Smarthistory
Smarthistory
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Frank Lloyd Wright, Bachman-Wilson House
Frank Lloyd Wright, Bachman-Wilson House (originally built on the bank of the Millstone River, New Jersey, now on the campus of Crystal Bridges Museum of American Art, Bentonville), 1956
A conversation with Alan Meyer, volunteer, Crystal Bridges Museum of American Art and Steven Zucker
zhlédnutí: 8 105

Video

Childe Hassam, Allies Day, May 1917
zhlédnutí 2,1KPřed dnem
Childe Hassam, Allies Day, May 1917, 1917, oil on canvas, 92.7 x 76.8 cm (National Gallery of Art, Washington, D.C.) speakers: Dr. Bryan Zygmont and Dr. Steven Zucker
Mel Casas, Humanscape 70 (Comic Whitewash)
zhlédnutí 1,1KPřed dnem
Melesio Casas, Humanscape 70 (Comic Whitewash), 1973, acrylic on canvas, 72-3/4 x 97 x 2-1/4 inches (Crystal Bridges Museum of American Art, Bentonville) © Mel Casas Family Trust speakers: Victor Gomez, Curatorial Assistant, Contemporary Art, Crystal Bridges Museum of American Art and Steven Zucker
Manuel Cuyàs Agulló, Americans disembarking in Ponce, July 27, 1898
zhlédnutí 1,5KPřed 14 dny
Manuel Cuyàs Agulló, El desembarque de los americanos en Ponce, 27 de julio de 1898 (Americans disembarking in Ponce, July 27, 1898), 1898, oil on canvas, 59.8 x 99.2 cm (Museo de Arte de Ponce) speakers: Dr. Taína Caragol, Curator of Painting and Sculpture and Latino Art and History, National Portrait Gallery, Smithsonian Institution and Dr. Steven Zucker
Rufino Tamayo, Dog Howling at the Moon
zhlédnutí 2,4KPřed 14 dny
Rufino Tamayo, Perro aullando a la luna (Dog Howling at the Moon), 1942, oil on canvas, 112.4 x 85.7 cm (Art Bridges, Bentonville) © estate of the artist speakers: Dr. Javier Rivero Ramos, Assistant Curator, Art Bridges Foundation, and Dr. Beth Harris
Luis Alfonso Jiménez, Eagle
zhlédnutí 1,5KPřed 21 dnem
Luis Alfonso Jiménez, Eagle, 2003, polychrome fiberglass, 140 x 198 x 155 cm (Crystal Bridges Museum of American Art, Bentonville) © estate of the artist speakers: Alejo Benedetti, curator of contemporary art, Crystal Bridges Museum of American Art and Steven Zucker
Ilana Savdie, Drawings
zhlédnutí 1,9KPřed měsícem
Ilana Savdie, Thirty-Seven Counts, 2023, pen and ink and acrylic on paper and Ilana Savdie, Trismus, 2023, pen and ink and acrylic on paper (Whitney Museum of American Art, New York) © Ilana Savdie a conversation with Angelica Arbelaez, Rubio Butterfield Family Fellow, Whitney Museum of American Art, and Steven Zucker
Gilbert Stuart, The Skater
zhlédnutí 4,6KPřed měsícem
Gilbert Stuart, The Skater (Portrait of William Grant), 1782, oil on canvas, 245.5 x 147.4 cm (National Gallery of Art, Washington, D.C.) speakers: Dr. Bryan Zygmont and Dr. Beth Harris
Thomas Cole, The Voyage of Life
zhlédnutí 4,3KPřed měsícem
Thomas Cole, The Voyage of Life (Childhood, Youth, Manhood, Old Age), 1842, oil on canvas, Childhood 134.3 x 195.3 cm; Youth 134.3 x 194.9 cm; Manhood 134.3 x 202.6 cm; Old Age 133.4 x 196.2 cm, original commission by Samuel Ward dates to 1839-40; those canvases are now in the Munson-Williams-Proctor-Arts-Institute in Utica, NY; the set at the National Gallery of Art is a copy made by the artis...
George Inness, The Lackawanna Valley
zhlédnutí 2,8KPřed měsícem
George Inness, The Lackawanna Valley, c. 1856, oil on canvas, 86 x 127.5 cm (National Gallery of Art, Washington D.C.). A conversation between Dr. Bryan Zygmont and Dr. Beth Harris.
John Singleton Copley, Watson and the Shark
zhlédnutí 3,4KPřed měsícem
John Singleton Copley, Watson and the Shark, 1778, oil on canvas, 182.1 x 229.7 cm (National Gallery of Art, Washington, D.C.). A conversation between Dr. Bryan Zygmont and Dr. Beth Harris.
Rembrandt Peale, Rubens Peale with a Geranium
zhlédnutí 3,6KPřed měsícem
Rembrandt Peale, Rubens Peale with a Geranium, 1801, oil on canvas, 71.4 x 61 cm (National Gallery of Art, Washington, D.C. ) A conversation between Dr. Bryan Zygmont and Dr. Steven Zucker
Situ Panchen
zhlédnutí 2,2KPřed měsícem
Situ Panchen (hanging scroll from a Pelpung Set of Masters of the Combined Kagyu Lineages, Kham Province, Eastern Tibet), c. 1760s, pigments on cloth, 175.9 x 91.4 cm (Rubin Museum of Art, New York City) speakers: Dr. Karl Debreczeny, Senior Curator, Collections and Research, Rubin Museum of Art and Dr. Steven Zucker Rubin Museum senior curator Dr. Karl Debreczeny and Smarthistory’s Dr. Steven ...
Mahabodhi Temple Model
zhlédnutí 2,1KPřed měsícem
Model of the Mahabodhi Temple, eastern India, probably Bodhgaya, c. 11th century, stone (serpentinite), 17.5 x 8.9 x 10.2 cm (Rubin Museum of Art). A conversation with Dr. Elena Pakhoutova, Senior Curator, Rubin Museum of Art and Dr. Beth Harris. Rubin Museum senior curator Dr. Elena Pakhoutova and Smarthistory’s Dr. Beth Harris explore a model of the most important temple in the Buddhist world...
Handheld Prayer Wheel
zhlédnutí 2,4KPřed měsícem
Handheld Prayer Wheel, early 20th century (central Tibet), silver, wood, semi-precious stones, 19.6 x 5 x 4.5 inches (Rubin Museum of Art, New York) speakers: Dr. Elena Pakhoutova, Senior Curator Himalayan Art at the Rubin Museum of Art and Dr. Steven Zucker Rubin Museum senior curator Dr. Elena Pakhoutova and Smarthistory’s Dr. Steven Zucker take a look at an ornate handheld prayer wheel, whic...
Medicine Buddha Palace
zhlédnutí 2KPřed 2 měsíci
Medicine Buddha Palace
The Fifth Dalai Lama
zhlédnutí 2,7KPřed 2 měsíci
The Fifth Dalai Lama
Ushnishavijaya and Celebration of Old Age
zhlédnutí 2,4KPřed 2 měsíci
Ushnishavijaya and Celebration of Old Age
Mahakala
zhlédnutí 3,5KPřed 2 měsíci
Mahakala
Wheel of Existence
zhlédnutí 5KPřed 2 měsíci
Wheel of Existence
Francisco Oller y Cestero, President William McKinley
zhlédnutí 1,8KPřed 2 měsíci
Francisco Oller y Cestero, President William McKinley
Six Persimmons, attributed to Muqi: a new reading
zhlédnutí 3,2KPřed 2 měsíci
Six Persimmons, attributed to Muqi: a new reading
Alice Aycock, Low Building with Dirt Roof (For Mary)
zhlédnutí 2,5KPřed 2 měsíci
Alice Aycock, Low Building with Dirt Roof (For Mary)
Queen Lili'uokalani and the Kalākaua Cape
zhlédnutí 2,7KPřed 2 měsíci
Queen Lili'uokalani and the Kalākaua Cape
Jonas Lie, The Conquerors (Culebra Cut, Panama Canal)
zhlédnutí 2,5KPřed 3 měsíci
Jonas Lie, The Conquerors (Culebra Cut, Panama Canal)
The New York Obelisk, Cleopatra's Needle
zhlédnutí 18KPřed 3 měsíci
The New York Obelisk, Cleopatra's Needle
The Holy Thorn Reliquary
zhlédnutí 14KPřed 3 měsíci
The Holy Thorn Reliquary
Menocal, Campesino y soldado español (Peasant and Spanish soldier) - revision
zhlédnutí 1,6KPřed 3 měsíci
Menocal, Campesino y soldado español (Peasant and Spanish soldier) - revision
Martin Puryear, Lookout
zhlédnutí 3,6KPřed 3 měsíci
Martin Puryear, Lookout
Moralized Bible
zhlédnutí 9KPřed 3 měsíci
Moralized Bible

Komentáře

  • @rinzederegraph2045
    @rinzederegraph2045 Před 2 hodinami

    The depiction of the dragon is more reminiscent of the unicorn, perhaps influenced by stories of horses and eye accounts or word of mouth of the rhinoceros

  • @matthewcole4753
    @matthewcole4753 Před 4 hodinami

    My dad worked for over 20 years across the street from this building. In Summer I would go into the city and sit near the one of the fountain to have lunch with him or visit an attraction like Rockefeller Center before walking towards Park Avenue to go home with him. It's a beautiful building and plaza. I wish I had gone to the Four Seasons although I was too young and it would never be the kind of place my parents would go nor could afford. I definitely could see why Rothko made those controversial Seagram Mural paintings. Its nearly an unobtainable beauty. The building has never been perfectly replicated.

  • @Sasha0927
    @Sasha0927 Před 12 hodinami

    Burn down museums?! God forbid. 😱 The question about how futuristic or modern this piece [by Balla] is intrigued me. My best guess was that "the future" was more implied by the movement of the woman / her dog - i.e. "we are moving toward a future time and place. We each step, time passes, and we make progress." Maybe not industrial, but progress at all the same. There may be a beautiful message belying that, the more I think about it. Whether we move by our feet, horse, or airplanes, it is humanity that creates "modernity." We are the essence of all that is "modern." I kinda love that! The woman on the scissors... I'm gonna leave that alone. 🤭 Same for Marinetti and his fruit-pelting hellion friends at the end, lol. War is the sole hygiene of the world? This isn't a cleansing summer rain - war doesn't spare the good as it sweeps away the evil ... This made for a very entertaining (and surprisingly philosophical) break.

  • @atsagouluther9958
    @atsagouluther9958 Před 20 hodinami

    Why do u People thing you can tell our story without proper knowlage

    • @smarthistoryvideos
      @smarthistoryvideos Před 16 hodinami

      We tell stories with the knowledge that is available to us. We understand that any story we tell is partial, incomplete, and biased. We are always interested in learning more.

  • @chris7921
    @chris7921 Před 22 hodinami

    Is this the place where Carl Jung and his friend Toni Wolff had the strange experience of seeing mosaics that didn’t exist? Or they did exist but were removed centuries before

  • @ultraali453
    @ultraali453 Před 22 hodinami

    I'm reading this book by DK publishing on Architecture and when I look up buildings on YouYube, I find Smarthistory frequently. Great content!

  • @apillsbury13
    @apillsbury13 Před dnem

    so great

  • @Sasha0927
    @Sasha0927 Před dnem

    Look at those fat bbs 🥰 Cupid's face... lol. So bad. I can only imagine what he wanted to use those arrows to do. This is of course lovely, but I'm most drawn to the natural aspects of the painting. I love the way the little pond(?) was portrayed, for example. The softness of the colors work for me too. A little something sweet to start the week.

  • @Rangtaluck
    @Rangtaluck Před dnem

    Reading a Book "The Richest Man in Babylon" Too curious and excited to learn more about it😊

  • @Fifi-ii7je
    @Fifi-ii7je Před dnem

    This is a magnificent church. Anyone interested in churches who is visiting London might like to visit it. It is only a few minutes walk from Oxford St

  • @RobespierreThePoof
    @RobespierreThePoof Před 2 dny

    Interesting. I will definitely be including more Judaica in my introductory undergraduate course on material culture.

  • @purplepunch4904
    @purplepunch4904 Před 2 dny

    Beautiful

  • @Sasha0927
    @Sasha0927 Před 2 dny

    God definitely has a way of setting us straight. I just got checked in today's sermon and I feel wonderfully about it. It's the most interesting mix of firm but loving correction. I wish I could do some "close, prolonged looking" at this piece, reflecting on the implications. I would've imagined the Tower of Babel looking differently to this... but in a way, it makes sense that here would be this conical shape rather than the tube-like shape I've always envisioned. I loved the powerful irony of bowing to this king of nothingness. I've done quite a bit of that throughout my life. Ready to be more selective in that regard. The detailed views of this piece are incredible... If I'm ever in Vienna, I'll be looking for it.

  • @RobespierreThePoof
    @RobespierreThePoof Před 2 dny

    Hey Smart History. Great work as always. I see you put this in your "Latinx" playlist. Just a tip from someone who has been in academia his entire life... You might want to look at the emerging conversation on "Latinx" amongst linguists. Not only is it interesting in its own right, but it should give us all pause about embracing certain neologisms that pop up in culture. I suspect the art world is a little too quick to embrace such neologisms for their novelty - and perhaps also because we enjoy the idea of helping to shape culture. I will try to summarize ... - new nouns and verbs tend to stick around more easily in languages than new grammatical features. They simply cost us all less cognitive effort. So certain kinds of trending inclusive language in recent years might actually be destined to fail because it's badly "designed ". Think: instead of a new chair design, it's analogous to trying to redesign the entire Idea of a chair. Why? The X in Latinx is a novel suffix - more a grammatical feature than a new noun. It's a suffix that exists neither in Spanish nor English. It also happens to be fairly challenging to pronounce - if not well-nigh impossible to pronounce in Spanish. It is even more burdensome than the 1980s push to use "him or her" or "his/hers" "he/she.". Even those of us who embraced that, to this day still fall occasionally back on simply choosing one because, well, it's an inefficient way to speak or write. Also, we kinda just trust that our interlocutor doesn't think we are a sexist bastard, in most cases, right? Food for thought. Check out what the linguists have been saying. I know linguists can be dull, pocket-protector wearing school 'marms doing soft science, but it's one of the didciplines that art historians should have as dialogue with since both touch on culture.

  • @scott49140
    @scott49140 Před 2 dny

    also one thing that wasnt mentioned here is that from what ive read the blue dress of virgin mary was actually ultramarine, makes this painting even more beautiful

  • @scott49140
    @scott49140 Před 2 dny

    although being new to art i remember being at a jumble sale and finding a book called art history of the world, its a big book and goes through everything froma ancient egypt to modern times, when i saw this painting by simone martini i instantly read about it, its absolutley gorgeous

  • @michaelusmc9322
    @michaelusmc9322 Před 2 dny

    He's survived for well over 2000 years. Dont take his victory away from him. He'll always be a champ to me.

  • @carlberg7503
    @carlberg7503 Před 3 dny

    Stunning painting I did not know. Thanks for introducing it to me, and thanks for the brilliant analysis that consummately blends aesthetic analysis and history, showing how a visual image comments on the world. In this specific case, on war. Your analysis could not come at a better time when we see the horrors of war every day on the news.

  • @gilbertnicholas1582

    Truly amazing work by the Egyptians

  • @johnmartlew5897
    @johnmartlew5897 Před 3 dny

    FLW: $20,000. Other architect: $30,000. Contractor: $60,000. FLW might have been thing 1905 prices for material and labour.

    • @smarthistoryvideos
      @smarthistoryvideos Před 3 dny

      20k was the family's original budget, FLW thought the house could be built for 30k if the family did some of the work, and yes 60k was the contractor estimate (as you noted, it's not easy to keep up with inflation).

  • @heidimeigs5192
    @heidimeigs5192 Před 3 dny

    Knowing how costly the ingredients to produce different colors was makes it that much more amazing.

  • @Sasha0927
    @Sasha0927 Před 3 dny

    Oh man, prototype logo and all! A true classic, lol. This portrait is stunning. My goodness. The dress got me right away. You absolutely could hear it and, even better, feel it. I agree this woman is "amazingly alive." Her skin is very smooth and soft looking. For me, this is a very sensory piece. I want to feel. Part of me hesitates to say, but I'd let Ingres do my portrait. He'd have his work cut out for him, so he could take all the liberties he'd like! 🤣 Love the outro to this one too. You guys were so precious.. (Still are, in a different way.) ❤❤

  • @debrabarnhardt1103
    @debrabarnhardt1103 Před 3 dny

    The demand for "modern" architecture is especially disheartening when you imagine architecture like this as the alternative.

  • @bavariancarenthusiast2722

    So..there was Bauhaus already at that time. I am very impressed by the clean and clear design.

  • @ChristopherBonis
    @ChristopherBonis Před 4 dny

    What a magnificent feat of architecture and yet still so warm and inviting. The woodworking is gorgeous and I’m really drawn to the horizontal lines throughout. But I’m perplexed by the use of cork for the bathroom flooring. Is that not a highly absorbent material? Not something one would want near a bathtub!

    • @smarthistoryvideos
      @smarthistoryvideos Před 3 dny

      Actually, it's not particularly absorbent. Think about a wine cork.

    • @ChristopherBonis
      @ChristopherBonis Před 3 dny

      @@smarthistoryvideos That’s a fair point, although the cork is on the ground in this case, being stepped on regularly. But upon looking it up, I see that while cork may feel like a stiff sponge, it does not behave like one thanks to hydrophobic fat in the cells. So yet another clever design by Wright.

  • @cerracarmine
    @cerracarmine Před 4 dny

    Beautiful

  • @Sasha0927
    @Sasha0927 Před 4 dny

    Crystal Bridges! ❤ Goodness, this house is beautiful... I remember clerestories from various cathedrals. I love the openness of the living room and the gloss on those tiles. Also a fan of "Usonia," radiant heating, and the way the glass walls allow nature in. Gorgeous! The hanging staircase and stream situation brought tears to my eyes! 🤯 I've gotta get back to Crystal Bridges and see this place.

  • @griedelamont
    @griedelamont Před 4 dny

    i think duccio has never seen a baby

  • @hanialadham4336
    @hanialadham4336 Před 4 dny

    Thank you for the presentation. I am curious whether Dürer is depicted standing or sitting in this pose, as I am attempting to recreate the painting in 3D for a VR museum. Could you inform me if he was standing or sitting in this self-portrait?

    • @smarthistoryvideos
      @smarthistoryvideos Před 4 dny

      How does VR successfully deal with ambiguity? This painting is a response to its media-which is limited by its frame. Painting and VR are different, and VR often neglects the qualities that make painting unique and beautiful, focusing too much on painting's memetic aspects.

    • @hanialadham4336
      @hanialadham4336 Před 4 dny

      @@smarthistoryvideos This project isn't about replicating the artist's paintings or style. Instead, it's designed to acquaint people with the tools and techniques the artist employed in the past. For instance, the room will feature one of his printmaking machines, which will be animated to demonstrate how the process worked back then. :)

    • @smarthistoryvideos
      @smarthistoryvideos Před 4 dny

      That's good to hear. To answer your question more directly, I suppose I have always assumed he was seated though there is, as noted, enough ambiguity to make standing perfectly reasonable. Given the gravitas he seems to want to convey, standing might be the stronger of the two options, though honestly, I like the third option, that given the composition, he need not be definitively seated or standing.

    • @hanialadham4336
      @hanialadham4336 Před 4 dny

      ​@@smarthistoryvideos Oh, that certainly answered my question! Thank you for the comprehensive explanation; your insights have been vital, and I have included them in my research notes. Best!

  • @michaelhealy1590
    @michaelhealy1590 Před 5 dny

    Pure genius. But also Pure beauty and practically. We are lucky to have his creations still around.

  • @josephpowers1945
    @josephpowers1945 Před 5 dny

    Two bedrooms?

    • @smarthistoryvideos
      @smarthistoryvideos Před 5 dny

      Two upstairs, and a small study/guest room behind the kitchen (workspace) downstairs.

  • @rustyw5842
    @rustyw5842 Před 5 dny

    The contortions of the 'slaves' is the antithesis of the serene posture of Michelangelo's David. I would never have associated these sculptures with the Lacoon if Smarthistory had not put the two photos in juxtaposition.

  • @behrensf84
    @behrensf84 Před 5 dny

    Nice but, you don’t see any of that on the exhibition. The book in inside a glass case and only Open on a single page. Would have been nice if there was a replica we could flip through…

    • @smarthistoryvideos
      @smarthistoryvideos Před 5 dny

      There is, online. If you visit our website, Smarthistory.org and look at the Book of Kells page there is a link to the entire manuscript at Trinity College.

  • @DIGITAL7Media
    @DIGITAL7Media Před 5 dny

    I go to the Getty often. There’s many paintings that just stick out to me. Thank you for sharing the story behind this one.

  • @Sasha0927
    @Sasha0927 Před 5 dny

    Wow, what a cinematic, storyteller intro! If you two ever wanna work in VO, there's a place for you both! 🤣❤ I'm surprisingly empathetic to the plight of this fisherman. I know what it's like to have that "successful, contingent on.." day mingled with the coldness / isolation of his plight. It's amazing what you can relate to. No fish, ships, or fog here, but I felt this. I loved hearing you guys describe this. It so added to the drama of this otherwise lovely scene. The painting around 3:46 was unbelievable... The mountains, lake reflecting them, and trees were incredible. Blown away. Who could be so talented?! lol. Really hoping my fisherman friend made it home safely.

    • @smarthistoryvideos
      @smarthistoryvideos Před 5 dny

      Love that painting.

    • @Sasha0927
      @Sasha0927 Před 5 dny

      @@smarthistoryvideos It was truly stunning, and I've A LOT of beautiful pieces on here. Nice to know you guys can still surprise me. 🥰❤️

  • @snowballeffect7812
    @snowballeffect7812 Před 5 dny

    I hate the front entrance, but I suppose there must be another one to get larger objects and furnishings into the space. the rest of the house is beautiful. The intentional glass-on-glass is something I would normally instinctually avoid in my own virtual construction in games, but I think i'll try it out on my next opportunity!

  • @ej_buendia
    @ej_buendia Před 5 dny

    Great tour and commentary as always. FLW was influential when I was still in school and now as an architect. The gestures his building creates are so inspiring. PS. The intro and outro music of your videos are so lovely. Please keep them forever :D

  • @LJ7000
    @LJ7000 Před 5 dny

    The window walls with narrow corridor seem Japanese inspired

  • @mariocroatia9321
    @mariocroatia9321 Před 5 dny

    Rustem Paşa Opuković.Hirvat Paşa 🇭🇷🇭🇷🇭🇷

  • @johndgowrie1376
    @johndgowrie1376 Před 5 dny

    It’s about time it was returned to Scotland where it belongs

  • @moroccanrobin
    @moroccanrobin Před 6 dny

    Beautiful!

  • @marqbarq5977
    @marqbarq5977 Před 6 dny

    I’ve had the honor to visit 5 Wright homes. Thank you for showing us this one. Even his “affordable” homes were spectacular, with all those built ins.

  • @sherryzimmerman9220

    ABSOLUTELY STUNNING in its location move….open air yet privacy primarily draws You in…..every glass view does its visual job by creating artwork of its own in the scenery of nature all seasons of the year….built-ins set up little need for extraneous furniture pieces adding to clutter………

  • @0x_hackerfren
    @0x_hackerfren Před 6 dny

    This is very cool to see. thank you for sharing. the architecture video's are always some of my favorite.

  • @EriksPlace
    @EriksPlace Před 6 dny

    Great video, as always. My dad introduced Wright's work to me at a young age (might have been a coffee table book we had around) and I've been mesmerized by his designs ever since. Someday could we get a behind the scenes look at how you folks go on-site and make these videos?

  • @rachaelgoldman5846
    @rachaelgoldman5846 Před 6 dny

    At last! This is a real treat to see. The move from New Jersey is a story in itself. And to be able to see the house from inside out shows the complexity of FLW's work.

  • @Sasha0927
    @Sasha0927 Před 6 dny

    My immediate impression of this thumbnail was: "This feels like my life today. Reaping, reaping, and more reaping while hoping to sow." Couldn't pass it up. 🥹 I love the backstory to this one, too. The humble devotion of some believers is so touching to me. I've gotta remember to pause for prayers too. Millet has also fed my appetite - I'm definitely keeping him in mind from now on.

  • @dodgygoose3054
    @dodgygoose3054 Před 6 dny

    Incredible painting

  • @user-py7wp6nw9h
    @user-py7wp6nw9h Před 7 dny

    as always you guys are fantastic

  • @user-py7wp6nw9h
    @user-py7wp6nw9h Před 7 dny

    i love this painting and every time I go to Paris I make it a trip to see it