Giacomo Meyerbeer Sohn
Giacomo Meyerbeer Sohn
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G.MEYERBEER: L'africaine (Liceu, 1977)
TV excerpts, missed a part of act 2 and the whole act 3.
SÉLIKA Montserrat Caballé
VASCO DE GAMA Plácido Domingo
INÈS Christine Weidinger
NÉLUSKO Guillermo Sarabia
DON PÉDRO Dimiter Petkov
DON DIÉGO Joan Pons
DON ALVAR Pedro Gilabert
GRAN SACERDOT DE BRAHMA Joan Tomàs
ANNA Míriam Ucelay
GRAN INQUISIDOR Eduard Soto
SACERDOT Antoni Bernal
MARINER Antoni Bernal
PORTER Manuel Soro
Cor i Orquesta del Gran Teatre del Liceu
Dir: António de Almeida
Barcelona, 1977
𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧
I own no copyright. Only for educational and cultural purposes. If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
zhlédnutí: 830

Video

CH.W.GLUCK: Iphigénie en Tauride (Lisboa, 1961)
zhlédnutí 158Před 21 dnem
Sung in German (Richard Strauss version) Iphigenie - Montserrat Caballé Oreste - Raymond Wolansky Pylade - Jean Cox Thoas - Paul Schöffler Orquestra e Coro do Teatro San Carlos de Lisboa Antonio de Almeida Lisboa, Teatro San Carlos, 03 February 1961. 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purposes. If you think this video is affecting your property rights, please tell m...
G.SPONTINI: La Vestale (Brussels, 2015)
zhlédnutí 245Před měsícem
Julia : Alexandra Deshorties Licinius : Yann Beuron Cinna : Julien Dran Le Grand Pontife : Jean Teitgen La Grande Vestale : Sylvie Brunet-Grupposo Choeur et Académie de Choeur de la Monnaie Orchestre symphonique de la Monnaie Conductor : Alessandro De Marchi Brussels, Cirque Royal (22/10/2015) 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purposes. If you think this video is a...
CH.W.GLUCK: Armide (Liceu, 1986)
zhlédnutí 166Před měsícem
Armide Monsterrat Caballé Renaud Peter Lindros Sidonie Maria José Gallego Phenice Claudia Edler Hidraot Enrique Baquierizio Aronte Vincente Esteve Artémidore Rafael Lledo Cor i Orquestra del Gran Teatre del Liceu Dir.: Manfred Ramin Barcelona, XII/1986 Photo: Caballé and Jaume Tribó (Liceu's prompter) after this performance. 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purpos...
10 Tenors in "Unis des la plus tendre enfance" by GLUCK
zhlédnutí 100Před měsícem
Ch. W. GLUCK: Iphigénie en Tauride (1779) "Unis des la plus tendre enfance" (Pylade) 1.- Georges Thill (STU, 1932) 2.- Léopold Simoneau (Aix-en-Provence, 1952) 3.- Nicolai Gedda (STU, 1961) 4.- Guy Chauvet (STU, 1961) 5.- Franco Bonisolli (STU, 1983) 6.- Gösta Winbergh (Teatro allà Scala, 1992) 7.- Roberto Alagna (Théâtre des Champs-Élysées, 1995) 8.- Vinson Cole (STU, 1999) 9.- Yann Beuron (Op...
G. ROSSINI: La Cenerentola (Liceu, 1980)
zhlédnutí 325Před 2 měsíci
ANGELINA Juanita Porras (Una perla nera) DON RAMIRO Eduard Giménez DANDINI Alberto Rinaldi DON MAGNIFICO Alfredo Mariotti CLORINDA María Antonia Martín Regueiro TISBE Rosa Maria Ysàs ALIDORO José Luis Barrera Cor i Orquesta del Gran Teatre del Liceu Dir: Daniel Lipton Barcelona, 11/01/1980 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purposes. If you think this video is affec...
12 Tenors in Meyerbeer's L'Africaine/Vasco de Gama
zhlédnutí 182Před 2 měsíci
Act 1 stretta "D'impie et de rebelle, en vain je suis traité" 1.- Jess Thomas (Munich, 1962) in German 2.- Tony Poncet (Studio, 1964) 3.- Richard Tucker (New York, 1972) in Italian 4.- Veriano Luchetti (Firenze, 1971) in Italian 5.- Plácido Domingo (San Francisco, 1973) 6.- Giorgio Lamberti (Studio, 1977) 7.- Franco Bonisolli (London, 1981) 8.- Marcello Giordani (New York, 2011) 9.- Bernhard Be...
J.F.HALÉVY: La Juive (Antwerp, 2019)
zhlédnutí 103Před 2 měsíci
"Il va venir" Rachel: Corinne Winters Conductor: Antonio Fogliani 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purposes. If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
CH.W.GLUCK: Iphigénie en Aulide (Aria)
zhlédnutí 100Před 2 měsíci
"Adieu, conservez dans votre âme" Iphigénie: Judith van Wanroij Le Concert de la Loge Direction musicale: Julien Chauvin Théâtre des Champs-Elysées, Paris. 7/10/2022 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purposes. If you think this video is affecting your property rights, please tell me and I will remove it from the web. Thank you.
G.F.HÄNDEL: Semele (Paris, 2004)
zhlédnutí 682Před 4 měsíci
Semele, fille de Cadmus : Annick MASSIS, soprano Jupiter : Richard CROFT , ténor Juno : Sarah CONNOLLY, alto Iris : Claron Mc FADDEN, soprano Cadmus , Roi de Thèbes : David PITTSINGER , basse Somnus , Dieu du Sommeil : David PITTSINGER , basse Apollo : Andrew TORTISE , ténor Athamas, Prince de Béotie, Stephen WALLACE, contre-ténor Ino, soeur de Semele : Charlotte HELLEKANT, mezzo-soprano Cupido...
G.MEYERBEER: Il crociato in Egitto (Montpellier, 1990)
zhlédnutí 284Před 4 měsíci
Rockwell Blake - Adriano Martine Dupuy - Armando Denia Mazzola - Palmide Michele Pertusi - Aladino Caterina Calvi - Felicia Jean Loupien - Osmino Orchestre Philharmonique de Montpellier Orchestre de la Garde Républicaine Choeur de Radio France Massimo de Bernart, direction Montpellier, Jeudi 19 juillet 1990 The originals sources had some cuts. I resolved it mixing two different files. 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧...
S. MERCADANTE: Orazi e Curiazi (London, 1975)
zhlédnutí 313Před 4 měsíci
Camilla: Janet Price Curiazo: Richard Greager Orazio: Christian du Plessis Sabina: Lynn Channing Vecchio Orazio: Malcolm King Oracle: Malcolm King Gran Sacerdote: Bonaventura Bottone Orazio's brothers: Garrick Jones, Martin mcEvoy Sinfonietta Chorus & Bournemouth Sinfonietta Cond: Kenneth Montgomery Queen Elizabeth Hall, London 27 April 1975 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational an...
S.MERCADANTE: Il Giuramento (Paris, 1975)
zhlédnutí 136Před 4 měsíci
Elaisa - Teresa Zylis-Gara Viscardo - Michele Molese Bianca - Benedetta Pecchioli Manfredo - Lajos Miller Brunoro - Bernard Plantey Isaura - Claudy Tremblay Choeur de Radio France Orchestre Lyrique de Radio France Conductor: Maurizio Arena 1975 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purposes. If you think this video is affecting your property rights, please tell me and ...
S.MERCADANTE: Virginia (Belfast, 1976)
zhlédnutí 236Před 5 měsíci
Virginia Janet Price Virginio Christian Du Plessis Appio Bonaventura Bottone Icilio Maurise Arthur Marco John Tomi Linson Tullia Hilary Western Valerio Alan Woodrow Chorus of the Northern Ireland Opera Trust Ulster Orchestra Dir: James Judd Queen's University Festival Whitla Hall, 27-11-1976 𝗜𝗠𝗣𝗢𝗥𝗧𝗔𝗡𝗧 I own no copyright. Only for educational and cultural purposes. If you think this video is aff...
G.VERDI: Un ballo in maschera (Liceu, 2000)
zhlédnutí 713Před 5 měsíci
Gustavo III. Walter Fraccaro Renato Anckarström. Lado Ataneli Amelia. Ana María Sánchez Ulrica Arvedson. Elisabetta Fiorillo Oscar. Ofelia Sala Cristiano. David Rubiera Conte Ribbing. Simón Orfila Conte Horn. Celestino Varela Giudice. Alfredo Heilbron Servo. Vicenç Esteve Madrid Orquestra Simfònica i Cor del Gran Teatre del Liceu Dir. Coro. William Spaulding Dir. Orq. Bertrand de Billy Dir. Esc...
G.ROSSINI: La gazza ladra (Liceu, 1993)
zhlédnutí 240Před 5 měsíci
G.ROSSINI: La gazza ladra (Liceu, 1993)
G.MEYERBEER: Il Crociato in Egitto (3 versions)
zhlédnutí 210Před 5 měsíci
G.MEYERBEER: Il Crociato in Egitto (3 versions)
D.F.E.AUBER: Gustave III, ou le Bal masqué (Galop)
zhlédnutí 143Před 5 měsíci
D.F.E.AUBER: Gustave III, ou le Bal masqué (Galop)
Els altres Ballo in maschera (Liceu, 2000)
zhlédnutí 123Před 5 měsíci
Els altres Ballo in maschera (Liceu, 2000)
Franco Fagioli in Meyerbeer's "Il Crociato in Egitto" (1824)
zhlédnutí 399Před 5 měsíci
Franco Fagioli in Meyerbeer's "Il Crociato in Egitto" (1824)
VERDI, AUBER & MERCADANTE: Un ballo in maschera (Overture)
zhlédnutí 98Před 5 měsíci
VERDI, AUBER & MERCADANTE: Un ballo in maschera (Overture)
G.ROSSINI: Semiramide (Liceu, 2005)
zhlédnutí 424Před 5 měsíci
G.ROSSINI: Semiramide (Liceu, 2005)
G. VERDI: Rigoletto (Liceu, 1967)
zhlédnutí 205Před 5 měsíci
G. VERDI: Rigoletto (Liceu, 1967)
S.MERCADANTE: Il Giuramento (Washington, 2009)
zhlédnutí 262Před 6 měsíci
S.MERCADANTE: Il Giuramento (Washington, 2009)
S.MERCADANTE: Il Giuramento (Dortmund, 2023)
zhlédnutí 407Před 6 měsíci
S.MERCADANTE: Il Giuramento (Dortmund, 2023)
S.MERCADANTE: Il giuramento (Romanza & Stretta della Introduzione)
zhlédnutí 79Před 6 měsíci
S.MERCADANTE: Il giuramento (Romanza & Stretta della Introduzione)
R. ROSSELLINI: Il vortice (Milano, 1959)
zhlédnutí 171Před 6 měsíci
R. ROSSELLINI: Il vortice (Milano, 1959)
S. MERCADANTE: Amleto (1822)
zhlédnutí 362Před 6 měsíci
S. MERCADANTE: Amleto (1822)
G.BIZET: Carmen (Liceu, 1964)
zhlédnutí 171Před 6 měsíci
G.BIZET: Carmen (Liceu, 1964)
J.MASSENET: Manon (Liceu, 1967)
zhlédnutí 243Před 6 měsíci
J.MASSENET: Manon (Liceu, 1967)

Komentáře

  • @FCOLAXCDG
    @FCOLAXCDG Před 35 minutami

    ❤🇱🇨!!!

  • @FCOLAXCDG
    @FCOLAXCDG Před 37 minutami

    ❤🇱🇨!!!

  • @kraus3591
    @kraus3591 Před 17 hodinami

    Aunque no esté completa una absoluta joya . Y fue la última ópera qué cantaron juntos Caballe y Domingo . Una verdadera lástima .

  • @jimteff6114
    @jimteff6114 Před dnem

    No subtitles

  • @petercallahan7321
    @petercallahan7321 Před 5 dny

    So much better in French! This is what the composer actually wrote

  • @isabellevanel7887
    @isabellevanel7887 Před 6 dny

    Où est passé l'acte 3 ?

  • @mirjamdevries9376
    @mirjamdevries9376 Před 7 dny

    Una bellissima esecuzione, ma è un vero peccato che ci siano molti tagli, anche nel tragico finale. Devo ammettere che Domingo da giovane era bravo. Ha eseguito l'aria "Oh paradis" con Si bemolle sovracuto, se non sbaglio, in maniera davvero stupefacente.👏👏👏😢💔

  • @hansrichardnohrer2834

    Ein sehr gutes Video gut Orchester Dirigent Sänger Chor

  • @n.barendregt2112
    @n.barendregt2112 Před 11 dny

    What a pity that it isn't complete!!!

  • @Matt-cm8hh
    @Matt-cm8hh Před 11 dny

    Wow such great quality sound and video! Amazing upload! Viva Domingo!

  • @brendafu5574
    @brendafu5574 Před 11 dny

    Best opera costume ever.

  • @pablocarrascosamiguel7680

    Parece ser que en estas funciones llegaron a su cima las desavenencias entre Caballé y Domingo, que habían empezado en I vespri siciliani...

  • @cualalumpur2
    @cualalumpur2 Před 12 dny

    No cantes mas la Africana, vente conmigo a Aragón, que allí la jota que es gloria, nos cantaremos los dos!!!

  • @juliogonzalezcampayo3201

    Muchas gracias. Con 2 horas de duración sospecho que hay cortes, pero...

    • @giacomomeyerbeersohn
      @giacomomeyerbeersohn Před 12 dny

      A parte de los cortes de la propia representación, desgraciadamente TVE no grabó todo o se perdió. Falta una parte del acto segundo y todo el tercero :( Aquí la grabación "completa" de la radio: czcams.com/video/tPA72e-LO8w/video.html

    • @juliogonzalezcampayo3201
      @juliogonzalezcampayo3201 Před 12 dny

      @@giacomomeyerbeersohn Muchas gracias de nuevo.

  • @treesny
    @treesny Před 13 dny

    Not sure if anyone else has already posted about this but the familiar "Italian version" of this opera is a combination of the original music by Luigi Cherubini (1760-1842) and recitatives composed much later by Ferdinand Lachner (1856-1910). Moreover, I believe Lachner composed his linking recitatives to a German text, hence some peculiar emphases in the Italian translation. While performances of the original French version with its extensive spoken dialogue will for many reasons always be a rarity, it's good for once to be able to appreciate Cherubini's score without the Romantic accretions.

    • @petercallahan7321
      @petercallahan7321 Před 5 dny

      It’s not just a combo, parts are-orchestrated, cut, and in some cases translated incorrectly. Whoever did the Italian version basically just freely adapts the text. It’s so much better in its original form.

    • @treesny
      @treesny Před 5 dny

      @@petercallahan7321 Thanks for the detailed commentary! I don't think it's just bias on my part -- French is my "second" language -- that makes me prefer the original. (I feel the same about Verdi's Don Carlos, both versions of which he set very carefully to a French libretto, though the revised 4-act version had its premiere in Italian translation.)

  • @bsb3339
    @bsb3339 Před 13 dny

    Is it just me or does Treigl also sometimes remind you of Pinza? Amazing Singer, too little known by far!

  • @Angelo-eh3mh
    @Angelo-eh3mh Před 15 dny

    Sempre con te !❤

  • @giovic9802
    @giovic9802 Před 16 dny

    1:37:58

  • @EduardoCifuentesayucar-mh6rf

    Montserrat. Ermonella. Sondra. Mariella. Anna.

  • @kaysmulczynski8025
    @kaysmulczynski8025 Před 17 dny

  • @maitestorchi2497
    @maitestorchi2497 Před 21 dnem

    Bon sang, c'est magnifique !

  • @markushuber5336
    @markushuber5336 Před 24 dny

    Eine meiner Aller-Zeiten-Favoriten-Opern, Danke!

  • @ahogbin2644
    @ahogbin2644 Před 28 dny

    Thanks so much for posting. I attended one of these performances. Bumbry was superbly imperious and Bonisolli a fine Vasco.

  • @eugenecusack6356
    @eugenecusack6356 Před 29 dny

    Could you please give us Wagner Das Liebesverbot BBC Northern Symphony Orchestra Edward Downes conductor. A truly outstanding performance. Thank you.

  • @meisterwue
    @meisterwue Před měsícem

    ❤❤❤❤❤❤❤

  • @simonkawasaki4229
    @simonkawasaki4229 Před měsícem

    Thank you very much for this. How disappointed I was by the Met's presentation of Don Carlos... it was literally just the Modena version with French text, there was nothing artistically enlightening about the project except to say "Look! They're singing in French!" Very little original music. No L'hiver est lang, no ballet... disappointment.

  • @lucszai
    @lucszai Před měsícem

    Wonderful performance! With the return of Le Prophete (aix) and Vestale (Paris), I really hope for a great revival of Grand Opera.. Meyerbeer, Auber, Halevy, Spontini, Sadly Meyerbeer was forgotten, as May 2nd "celebrates" his 160 years of death :/. Not even a gala concert. Not even the 200 years of Crociato. Hope next year we have a 160 years of Africaine somewhere. 🙏

    • @giacomomeyerbeersohn
      @giacomomeyerbeersohn Před měsícem

      No, sadly l'Africaine is not scheduled in anywhere. I'm really sadly about il Crociato. Fagioli would be ideal for Armando.

    • @lucszai
      @lucszai Před měsícem

      @@giacomomeyerbeersohn Pity... I'm still hoping for Oropesa singing Isabelle in a staged Robert someday, though. She sang her cavatina recently in some venues such as Scala.

  • @estevanfringuello1756
    @estevanfringuello1756 Před měsícem

    Merci pour ce document, quelques semaines avant les représentations qui en seront données à Paris !

  • @synthifou5815
    @synthifou5815 Před měsícem

    ACTE I 1. Ouverture et Introduction A. Ouverture 00:00 B. Chœur 05:00 C. Morceau d'ensemble 07:43 et Entrée de Raoul 10:22 D. Orgie 12:37 2. Scène 15:50 et Romance 17:26 / 19:41 3. Récitatif 26:02 et Choral 28:11 4. Scène 30:08 et Chanson huguenote 31:37 5. Morceau d'ensemble 37:27 6. Final A. Chœur 43:34 B. Cavatine du page 45:02 C. Suite du final 48:36 D. Stretta 52:12 ACTE II 7. Entracte 55:38 et Air 58:07 8. Chœur des baigneuses 1:11:45 Rondeau du page 1:17:20 9. Scène du bandeau 1:22:45 10. Duo 1:25:52 11. Récitatif 1:35:40 et Entrée de la cour 1:36:59 12. Final A. Serment 1:39:59 B. Scène 1:43:43 C. Stretta 1:44:35 ACTE III 13. Entracte et Chœur 1:49:09 14. A. Complets militaires des soldats huguenots 1:50:41 B. Litanies 1:53:15 C. Morceau d'ensemble 1:55:01 15. Ronde bohémienne 1:56:03 16. Danse bohémienne 1:57:15 17. Couvre-feu 2:06:26 Choral de Marcel 2:09:18 18. Scène 2:14:59 et Duo 2:17:27 19. Septuor du duel 2:31:41 20. Chœur de la dispute 2:38:19 21. Final 2:43:01 Le cortège de noce 2:55:10 ACTE IV 22. Entracte et Récitatif 2:59:55 Romance et Scène 3:01:40 23. Conjuration 3:08:46 et Bénédiction des poignards 3:19:20 24. Grand duo 3:26:03 Strette 3:37:43 ACTE V 25. Entracte et Ballet 3:42:56 26. Récitatif 3:45:26 et Air 3:46:05 27. Scène 3:50:25 et Grand trio A. Interrogatoire 3:58:52 B. Chœur des meurtriers 4:02:57 C. Vision 4:04:01 28. Scène finale 4:07:53

  • @nicolasgelormini860
    @nicolasgelormini860 Před měsícem

    Muy buen video

  • @RWBHere
    @RWBHere Před měsícem

    Une production vraiment délicieuse, même avec une vidéo de mauvaise qualité. nous avons vraiment aimé regarder et écouter cela. Merci de l'avoir partagé avec nous, @Giacomo Meyerbeer Sohn 🙂

  • @josepgarciadevant6355
    @josepgarciadevant6355 Před měsícem

    Això es un d'aquells moments que es recorden per tota la vida. No cal afegir res més, nomes cal escoltar. Quant re-escolto aquests fragments comprenc perquè ara tot em sembla descafeïnat.

  • @vibersinthestreet
    @vibersinthestreet Před měsícem

    J’addore

  • @medeajason1612
    @medeajason1612 Před měsícem

    What happened to the complete performance with Richard Tucker and Rita Shane?

  • @matthiasgebhard3135
    @matthiasgebhard3135 Před 2 měsíci

    Sehr schön

  • @hodgrix
    @hodgrix Před 2 měsíci

    Started watching at Medee's entrance and was blown away at the quality of acting from opera singer.. then i realized the double cast.. the actress playing Medee truly is stunning though.. wow

  • @alanhowe1455
    @alanhowe1455 Před 2 měsíci

    The whole performance is to be released commercially on the LSO Live label on 28th June 2024.

  • @ransomcoates546
    @ransomcoates546 Před 2 měsíci

    It sounds like Laurence Kilsby, a very promising singer - Ian Bostridge, in vocal type, but with a beautiful voice.

  • @Jorgereflexivo
    @Jorgereflexivo Před 2 měsíci

    23:06 Le Walhalla + Metro Goldwyn Meyer? hehehehee.

  • @stephanemorisse9610
    @stephanemorisse9610 Před 2 měsíci

    Mon coeur va en priorité à Lamberti Berchthold Alagna et Spyres 😍 merci beaucoup pour cette compilation !

  • @cardinalbrownie1644
    @cardinalbrownie1644 Před 2 měsíci

    La mélodie du ténor est très bizarre, on dirait que Meyerbeer a dû la reprendre et la peaufiner laborieusement... Les développements de la version complète sont excellents. Du pur Meyerbeer. Ça n'en finit pas, ça module dans tous les sens, c'est excitant en diable, merci !

  • @estevanfringuello1756
    @estevanfringuello1756 Před 2 měsíci

    Quelle belle compilation, je ne savais pas que Michael Spyres avait chanté ce rôle ! Il existe un live (en assez mauvaise condition) du ténor Gustave Botiaux qui chante une version coupée cet extrait. Savez-vous dans quelle mesure la version donnée à Marseille cette saison a été coupée ?

    • @cardinalbrownie1644
      @cardinalbrownie1644 Před 2 měsíci

      J'ai vu _L'Africaine_ de Marseille le 10 octobre 2023. C'était beaucoup, beaucoup coupé. Cette strette était donnée dans sa version "habituelle".

    • @estevanfringuello1756
      @estevanfringuello1756 Před 2 měsíci

      @@cardinalbrownie1644 Quel dommage ! Car avec la belle distribution qui a été rassemblés pour l'occasion, ç'aurait pu être formidable. J'espère que moins de coupures seront à déplorer dans le Sigurd de l'an prochain !

  • @stephanemorisse9610
    @stephanemorisse9610 Před 2 měsíci

    A part Mignon et Hamlet il serait temps qu'on redecouvre ses autres ouvrages . Merci à Opera rara d'avoir enregistré la Cour de Célimène et merci à vous pour cet opéra comique délicieux !

  • @robertwatson4840
    @robertwatson4840 Před 2 měsíci

    This is helping me so much! There are so many little bits and pieces in scenes that are cut and I could not find recordings of while learning the role! You are a real massive help!

    • @giacomomeyerbeersohn
      @giacomomeyerbeersohn Před 2 měsíci

      Robert it is a honor for me to help you. Are you going to sing the complete score or with cuts? My best wishes

    • @robertwatson4840
      @robertwatson4840 Před 2 měsíci

      @@giacomomeyerbeersohn not much, at least for Jean. As far as I can tell it’s only a little bit of recit right before the act 3 aria and we are just doing one verse of the act 2 aria, but I want to do both and see if they will let me.

    • @giacomomeyerbeersohn
      @giacomomeyerbeersohn Před 2 měsíci

      ​@@robertwatson4840 you can tell them the composer's son wants the complete score, or only with tiny cuts 😂

  • @FranciscoFerrerGaliana1930
    @FranciscoFerrerGaliana1930 Před 2 měsíci

    Un deleite

  • @mickyalexandru6894
    @mickyalexandru6894 Před 2 měsíci

    I love Medea, but in its Italian version. It is more dramatic. Listen to Callas in one of her recordings - she is Fury Incarnate ! it is not only her acting , it is the dramatic Italian language.

    • @giacomomeyerbeersohn
      @giacomomeyerbeersohn Před 2 měsíci

      So I think you love Callas but not Médée 😆

    • @mickyalexandru6894
      @mickyalexandru6894 Před 2 měsíci

      @@giacomomeyerbeersohn I do love Callas and when she interprets the role, Medea is just in front of us ! P.S. - I don't think that anybody loves Medea. There isn't much or at all to love about her ! None of us would like to have such a mother, sister, wife or......mother-in -law !!!!!! 🤣🤣🤣

    • @giacomomeyerbeersohn
      @giacomomeyerbeersohn Před 2 měsíci

      @@mickyalexandru6894 you understood me... Callas made HER Medea. But I think it wasn't Médée by Cherubini.

    • @mickyalexandru6894
      @mickyalexandru6894 Před 2 měsíci

      @@giacomomeyerbeersohn This is a question of the approach to the original. We can say the same about Verdi's FRENCH ORIGINAL Don Carlos or Les Vepres Siciliennes . They were composed to a French libretto. It is a question of personal taste how one prefers to hear / listen to the opera. As for Cherubini, one of the biggest reformators of opera, he used spoken dialogue. Now, not everyone is fluent in French. In this case the non French speaker , can fall asleep ! And here comes Lachner to save the situation. The same happens with Carmen. The spoken dialogue is difficult for non speakers of French. But, trying to become as close as possible to the original, the dialogue was introduced again. Callas was not the only one who sang the Italian version. We have Sass, Jones, Farrell and a few others. I have a live recorded version in French with Jano Tamar. The music is most beautiful but the spoken dialogue is exhausting. Here comes my preference for the Italian version. It does not depend only on the singer but the conductor as well, to create the atmosphere and the individual characterization - Callas or Sass in this case. But, we have Cherubini without dialogue. The question is what each of us prefers. A few years ago, I found in Paris , a disc of Le Trouvere ! The French version of Il Trovatore. The version Verdi wrote for the Paris opera, including a ballet . It was recorded in 1954. Shall I say this is not Verdi ? No ! This is Verdi, from another point of view. Another perspective, the same as his grand works, written especially for the Paris opera/stage. But, I am so glad and appreciate the fact that we can discuss these points of view , especially about an opera almost forgotten but most beautiful and most influential, like the use of Leitmotif !

    • @treesny
      @treesny Před 13 dny

      @@mickyalexandru6894 The comparisons with Don Carlos and Carmen are not really apt. In whatever language you perform Don Carlos, all the music is by Verdi; personally, I find the word setting far better in the original French. And Guiraud's recitatives for Carmen were written not long after the premiere of the original, and so come from the same musical world. had Bizet not died suddenly at 35, he would surely have composed them himself. By contrast, Lachner's recitatives for Cherubini's work date from much, much later, definitely in the Romantic era, which oddly makes Cheribini's forward-looking music sound a bit old-fashioned.

  • @annamariabakosi6482
    @annamariabakosi6482 Před 2 měsíci

    John Osborn mimikáját a legjobb színész is megirigyelheti!

  • @annamariabakosi6482
    @annamariabakosi6482 Před 2 měsíci

    Majdnem megragad a zene...de rendkívüli énekesek - kivételes színészi tehetséggel - és kivételes kreativitású rendezés...

  • @cesarnicotera5557
    @cesarnicotera5557 Před 2 měsíci

    Tutto molto bello, ma chi canta?