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Wei Music
Registrace 12. 10. 2014
Video
Ezio's Family Logic Mockup
zhlédnutí 338Před rokem
Not an exact replica of the original. I made some changes.
Wedding Day at Troldhaugen
zhlédnutí 2,3KPřed 3 lety
University of Michigan Wedding Day at Troldhaugen Op.65 No.6 - Edvard Grieg arr. Vigh Originally called "Gratulanterne kommer" ("The well-wishers are coming"), it was written in 1896 as a memorial of the 25th wedding anniversary of Grieg and his wife Nina. The anniversary celebration had been held in the Fossli Hotel near the Vøringsfossen waterfall in June 1896. Grieg and his wife celebrated t...
Maï
zhlédnutí 3KPřed 3 lety
University of Michigan Maï by Ryō Noda Oscar Wei, alto saxophone Britton Recital Hall University of Michigan Ann Arbor, MI Ryo Noda (b.1948) is a Japanese composer whose compositions are known for their effective melding of Japanese and Western art forms. As a young composer he studied with Arata Sakaguchi at the Osaka College of Music and was later mentored by prominent saxophonists such as Fr...
Bach Italian Concerto mvt. 1
zhlédnutí 661Před 3 lety
University of Michigan BWV 971 - Italienisches Konzart (Italian Concerto) Johann Sebastian Bach (1685-1750) arr. by Dannel Javier Espinoza (b. 1983) Cerus Quartet Oscar Wei, soprano saxophone Laura Ramsay, alto saxophone Kyle Kato, tenor saxophone Sam Dishon, baritone saxophone Coached by Dr. Tim McAllister Performed Live on the Chamber Music Recital Series April 6, 2021 Stamps Auditorium Unive...
Waignein Rhapsody Movement 2
zhlédnutí 398Před 3 lety
Recorded Nov. 2019. High school senior live performance
Fantaisie - Denis Bédard
zhlédnutí 19KPřed 3 lety
Denis Bédard: Fantaisie Pour Saxophone Soprano Ou Tenor Et Piano Saxophone - Oscar Wei Piano - Dr. Liz Ames Setup - Yamaha EXHGGP, Selmer Concept Mouthpiece, and Legere Signature 3.5
Counterpunch
zhlédnutí 986Před 3 lety
University of Michigan Counterpunch · Gregory Wanamaker (1968) Oscar Wei, soprano saxophone Laura Ramsay, alto saxophone Haruka Taguchi, alto saxophone Kyle Kato, tenor saxophone Joshua Balogh, tenor saxophone Sam Dishon, baritone saxophone November 11, 2020 Stamps Auditorium University of Michigan Ann Arbor, MI
Creston Sonata - II
zhlédnutí 477Před 4 lety
Saxophone - Oscar Wei Piano - Xiao Wang Recorded Live 11/27/2019 Contact info: weimusics@gmail.com
Creston Sonata - I
zhlédnutí 2,8KPřed 4 lety
Saxophone - Oscar Wei Piano - Xiao Wang High School Senior Live Performance 11/27/2019
Duende - Luis Serrano Alarcón
zhlédnutí 1,7KPřed 4 lety
Baylor University 06/22/19 Baylor Camp Wind Ensemble directed by Dr. Eric Wilson Soloists: Flute - Sebastian Penso Oboe - Kai O'Donnell Clarinet - Jeffrey Liang Bass Clarinet - Ian Sartor Bassoon - Jonathan Asplund Sop./Alto Saxophone - Oscar Wei Trumpet - Mario Mojica Piano - Rebekah Feaster Harp - Sarah Ladd
Scaramouche
zhlédnutí 350KPřed 7 lety
Performed by Jean Maire Londeix Scaramouche, op.165b is a suite in three movements written by the French composer Darius Milhaud . Under the same opus number exists in two different versions written around the same time: for two pianos (op.165b) and for saxophone and orchestra (op.165c, 1939 ), although the best known is the one for two pianos.
Concertino Da Camera Movement I, Jacques Ibert
zhlédnutí 146KPřed 7 lety
*Educational Purposes Only* Score from IMSLP. Movement I: Allegro con moto Performed by Arno Bornkamp Background Information: Concertino da Camera pour Saxophone Alto et Onze Instruments ("Short concerto for alto saxophone and eleven instruments") was written by Jacques Ibert during the year 1935. Ibert dedicated the work to his friend, saxophonist Sigurd Rascher,[1] who premiered the first mov...
Fantasia for Alto Saxophone - Claude T. Smith
zhlédnutí 376KPřed 8 lety
Fantasia for Alto Saxophone - Claude T. Smith
❤The most wonderful thing I hear while washing dishes.
The third movement is exaggeratedly fast. I don't know if it really captures the rhythm of samba and MPB, which the composer wanted
It’s not even perfect
Then you try it if you’re so picky you wetwipe.
👏👏amazing. I wonder if this is harder on clarinet or sax🤔nice job hitting that high B easily
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incredible!
Wow… amazing!!!
What did you use for the guitar?
@2:43
โหดจัง
this song makes me feel in love
Y’know as a saxophone player I don’t think this would be that bad, except for the fact that 5:02 is literally just impossible for me at current skill level.
I feel like that’s not even something practice. I’d need to sell my soul to the devil to do that
@@SaxandRelax Ay good news! After 7 months I can finally do it! Every note from G to D I can hit basically every time just like normal notes. The E is gonna take some more work. Funnily enough I usually have most trouble with Altissimo G though.
@@Cashimatbro altissimo G is like impossible for no reason, G# is fine, G I always leak
Amen
Reminds me of 2022 permian
The rich tone of the alto is exceptionally agreeable to me. All of the players are wonderful, and they play this piece beautifully.
Im a freshmen in highschool and I've gotta play this piece wish me luck
same brutha, idk if youve played it yet but goodluck
1:14
.....Poulenc ?
Very similar
@@WeiMusicProductions ...SO similar, it seems he just copied Poulenc's musical ideas....
Thank you for this one
Sandbox toys tots in dreamland building sky shapes
Well that was a spectacular performance of a demanding piece. Some here are indicating there were mistakes, presumably because we had the solo part on screen. Nonetheless the virtuosic playing and execution of rapid large interval jumps and altissimo control was just amazing. However..... it begs the question, why? There was in this piece very little musicality. Instead we have many passages of perfunctory progression. Difficult to execute but musically meaningless. And I'm sorry to say while the player's tone I quite like, the indiscriminate use of a constant fast vibrato to me robs his sound of musical emotion. It sounds like every note is simply turned on. I regret to have come to the conclusion that this classical sax sound seems to have become a fixed idea without anyone questioning if it is any good. Any other wind instrument would not be played like that. Some Eastern European young players, (there are some videos here of the Polish Conservatoire) to my ears have a much better conception of the sound of classical saxophone.
Well its your opinion that doesn't agree, factually it seems you do agree. It seems your answer to my 'Why?' is 'To show off'. I don't think that is a valid reason for artistic expression. Therefore as I said, while I admire the virtuosity I cannot take the artistic aspect of this seriously. Yes, Mule sounds horrible. And has left a legacy of horrible playing that no one seems to question. (He also would not accept altissimo playing). Music is nothing, if it is merely technical. Of course Ibert would say that, and Rascher would endorse it. They'd look silly if they had said otherwise. But its not about 'a bunch of altissimo'. Its about how it is used, what purpose (apart from showing off) does it serve. Concertos may have historically been used for that purpose, but it is not their sole purpose. Technical virtuosity is only meaningful when combined with artistic expression. Artistic expression might be defined as communicating with the audience on an emotional level. It seems to me that a lot of classical saxophone playing seems devoid of this.@@Cashimat
There are various different schools of sound within the classical saxophone canon. Otis Murphy does tend to have a very fast vibrato. It’s just how he plays, I don’t think it takes away from his skill or musicality. I do agree that there was much less musicality in this piece than most classical repertoire, but I don’t think that was the point. I get the whole questioning the purpose of music if it’s just for technicality’s sake, but I think the entire piece was written to show off the technical ability of the saxophone. While it may not be the most noble reason, it’s a reason nonetheless. Kenneth Tse has a very good recording of this piece if you want another.
Even the Greatest saxophone player would have tremendous difficulty attempting to play this piece.
5:43 best altissimo I heard in a Classical Piece.
This brings back great memories playing this piece on tour with Dale as soloist when I was in the Texas Tech Symphonic Band in the late 80s, under the direction of Jim Sudduth. I played bari sax my freshman year and transitioned to tenor my sophomore and junior year. We were in awe of Dale of course back then and still am today. 😊
I'm really good at playing measures 1-9!
ong 😭
1:28 is weezer
still one of the most ridiculous pieces of sax literature i have ever heard in my whole existence. Otis Murphy is the man
I didn’t realize how much I sucked until i heard this 😮. no where near this level .
what program did you use in this video?
Logic Pro X with a mix of high-quality sound libraries and live recording.
0:48
8:02
Wonderful showpiece performed masterfully. No need to compare musicians-it’s not sports, it’s music.
6:42 7:10
I wont to accompaniment Musical score.I love Fantaisie . この曲のスコアが欲しい！ ピアノ伴奏が気になる…
8:18 is everything
I'm playing this for NYSSMA solo fest, and I'm having so much trouble with the altissimo range. I'm currently using a 3.5 vandoren reed, can anyone give me advice on how to hit those notes??
@imender9219 That sounds sweet actually going to try that today
I. Vif: 0:00 II. Modéré: 2:59 III. Brazileira: 6:42
measure 12 can be a bebop lick
okay, my guess is that the creator forgot to include these tags, so let me do them a favor: 6th of the fatui harbingers | balladeer | kabuikimono | kunikuzushi | scaramouche | the wanderer if you weren't aware of it, this was very much a joke.
THAT 8VA SECTION!!! WHATTT!?!?!?!?!? THATS INSANE!!!
This is absolutely fantastic
Bro I have been practicing this piece for like, a year, and I still cannot get taht altissimo E out dude. I have D really stable but E is just hit or miss
What fingering do u use
Wonderful music! So refreshingly harmonious. Bravo!
Hard to play Good luck
This is a certified hood classic
fr
Certified Also the reason I was a band nerd and learned altissimo in middle school. Now ima be a band director
5:01
1:32
This song is great! Where can I get the musical score?
This dude karaka gotta play this 🤦♂️
A brilliant piece. I could not imagine sight reading this.🙂