMusic I saw that after I’d posted the comment! Detuned saws sound great. Every time I acknowledge that I’m always reminded how infrequently I define any of my saw basses lmao
Hell yeah I love watching you turn knobs
I see you are a person of culture
its fun!
Thanks for Watching!
You can see Bishu is using 2 main oscilators and a sub oscilator for his bass. I've noticed your basses often consist of one oscilator that is heavily modulated, but it lacks base in a form of more stable low frequency oscilators.
Also I recommend playing around with diode filter in Vital - it's great for basses
Ooh I'll check out the diode filter! If you check Days 198/195, I do try to have a sub frequency oscillator going direct out like the Sub OSC in Serum that Bishu is using. Sometimes with the heavier distorted sounds, the sub does feel like it's making a difference so I leave it out, but we are still learning!
Lesgoooooooo what consistency boom
thank you sir!!
the amount of stereo base in that >.< Yeah it sounds great, but not gonna work well in a club
hahaha yeah I figure that out a few days from now XD
Inspiring!!!
thank you for watching!
envious you have the best production office
omg RIGHT? It's a fiends backyard, I wish I could work there always
Where can I get that Vital skin?
if you type "Vital Skin VST" into google, it's one of the first skins in the first forum thread that comes up, called Reflekshun Neon
@@WavePunkMusic thanks
Awesome great job, keep it up!
Thanks for the encouragement! And thanks for watching!
I got bossfight on apple music! Its kinda got a kavinsky vibe i get from nightcall but for what feels like a side scroller
YOOO thank you so much for listening to it! I'm glad you enjoy it :D
Feels perfect for a Bionicle soundtrack
hahaha I love that, what a throwback!
Heyyy I did that once! I need to log back in and check what's going on.
Nice, thats a great start of a tune, id say it needs a sub and a counter melody, some arrangement work, and indeed, you have a tune there. Your vids keep getting recommended, so you must be doing something right, I'll be checking in every once in a while!
hey that's sick that the videos are getting recommended so consistently, thanks for giving them a try, see you around :D
Would have loved to hear a filter over the bas... One experiment you might want to try is making a bass the old school way: It started with a tone generator. Then use eq, filter, phaser and so on to make it sound cool. Export and use the effects again... repeat the cycle again and again. Then put it in a sampler and animate some more effects. Ad in parallel a simple mono sub bass... have fun!
i've heard Calyx and TeeBee did their mind boggeling basses this way but maybe they keept it secret.
@@tobiastho9639 That approach definitely makes sense, ultimately I AM having fun at the moment just getting a little bit closer every day and learning hands on instead of watching a bunch of tutorials, though all the ideas from folks in the comments definitely help :D thanks as always for watching!
-12 semitones was regarding the comb filter. You can change the cutoff of a comb filter with the lower slider (under the filter visualization). Setting it to -12 semitones makes the sound more bassy and gives it more body. I also didn't specify in my original comment that I set the resonance of the comb filter to 0% (slider on the side of the filter). I used the pulse wave from Basic Shapes (the shorter one that's on the last frame of the wavetable) - it's a simpler shape that sounds more like a roar.
OOH I had never noticed that slider is measured in semitones! I thought it related directly to the whole frequency spectrum. I still have the free version of Vital (I really should go pay them given how much use I'm getting out of, so I don't have any of their basic wavetables, I downloaded some other wavetable library off the internet, was the shape I eventually settled on close to the one you used?
@@WavePunkMusic There are wave tables in the free version. They are located in the factory folder
@@WavePunkMusic dont buy vital when serum 2.0 is coming out very soon...
@@Nullscr1pt I cannot find anything saying serum 2.0 is coming out very soon and even the highest level paid Vital is still cheaper serum 1.0.
@@WavePunkMusic if you are trying to save money, then vital is your setup, there will never be a release date on serum 2, it will just show up, but i know duda has been working on it well over 4 years and now has dave helping and hes been talking about it recently so it sounds like its closer to complete than not... but you are right, could be 1 month, 1 year... but he said it will be a pay what you want update so that could be 0 dollars if you buy serum which you also can rent to own for 9 bucks a month
Great job man! Love this challenge idea and the track sounds great <3
YO no way! I'm having a good time with so far and learning a lot. Thanks for watching!
Loving this series. I do have to know - where can I get that Vital skin? 😅
Sith V2!
So I hope this comment comes off as theory over criticism but when it comes to drum n bass there are a lot of things to consider (that I’ve learned). For one, having overlapping drums with tails is the number one groove killer. Since dnb is so fast you are always competing for space; helping all your drums be super staccato will give you breathing room for your other elements. Second is also phrasing, have a really simple call and response is the meat and potatoes of almost every genre of dnb. Just like the drums, having intention with the controlling the sounds you phrase will help it all come together. Think less is more rather than stacking synths. If you are going for the suuuuuper melodic approach to dnb then reserve the energy of your drums and pull out the low end. You’d also want to back off the energy of your sub bass so it becomes more about the mid range elements. Think like gaming mixes. Hope some of that helps shape what you’re looking for
Actually super helpful tips that really align with what I've been experiencing. I've always been afraid to chop the tails off my drums because it feels unnatural, but that's kinda of the sound I'm going for and I didn't really realize how I was working against myself. I'll have to go back and listen to the melodic DnB that I've been imagining my music fitting in with. In my head, they have super powerful and clear drums, melodies, AND bass, but it would make sense that the bass is more just implied by the synths and the low end is actually mostly just for drums. I definitely have a habit of stacking synths instead of making one that I actually like, appreciate all the thoughts! thanks for watching!
I need to learn how to do buses.
two ways to do it! either change the "out" on a track from Stereo Out to one of the busses (there are like 32 of them, they are just hidden in the mixing UI until you start to use one.) or select all the tracks you want to put on a bus, right click the track head, a click "create track stack" and then "summing stack." Now all the tracks are basically in a folder you. can put effects on.
It's a good vibe. I feel like you're very good at making bright, upbeat music whereas I'm stuck on patterns of melancholy and melodrama. XD
Glass Half Full Gang Babyyyyyyyyy
My 8 year old, Caleb, is enamored with this! For the past few weeks he's spent hours and hours making music on the iPad in Garageband. It's so cool for him to see someone doing it on a professional level. It's sounding great, keep up the good work!
From one Caleb to another, I encourage him to keep going! They now have Logic on the iPad if he ever outgrows GarageBand :)
@@WavePunkMusic ooh very cool! Thanks man
Mad scientist in the lab vibes this video, learning NEW stuff must be enjoyable just on its own
honestly I can say any time ive just sat down and try to make a new sound in vital, I've learned things, it's a very fun part of the knowledge arc for sure.
Just as you are a strings fan, I am a shining fuzz fan xD Also, even though hacked, really like the final effect of the panning delay. And if you're ever desperate for a vocal, I can send you one HAH!
hahaha I might actually hit you up for the vocal!