BIZZI Strumenti Storici a Tastiera
BIZZI Strumenti Storici a Tastiera
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Pancrace Royer - Le Vertigo 1746
Would like to share with all the harpsichord lover this home recording of fabulous piece witten by Pancrace Royer and Played by Thomas Persico on a Double manual french harpsichord after Goermans-Taskin 1764/83-84
I hope you like it!
zhlédnutí: 301

Video

Jane Chapman meets d'Anglebert
zhlédnutí 339Před 10 měsíci
Jane Chapman unveils the elegance of the new Lorenzo Bizzi replica of the "Goermans-Taskin 1764-83/84" (Russel Collection) - J-H. d'Anglebert Prelude in G minor - Pieces de Clavecin 1689
Rameau - Les Sauvages - Thomas Persico
zhlédnutí 207Před rokem
Happy to share this video of Thomas Persico enjoying his new harpsichord. Harpsichord after Jean Goermans et Pascal Taskin 1764/1784 built by Lorenzo Bizzi 2023
The Little Great Harpsichord
zhlédnutí 669Před rokem
A short sound sample of the newborn Studio harpsichord in the atelier where you can listen to the different timbre of two registers and the two registers together. The Studio has been developed on the drawings of an original italian model with a simple yet elegant aesthetic to offer a high quality harpsichord at a very interesting price. If you wish to receive more info you can contact me at: i...
Improvising on the Grimaldi 1697 Harpsichord
zhlédnutí 775Před rokem
Improvising on the Grimaldi 1697 Harpsichord
Grimaldi 1697 - Scarlatti sonata K9
zhlédnutí 602Před rokem
Recording of the newborn in the Atelier. Harpsichordist: Nicola Bisotti The original instrument, dated 1697, can be found at the Germanische Nationalmuseum in Nurberg. The Grimaldi is a light cased instrument made in cypress that was put in an outer case called “cassa levatora”. The outer cases could be decorated according to taste. Often the inside of the lid was housing a beautiful painting. ...
viaggio in italia - Bizzi 2022
zhlédnutí 195Před rokem
Un "Viaggio" fra alcune importanti città italiane per offrire ad alcuni giovani talenti europei un'esperienza che alcuni di loro hanno descritto come indimenticabile. A journey through fascinating venues for young talented musicians proposed by the Bizzi Foundation.
I CANTASTORIE - Guido Bizzi
zhlédnutí 243Před rokem
Alla fine degli anni 60, nasce il gruppo I Cantastorie, Guido Bizzi, Maria Granata, Adriana Ternengo con il chitarrista Giulio Camarca, sono invitati dalla Fonit-Cetra ad incidere un disco delle canzoni popolari piemontesi, oggetto di studio da parte di Leone Sinigaglia.
CAMERATA POLIFONICA DI TORINO Guido Bizzi (it)
zhlédnutí 86Před rokem
Guido Bizzi, negli anni del Politecnico a Torino, fonda la Camerata Polifonica di Torino, cinque cantanti a cappella che studiano con rigore la prassi esecutiva vocale del periodo di Monteverdi.
STUDIO DI MUSICA ANTICA Guido Bizzi 1976
zhlédnutí 58Před rokem
Guido Bizzi, dopo l'esperienza della Camerata Polifonica di Torino fonda a Milano nel 1972 lo Studio di Musica Antica che utilizza moltissimi strumenti di tipo medievale e rinascimentale ed ha subito un grande successo di pubblico.
CAMERATA POLIFONICA DI TORINO Guido Bizzi
zhlédnutí 182Před 2 lety
Guido Bizzi and the Camerata Polifonica di Torino. After the discovery of a tape recorded in 1968 by the Camerata Polifonica (the vocal ensemble created by Guido Bizzi and Mauro Uberti in 1961), this video intends to show an innovative interpretation of Monteverdi’s “Lamento di Arianna”, based on the in-depth meaning of two important words “RECITAR CANTANDO”. The tape offers also another intere...
Milos Seyda - Violoncello
zhlédnutí 282Před 3 lety
Milos Seyda - Violoncello
Spinet "Goujon 1753"
zhlédnutí 696Před 3 lety
Rameau - L' Entretien de Muses - meets a "Goujon 1753" spinet A short slideshow of a new recording played by M° Roberto Villa Hope you enjoy!
Harpsichord "Continuo"
zhlédnutí 1,2KPřed 3 lety
A sound sample of the "Continuo" harpsichord - Improvisation by M° Salvatore pronestì This is an important harpsichord which was designed according the typical XVII century Italian manufacturing principles. It was made in order to meet, not only the requirements of schools and students but also of continuo performers, ensembles and orchestras. In fact, its strong character, together with the sm...
STUDIO - THE LITTLE GREAT HARPSICHORD
zhlédnutí 1,5KPřed 3 lety
Bach: French Suite N°5 - Gavotte- BWV 816 A short soundsample of the little Studio played by M° Roberto Villa. The harpsichord which everybody can afford, excellent for students, amateurs and continuo players. The “great little harpsichord”, is a high quality instrument, inspired to the construction principles of the Italian harpsichords. It’s available in two versions: with one 8’ stop, and wi...
Harpsichord decorations and paintings
zhlédnutí 856Před 3 lety
Harpsichord decorations and paintings
Salzburger Hofmusik - concert by Accademia Europea Villa Bossi - trailer
zhlédnutí 453Před 3 lety
Salzburger Hofmusik - concert by Accademia Europea Villa Bossi - trailer
Villa Bossi - Visite Guidate e Laboratori Didattici
zhlédnutí 1KPřed 5 lety
Villa Bossi - Visite Guidate e Laboratori Didattici
Piano Evolution, China 2018
zhlédnutí 275Před 6 lety
Piano Evolution, China 2018
Pierre Hantaï meets BIZZI harpsichords - Scarlatti
zhlédnutí 31KPřed 7 lety
Pierre Hantaï meets BIZZI harpsichords - Scarlatti
Pianoforti900
zhlédnutí 561Před 7 lety
Pianoforti900
Pleyel 1843
zhlédnutí 25KPřed 8 lety
Pleyel 1843
Erard 1843 vs Pleyel 1843
zhlédnutí 116KPřed 8 lety
Erard 1843 vs Pleyel 1843
Bart van Oort and BIZZI fortepianos
zhlédnutí 6KPřed 10 lety
Bart van Oort and BIZZI fortepianos
Pierre Hantaï and BIZZI harpsichords - in the atelier
zhlédnutí 14KPřed 10 lety
Pierre Hantaï and BIZZI harpsichords - in the atelier
Accademia Europea Villa Bossi - short presentation
zhlédnutí 1KPřed 10 lety
Accademia Europea Villa Bossi - short presentation
Sigiswald and Marie Kuijken at Collevecchio
zhlédnutí 2,2KPřed 10 lety
Sigiswald and Marie Kuijken at Collevecchio
Hantai playing Froberger on BIZZI harpsichord
zhlédnutí 6KPřed 10 lety
Hantai playing Froberger on BIZZI harpsichord
Accademia Europea Villa Bossi - alto perfezionamento musicale
zhlédnutí 5KPřed 11 lety
Accademia Europea Villa Bossi - alto perfezionamento musicale
Bizzi Studio - The great little harpsichord
zhlédnutí 18KPřed 11 lety
Bizzi Studio - The great little harpsichord

Komentáře

  • @SallyGreenaway
    @SallyGreenaway Před 6 dny

    I love the amount of colour and tonal contrast there is these pianos. Far more than modern pianos. The closest I've experienced (though it's very different so not exactly apples with apples comparison) is the newer fazioli pianos and the Shigeru kawai.

  • @DanielMasmanian
    @DanielMasmanian Před 12 dny

    Great pianos, and beautiful playing, too

  • @ste3in02un3dverllaeng

    Unless you play the same piece, it won't be a showdown. I can guess which piano you want to highlight.

  • @espressonoob
    @espressonoob Před 20 dny

    I really wish we could go back to this instead of the overpowered sound of a modern piano. This is what I fell in love with.

  • @stevecrockett6619
    @stevecrockett6619 Před měsícem

    That Erard sounds gorgeous! A little too much compression on some of the louder parts of the recording but still ❤

  • @drajanacz.1376
    @drajanacz.1376 Před 2 měsíci

    It's interesting to see how most of people here are for Pleyel which, as we all know, was favored by Chopin, while Liszt hated Pleyel for being too quiet for playing in the concert halls. It's understandable. We now have microphones and yes, for intimate saloon playing Pleyel was better for sure. 😁

  • @melefth
    @melefth Před 2 měsíci

    Beautiful--preferable in many ways for this repertoire. COuld I ask what tuning(s) was used?

  • @Ekvitarius
    @Ekvitarius Před 4 měsíci

    The Pleyel is almost like bells. It sounds like it has a moderator stop

  • @virginiavaleri2559
    @virginiavaleri2559 Před 4 měsíci

    PLEYEL, SEMPRE, FOREVER!!

  • @virginiavaleri2559
    @virginiavaleri2559 Před 4 měsíci

    BELLO TUTTO L'INSIEME: MUSICA E AMBIENTE. IL PLEYEL E' IL MIO PREFERITO !!!

  • @borodel619
    @borodel619 Před 6 měsíci

    Is this exciting sound becaus of no crossing strings. I know the concert piano player Martin Oei liks this piano, he told me it gave him more expression and no disturbing frequences because of no crossing strings: czcams.com/video/WLY7tMT-L54/video.htmlsi=mgfrGFYm25o9WyUQ

  • @baibamennika4480
    @baibamennika4480 Před 6 měsíci

    Yes understand why Chopin choose Pleyel. For me Erard is closer or just nice change because Mendelssohn sounds great on it

  • @aliciamtzflores5572
    @aliciamtzflores5572 Před 6 měsíci

    Una belleza para escuchar. 🎉🎉🎉

  • @giuseppecacopardo4823
    @giuseppecacopardo4823 Před 7 měsíci

    Splendido, Thomas!

  • @javierg.delolmo285
    @javierg.delolmo285 Před 7 měsíci

    Muchas gracias por compartir esta grabación. Es una pieza fabulosa, de mis favoritas. Cada vez que la vuelvo a escuchar, la solidez de sus acordes y el brillo y sonoridad especial del clave me transportan a otro lugar, del que no me querría marchar...

  • @pietrochiarello2487
    @pietrochiarello2487 Před 7 měsíci

    Bellissimo brano, e grande interpretazione! Suono e strumento meravigliosi!!!

  • @aubainlemerou3485
    @aubainlemerou3485 Před 7 měsíci

    Waouw! Comment ne pas tomber amoureux d’un tel instrument. Liberté d’harmonie, subtilité et légèreté du toucher. Le rêve absolu. On rêve simplement de l’entendre dans un répertoire où on le puisse laisser plus libre de son chant, particulièrement au niveau du relevé de touche. Ah! Un bon petit Forqueray, Rameau, voire dans un plus « vieux pour lui » d’Anglebert. Quant à pouvoir lui laisser m’apprendre quelque petites choses d’importance du bout des doigts et touches! Merci pour tout ça!

  • @AA-le9ls
    @AA-le9ls Před 8 měsíci

    The Pleyel sounds lousy compared to the Erard.

  • @soyeux27
    @soyeux27 Před 8 měsíci

    You are an incredible pianist. Wish I listened to your complete rendition of the Berceuse and the Barcarolle !

  • @bobschaaf2549
    @bobschaaf2549 Před 9 měsíci

    Play the G minor Ballade, and you'll know why history went with Erard.

  • @docmichaelkru3377
    @docmichaelkru3377 Před 9 měsíci

    What is the reason for the different sound? A short explanation would be nice and informing. It lies within the construction, doesn't it? But what exactly?

  • @anabellaperezcruces
    @anabellaperezcruces Před 10 měsíci

    ❤❤❤

  • @christopherczajasager9030
    @christopherczajasager9030 Před 10 měsíci

    Has truly 😂 a singing sonority...perfect for this bel canto Nocturne....

  • @aritrodasgupta2841
    @aritrodasgupta2841 Před 11 měsíci

    3:04...That was Chopin's Berceuse Op. 57 and not a nocturne

  • @PVZBlover
    @PVZBlover Před 11 měsíci

    Appropriate for playing Chopin in a historical Pleyel grand piano

  • @PVZBlover
    @PVZBlover Před 11 měsíci

    Comparing The Two Historical French Made Grand Pianos

  • @victorlange4073
    @victorlange4073 Před 11 měsíci

    I far prefer the Erard. It sounds full and fully alive. The Pleyel sounds tired and listless, at least to my ears.

  • @tomreijn7397
    @tomreijn7397 Před 11 měsíci

    Very nice project and video..... stunning! Thank you for sharing!

  • @BenjaminFrock
    @BenjaminFrock Před rokem

    what was involved in the restoration work of these pianos? was the original soundboard preserved?

    • @BizziClavicembali
      @BizziClavicembali Před rokem

      We found it in quite conditions. The soundboard is the original one and the instrument has been restringed with appropriate strings (talking about material and diameters). We had to work on the mechanic and the felts had been refelted with historical felts.

  • @EnviroNews
    @EnviroNews Před rokem

    That was Berceuce not a nocturne on the Pleyel.

  • @rjuttemeijer
    @rjuttemeijer Před rokem

    I can totally understand why Chopin preferred the Pleyel.

  • @ryanleefortepiano
    @ryanleefortepiano Před rokem

    Song in 3:03 is not nocturne op.27 no.2 It's berceuse Op.57

  • @ivanbossi
    @ivanbossi Před rokem

    grande Pierre!!!!

  • @user-vn6fq3wh5q
    @user-vn6fq3wh5q Před rokem

    Beautiful

  • @lucashdz
    @lucashdz Před rokem

    Lovely piece of music. sounds ethereal

  • @ElPadrinoMC
    @ElPadrinoMC Před rokem

    i love Erard

  • @marinawyrwa7336
    @marinawyrwa7336 Před rokem

    👑💖💖💖💖🎼 che bellezza....

  • @mabdub
    @mabdub Před rokem

    The comparison test wasn't done properly. Identical shorter passages played on each piano would have would have been far more beneficial to the listeners. This video was a great idea but it seems that no serious thought was put into achieving the actual comparison objective for anyone other than the pianist who gets to touch the instruments.

  • @luckystrike2551
    @luckystrike2551 Před rokem

    I thought the playing was with too much pedal on both pianos. I would love to hear a more spare version

  • @itsjudystube7439
    @itsjudystube7439 Před rokem

    The Pleyel has such a beautiful voice, a personality all its own. Rich, warm, yet singing.

  • @paulolopes9344
    @paulolopes9344 Před rokem

    beautiful

  • @Wolfganger
    @Wolfganger Před rokem

    Wow, has the piano been restored? The keytops look impeccable, considering the age.

    • @BizziClavicembali
      @BizziClavicembali Před 4 měsíci

      Indeed!! those are the original keytops in Ivory. The were some missing that has been replaced with Ivory tops from other romantic piano that were to damaged to be restored.

  • @88_AC
    @88_AC Před rokem

    Do these instruments have narrower keys than those on modern pianos?

  • @Seleuce
    @Seleuce Před rokem

    Liszts favourite Erard vs Chopins beloved Pleyel. You don't often get the chance to hear them in the same video! Fantastic, thank you very much! Love the Pleyel!

  • @thedigitalharpsichordist1541

    Hmmm.. we all know Scarlatti's "cat fugue", and now we discover the "dog sonata", "K9"... All jokes aside... a fine performance, on a lovely instrument! It should be sampled ASAP!

  • @aoNguyen-vy2jt
    @aoNguyen-vy2jt Před rokem

    Pleyel is very good.

  • @istvankocsis5507
    @istvankocsis5507 Před rokem

    Of course Pleyel sounds far better as Erard. But it's seems to me both instruments are still dead. Whether the micros were ill placed and/or the temperament was tuned to equal one but the resonance is missing wich would give real life and colors to the pianos. Can you please tell me wich temperament is used?

  • @annafalcone6530
    @annafalcone6530 Před rokem

    ❤❤❤

  • @tagquasar8791
    @tagquasar8791 Před rokem

    I dont know whether they are (too) loud or not, they sound beautifull in this recording with my headphones on😊, very intimate and clear at the same time

  • @Anorectic.Bumblebee

    Breathtaking design but the everybody can afford part disappointed me a bit, the car I'm driving since two years cost half of the harpi :-)