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BIZZI Strumenti Storici a Tastiera
Registrace 19. 01. 2012
Official BIZZI CLAVICEMBALI channel.
Our company, founded in 1975, has specialized from the very beginning in the production and restoration of historical musical instruments. Our company is based on the same manufacturing principles of the greatest harpsichord makers of the past, and particularly the Ruckers dinasty, which is a unique example of high quality combined with great efficiency and incredible productivity.
Our company, founded in 1975, has specialized from the very beginning in the production and restoration of historical musical instruments. Our company is based on the same manufacturing principles of the greatest harpsichord makers of the past, and particularly the Ruckers dinasty, which is a unique example of high quality combined with great efficiency and incredible productivity.
Pancrace Royer - Le Vertigo 1746
Would like to share with all the harpsichord lover this home recording of fabulous piece witten by Pancrace Royer and Played by Thomas Persico on a Double manual french harpsichord after Goermans-Taskin 1764/83-84
I hope you like it!
I hope you like it!
zhlédnutí: 301
Video
Jane Chapman meets d'Anglebert
zhlédnutí 339Před 10 měsíci
Jane Chapman unveils the elegance of the new Lorenzo Bizzi replica of the "Goermans-Taskin 1764-83/84" (Russel Collection) - J-H. d'Anglebert Prelude in G minor - Pieces de Clavecin 1689
Rameau - Les Sauvages - Thomas Persico
zhlédnutí 207Před rokem
Happy to share this video of Thomas Persico enjoying his new harpsichord. Harpsichord after Jean Goermans et Pascal Taskin 1764/1784 built by Lorenzo Bizzi 2023
The Little Great Harpsichord
zhlédnutí 669Před rokem
A short sound sample of the newborn Studio harpsichord in the atelier where you can listen to the different timbre of two registers and the two registers together. The Studio has been developed on the drawings of an original italian model with a simple yet elegant aesthetic to offer a high quality harpsichord at a very interesting price. If you wish to receive more info you can contact me at: i...
Improvising on the Grimaldi 1697 Harpsichord
zhlédnutí 775Před rokem
Improvising on the Grimaldi 1697 Harpsichord
Grimaldi 1697 - Scarlatti sonata K9
zhlédnutí 602Před rokem
Recording of the newborn in the Atelier. Harpsichordist: Nicola Bisotti The original instrument, dated 1697, can be found at the Germanische Nationalmuseum in Nurberg. The Grimaldi is a light cased instrument made in cypress that was put in an outer case called “cassa levatora”. The outer cases could be decorated according to taste. Often the inside of the lid was housing a beautiful painting. ...
viaggio in italia - Bizzi 2022
zhlédnutí 195Před rokem
Un "Viaggio" fra alcune importanti città italiane per offrire ad alcuni giovani talenti europei un'esperienza che alcuni di loro hanno descritto come indimenticabile. A journey through fascinating venues for young talented musicians proposed by the Bizzi Foundation.
I CANTASTORIE - Guido Bizzi
zhlédnutí 243Před rokem
Alla fine degli anni 60, nasce il gruppo I Cantastorie, Guido Bizzi, Maria Granata, Adriana Ternengo con il chitarrista Giulio Camarca, sono invitati dalla Fonit-Cetra ad incidere un disco delle canzoni popolari piemontesi, oggetto di studio da parte di Leone Sinigaglia.
CAMERATA POLIFONICA DI TORINO Guido Bizzi (it)
zhlédnutí 86Před rokem
Guido Bizzi, negli anni del Politecnico a Torino, fonda la Camerata Polifonica di Torino, cinque cantanti a cappella che studiano con rigore la prassi esecutiva vocale del periodo di Monteverdi.
STUDIO DI MUSICA ANTICA Guido Bizzi 1976
zhlédnutí 58Před rokem
Guido Bizzi, dopo l'esperienza della Camerata Polifonica di Torino fonda a Milano nel 1972 lo Studio di Musica Antica che utilizza moltissimi strumenti di tipo medievale e rinascimentale ed ha subito un grande successo di pubblico.
CAMERATA POLIFONICA DI TORINO Guido Bizzi
zhlédnutí 182Před 2 lety
Guido Bizzi and the Camerata Polifonica di Torino. After the discovery of a tape recorded in 1968 by the Camerata Polifonica (the vocal ensemble created by Guido Bizzi and Mauro Uberti in 1961), this video intends to show an innovative interpretation of Monteverdi’s “Lamento di Arianna”, based on the in-depth meaning of two important words “RECITAR CANTANDO”. The tape offers also another intere...
Spinet "Goujon 1753"
zhlédnutí 696Před 3 lety
Rameau - L' Entretien de Muses - meets a "Goujon 1753" spinet A short slideshow of a new recording played by M° Roberto Villa Hope you enjoy!
Harpsichord "Continuo"
zhlédnutí 1,2KPřed 3 lety
A sound sample of the "Continuo" harpsichord - Improvisation by M° Salvatore pronestì This is an important harpsichord which was designed according the typical XVII century Italian manufacturing principles. It was made in order to meet, not only the requirements of schools and students but also of continuo performers, ensembles and orchestras. In fact, its strong character, together with the sm...
STUDIO - THE LITTLE GREAT HARPSICHORD
zhlédnutí 1,5KPřed 3 lety
Bach: French Suite N°5 - Gavotte- BWV 816 A short soundsample of the little Studio played by M° Roberto Villa. The harpsichord which everybody can afford, excellent for students, amateurs and continuo players. The “great little harpsichord”, is a high quality instrument, inspired to the construction principles of the Italian harpsichords. It’s available in two versions: with one 8’ stop, and wi...
Salzburger Hofmusik - concert by Accademia Europea Villa Bossi - trailer
zhlédnutí 453Před 3 lety
Salzburger Hofmusik - concert by Accademia Europea Villa Bossi - trailer
Villa Bossi - Visite Guidate e Laboratori Didattici
zhlédnutí 1KPřed 5 lety
Villa Bossi - Visite Guidate e Laboratori Didattici
Pierre Hantaï meets BIZZI harpsichords - Scarlatti
zhlédnutí 31KPřed 7 lety
Pierre Hantaï meets BIZZI harpsichords - Scarlatti
Pierre Hantaï and BIZZI harpsichords - in the atelier
zhlédnutí 14KPřed 10 lety
Pierre Hantaï and BIZZI harpsichords - in the atelier
Accademia Europea Villa Bossi - short presentation
zhlédnutí 1KPřed 10 lety
Accademia Europea Villa Bossi - short presentation
Sigiswald and Marie Kuijken at Collevecchio
zhlédnutí 2,2KPřed 10 lety
Sigiswald and Marie Kuijken at Collevecchio
Hantai playing Froberger on BIZZI harpsichord
zhlédnutí 6KPřed 10 lety
Hantai playing Froberger on BIZZI harpsichord
Accademia Europea Villa Bossi - alto perfezionamento musicale
zhlédnutí 5KPřed 11 lety
Accademia Europea Villa Bossi - alto perfezionamento musicale
Bizzi Studio - The great little harpsichord
zhlédnutí 18KPřed 11 lety
Bizzi Studio - The great little harpsichord
I love the amount of colour and tonal contrast there is these pianos. Far more than modern pianos. The closest I've experienced (though it's very different so not exactly apples with apples comparison) is the newer fazioli pianos and the Shigeru kawai.
Great pianos, and beautiful playing, too
Unless you play the same piece, it won't be a showdown. I can guess which piano you want to highlight.
I really wish we could go back to this instead of the overpowered sound of a modern piano. This is what I fell in love with.
That Erard sounds gorgeous! A little too much compression on some of the louder parts of the recording but still ❤
It's interesting to see how most of people here are for Pleyel which, as we all know, was favored by Chopin, while Liszt hated Pleyel for being too quiet for playing in the concert halls. It's understandable. We now have microphones and yes, for intimate saloon playing Pleyel was better for sure. 😁
Beautiful--preferable in many ways for this repertoire. COuld I ask what tuning(s) was used?
The Pleyel is almost like bells. It sounds like it has a moderator stop
PLEYEL, SEMPRE, FOREVER!!
BELLO TUTTO L'INSIEME: MUSICA E AMBIENTE. IL PLEYEL E' IL MIO PREFERITO !!!
Is this exciting sound becaus of no crossing strings. I know the concert piano player Martin Oei liks this piano, he told me it gave him more expression and no disturbing frequences because of no crossing strings: czcams.com/video/WLY7tMT-L54/video.htmlsi=mgfrGFYm25o9WyUQ
Yes understand why Chopin choose Pleyel. For me Erard is closer or just nice change because Mendelssohn sounds great on it
Una belleza para escuchar. 🎉🎉🎉
Splendido, Thomas!
Muchas gracias por compartir esta grabación. Es una pieza fabulosa, de mis favoritas. Cada vez que la vuelvo a escuchar, la solidez de sus acordes y el brillo y sonoridad especial del clave me transportan a otro lugar, del que no me querría marchar...
Bellissimo brano, e grande interpretazione! Suono e strumento meravigliosi!!!
Waouw! Comment ne pas tomber amoureux d’un tel instrument. Liberté d’harmonie, subtilité et légèreté du toucher. Le rêve absolu. On rêve simplement de l’entendre dans un répertoire où on le puisse laisser plus libre de son chant, particulièrement au niveau du relevé de touche. Ah! Un bon petit Forqueray, Rameau, voire dans un plus « vieux pour lui » d’Anglebert. Quant à pouvoir lui laisser m’apprendre quelque petites choses d’importance du bout des doigts et touches! Merci pour tout ça!
The Pleyel sounds lousy compared to the Erard.
You are an incredible pianist. Wish I listened to your complete rendition of the Berceuse and the Barcarolle !
Play the G minor Ballade, and you'll know why history went with Erard.
What is the reason for the different sound? A short explanation would be nice and informing. It lies within the construction, doesn't it? But what exactly?
❤❤❤
Has truly 😂 a singing sonority...perfect for this bel canto Nocturne....
3:04...That was Chopin's Berceuse Op. 57 and not a nocturne
Appropriate for playing Chopin in a historical Pleyel grand piano
Comparing The Two Historical French Made Grand Pianos
I far prefer the Erard. It sounds full and fully alive. The Pleyel sounds tired and listless, at least to my ears.
Very nice project and video..... stunning! Thank you for sharing!
what was involved in the restoration work of these pianos? was the original soundboard preserved?
We found it in quite conditions. The soundboard is the original one and the instrument has been restringed with appropriate strings (talking about material and diameters). We had to work on the mechanic and the felts had been refelted with historical felts.
That was Berceuce not a nocturne on the Pleyel.
I can totally understand why Chopin preferred the Pleyel.
Song in 3:03 is not nocturne op.27 no.2 It's berceuse Op.57
grande Pierre!!!!
immenso
Beautiful
Lovely piece of music. sounds ethereal
i love Erard
👑💖💖💖💖🎼 che bellezza....
grazie mille
The comparison test wasn't done properly. Identical shorter passages played on each piano would have would have been far more beneficial to the listeners. This video was a great idea but it seems that no serious thought was put into achieving the actual comparison objective for anyone other than the pianist who gets to touch the instruments.
I thought the playing was with too much pedal on both pianos. I would love to hear a more spare version
The Pleyel has such a beautiful voice, a personality all its own. Rich, warm, yet singing.
beautiful
Wow, has the piano been restored? The keytops look impeccable, considering the age.
Indeed!! those are the original keytops in Ivory. The were some missing that has been replaced with Ivory tops from other romantic piano that were to damaged to be restored.
Do these instruments have narrower keys than those on modern pianos?
Liszts favourite Erard vs Chopins beloved Pleyel. You don't often get the chance to hear them in the same video! Fantastic, thank you very much! Love the Pleyel!
Hmmm.. we all know Scarlatti's "cat fugue", and now we discover the "dog sonata", "K9"... All jokes aside... a fine performance, on a lovely instrument! It should be sampled ASAP!
Pleyel is very good.
Of course Pleyel sounds far better as Erard. But it's seems to me both instruments are still dead. Whether the micros were ill placed and/or the temperament was tuned to equal one but the resonance is missing wich would give real life and colors to the pianos. Can you please tell me wich temperament is used?
❤❤❤
I dont know whether they are (too) loud or not, they sound beautifull in this recording with my headphones on😊, very intimate and clear at the same time
Breathtaking design but the everybody can afford part disappointed me a bit, the car I'm driving since two years cost half of the harpi :-)