![Tiago I](/img/default-banner.jpg)
- 21
- 77 930
Tiago I
Registrace 8. 09. 2013
Io ti sento! Tosti
Santiago Induni - Tenor
Io ti sento nel sole che si leva sul mare,
Tu, sol più bello e fulgido
Del triste viver mio su l'onde amare.
Io ti sento nel fresco olezzo delle rose,
Tu, fior più molle e tenero
Che in un'ora di fede amor compose.
Io ti sento nel lume che dalle stelle piove,
Tu, stella ancor più limpida,
Più raggiante di Venere e di Giove.
O sole, o fiore, o stella viva, mi arridi e fa'
Che sia la vita un'estasi, e duri lunga nella eternità.
Io ti sento nel sole che si leva sul mare,
Tu, sol più bello e fulgido
Del triste viver mio su l'onde amare.
Io ti sento nel fresco olezzo delle rose,
Tu, fior più molle e tenero
Che in un'ora di fede amor compose.
Io ti sento nel lume che dalle stelle piove,
Tu, stella ancor più limpida,
Più raggiante di Venere e di Giove.
O sole, o fiore, o stella viva, mi arridi e fa'
Che sia la vita un'estasi, e duri lunga nella eternità.
zhlédnutí: 52
Video
Per lei: Ed ecco il sogno - Tosti
zhlédnutí 77Před měsícem
Santiago Induni - Tenor #belcanto #music #bellini #piano #cantante #opera #cantanti #giuseppeverdi #classicalmusic #donizetti #tenore #singing #tenors #madrid #italiansongs
L´ultimo bacio - Tosti
zhlédnutí 42Před 2 měsíci
Santiago Induni - Tenor Se tu la vedi gli dirai che l´amo, che l´amo ancora come ai primi dì, che nei languidi sogni ancor lo chiamo, lo chiamo ancor come se fosse qui. E gli dirai che colla fé tradita tutto il gaudio d'allor non mi rapì; E gli dirai che basta alla mia vita l'ultimo bacio che l'addio finì. Nessun lo toglie dalla bocca mia l'ultimo bacio che l'addio finì. Ma se vuol dargli un al...
Amor ti vieta - Fedora, U. Giordano
zhlédnutí 193Před 6 měsíci
Santiago Induni - Tenor Amor ti vieta, Fedora, U. Giordano Amor ti vieta Di non amar La man tua lieve Che mi respinge Cerca la stretta Della mia man La tua pupilla esprime T'amo Se il labro dice Non t'amerò #opera #tenor #belcanto #tenore #verdi #giuseppeverdi #giacomopuccini #donizetti #giordano #music #classicalmusic #bellini #soprano #operaaccompaniment #músicaclásica #musicac...
Tormento - F. P. Tosti
zhlédnutí 149Před 6 měsíci
Tormento - F. P. Tosti Santiago Induni - Tenor Quando ricorderò le tue carezze ove mai sarai tu? Di quei giorni di sogni e di dolcezze che mai resterà più? Quando ti chiamerò nel mio tormento chi mai risponderà? Amore è come un'alito di vento: passa, carezza, va! E se t'incontrerò su la mia via che mai dir ti potrò? Una stella filò come una scia e il mare la smorzò. Ma s'io ti chiamerò come in ...
La donna è mobile - Rigoletto, G. Verdi
zhlédnutí 410Před 6 lety
Santiago Induni, tenor Milskoc, Hungria Orquesta Sinfonica de Milskoc
Música clásica para bodas o eventos
zhlédnutí 513Před 9 lety
Cantantes líricos e instrumentistas en su BODA o EVENTO. Consultar presupuesto sin compromiso www.boda5estrellas.es
Nicolai Gedda Interview about italian technique
zhlédnutí 37KPřed 9 lety
Nicolai Gedda audio interview
Nicolai Gedda Interview about recording and Karajan
zhlédnutí 1,5KPřed 9 lety
Nicolai Gedda audio interview
Maria Stuarda - Donizetti - Berlin 1989 - Alicia Nafe: Elisabetta
zhlédnutí 477Před 10 lety
Maria: Sharon Sweet Elisabetta : Alicia Nafe Anna: Iris vermillion Leicester: Dalmacio Gonzales Director: Jesus Lopez Cobos
Maria Stuarda - Donizetti - Berlin 1989 - Alicia Nafe: Elisabetta
zhlédnutí 271Před 10 lety
Maria: Sharon Sweet Elisabetta : Alicia Nafe Anna: Iris vermillion Leicester: Dalmacio Gonzales Director: Jesus Lopez Cobos
Monteverdi - Lamento D´Arianna - Alicia Nafe
zhlédnutí 794Před 10 lety
Michael Corboz Ensamble Barroque de Drottiningholm
Yo soy Maria de Buenos Aires - Alicia Nafe - Astor Piazzolla
zhlédnutí 1,4KPřed 10 lety
Alicia Nafé, Mezzosoprano Carmen Piazzini, Piano Alfredo Marcucci, Bandoneon
La Favorita - Donizetti - Duetto: Leonora e Fernando - Alicia Nafe, Franco Bonisolli. VIVO
zhlédnutí 1,2KPřed 10 lety
Leonora: Alicia Nafé Fernando: Franco Bonisolli Alfonso XI: Leo Nucci Baldassare: Nicolai Ghiauvov Director: Gianfranco Masini Junio 1985
Ständchen D 921 - Alicia Nafe y Coro Femenino
zhlédnutí 279Před 10 lety
Ständchen D 921 - Alicia Nafe y Coro Femenino
La canción del carretero - Carlos Lopez Buchardo - Beniamino Gigli
zhlédnutí 19KPřed 10 lety
La canción del carretero - Carlos Lopez Buchardo - Beniamino Gigli
Gedda's emission of tone was incredibly beautiful. I will always remember the high B he sang in the tenor's last act scene in Lucia at the Met, with Sills. I t was the most lovely sound imaginable, utterly free, not hard, but large and with a remarkable sort of thrust...a truly great singer who clearly knew exactly what he was doing...
There‘s so much warmth radiating from the song and the performance… 🌞🌞🌞 Thanks for sharing! 🙏🍀
Truth be told, I love Tosti‘s songs… and this is a very remarkable and rewarding performance of one of his gems… 💎🌹💎 Thanks for sharing! 🙏🍀 Thank you also for always adding the lyrics in the info box! I speak some Italian, but usually don‘t understand everything; reading the words makes understanding so much easier!
With pleasure!! Tosti wrote this song in 1888, and dedicated it to Mrs. Volpi-Bassani.
@@tiagoi9187 Thank you for giving more interesting background information! 🙏 All the best for your future! 🍀🍀🍀
Bravo!!
Gracias Cris!!!
Can you please let me know, who is speaking here. He sounds like gedda. Please don't forget. Thank you.
Yes , it's Gedda himself
I love Tosti‘s canzoni! And this voice is of such a wonderful timbre and quality… 🌹🌹🌹 Thanks for sharing! 🙏🍀
Thank you so much!!! 😀
@@tiagoi9187 Thanks are all mine! 🙏🌞🙏
Incredible!!!
Bravissimo
Peerless
Talked to an old man who say Schipa at the Arena Di Verona in Mefistofele. ' you could hear that little guy for miles! He dominated every ensemble. I was amazed at how it carried. Like he was singing in my ear". Lightness can also carry. Like Alfredo Kraus more.recently.
Thanks alot all of you old school singers for passing on virtually no information about technique, REAL help for us today.
How very beautifully Gedda speaks English! Remarkable...
Tito...The one, and only...
Genius his intellect is over 150 for sure I work with genius intellects Language for him is amazing such brain connections are only in the highest individual few
It is said that he had a talent in language. His English proved that. And he had interest in many things. He even read literature in original language. And he was from a poor family. What a self-made man!
I would like to hear why Gedda made extreme facial postures when he sang. It was distracting in live performance but must have been part of a technique that allowed him to sing everything, in every language, over many years.
I adore the way he uses his facial muscles and expressions. Even the slightest movement made a difference in his delivery, and he had such a beautiful face. I love his smile, almost shy, but happy with his performance.
@PippaAT I think he was shy. I met him once and he seemed so. I once heard him say he suffered from depression in perfect english:" I'm not really a cold fish, but I cant always give an answer when someone asks " what's the matter". Gedda and I share that Scandinavian trait.We also share a birthday. He was a genius no doubt.
Nicolai Gedda, George London, Helen donath, Irmgard Seefried, & Hilde Gueden were Novikova’s pupils. My teacher studied with her for 5 years in NY and hung around her studio and had great stories.
Grande Schipa.
Wonderful. Thank You!!!!!
A Gem-Thank you!!!!
EXCELENTE..
🌹🙏🌹
Hermosisima interpretación!!!!
Grazie,Tiago!
Che meraviglia quella Lucia di Lammermore . Poesia purissima.
Mi madre con 93 es el favorito el padre del tenor de las Américas el himno colombiano es perfecto eschulo
Gedda was a great artist. Beautiful voice, wide-ranging in compass and overall technique. And so superb with languages. I recall that Gedda was the only non-native English speaker in the debut cast of Barber's "Vanessa," yet some critics said his English diction was the best. Hear Gedda's "Messiah" recording from the mid-1960s. Beautiful English, no accent.
A genius
A genius
in this time the conductor follwed the the breath of the singer and the gave the words and the context of the words the time they need. Today we have to train to sing with metronome, because the conductor has "the sacred duty" to follow the tempo like a robot 🤖. Schipa would have no chance to develop his heavenly tones. Instead of Schipa we shall cheer tenors like tin trumpets or nasal mud puddles are sold to us as mezza voce..🤧
As for modern conductors, you read my mind.
@@purisermonisamator It is called 'rubato'. The greatest singers of the past understood it instinctively and compensated without thought
@@chastenor The problem is broader than just rubato. It lies in the fact that the conductor, in principle, does not understand the meaning of the tempo of the music being performed - and the druids in Normа" begin to march hurriedly, like the boys from "Carmen", and the solemn capital ball in "Onegin" turns into a dashing parochial celebration.
He was a singer with a great technique.And very important: taste to sing.
Old Italian School !!!
Passei a conhecer a obra desse grande artista.
Safic aisha admiration by this tenor
Gedda knew his own limitations, he was always a smart, educated (became) and serious person. If not for Björling, he would be the number one Swedish tenor, by miles.
0:20, Paola Novikova
Så jävla mycket snack om teknik men vad hjälper det med "teknik" när de flesta sångarna med en åsnas envishet vägrar att lära sig läsa noter... Noter som nyckeln till förståelse av innehållet i musiken... Vad som ä BEDRÖVLIGAST dock tycker jag att de flesta sjungande är hur angelägna som helst om detta tecken, men skiljer inte på en åtton/sextondel... Det råder fullkomligt brist på professionalism i den svenska sångundervisningen som ä nästan värre än i pianodito..det kunde man inte tro var möjligt... 🙀😉
7 minutes to learn that the voice must be produced with air 😂😂😂
Thank you 🤗
大哥作为一个意大利人,意大利话太牛屄啦
Helen Donath was also a student of Paola Novikova, and sang well into her 70s. Donath's voice remained virtually unchanged throughout her career, due to the technique she learned from Novikova.
I saw her sing Pamina in 1967-perfection! Then heard her Marzelline (Fidelio) 30 or so years later, and she sounded the same. Amazing.
@@philipkuttner7945 The only other singer who preserved her voice practically unchanged over the course of her career is Julia Varady. And she didn't do it by being cautious; Verdi's Abigaille was a major role in her repertoire. These singers were marvels.
Novitkova recorded the BEST laughing in the tipsy song from LA Pericole. You can't listen with out laughing yourself!
Meravigliosa voce e cantante. I suoi pianissimi sono stupendi. Grande cantante.
Hey, sabía de schipa, es más tenía un simple..de schipa, cuatro tangos. Beniamino es el qe más N gusta en música opopular italiana, si vale
Que buena interpretacion .el arte no tiene epocas.es para siempre
El Maestro Gedda habla el inglés mejor que yo, que caray. Yo lo estudio como uno de los grandes!
hay 6 marcianos que no tienen oído
Y otro verguenza
Somewhat interesting but he doesn't really say anything about what the technique consists of.
That’s because he doesn’t know. Certainly, if we are talking about the likes of Battistini, that school of Bel Canto singing is long gone. The art is lost to us.
Emocionante!!!!!
Bravo....Otra Mas...Otra Mas
Martinelli to me seems to have forced his voice terribly
You may not like the s ound, but he couldn't have lasted if he'd really been forcing it.
He had a nasal and unnatural sound that I find to be ugly. He lasted a long time, but I do not care for nearly all of his recordings. Too ugly, pinched, unnatural, and unpleasant sound. Not a fan.
His voice and technique was better than Gedda 's
@@Tkimba2 I can't stop laughing at your remark. 😆😆😆😆😆😆
@@operadog2000 don't stop, then. Laughing is the healthiest thing ever.